89 Royalty-Free Audio Tracks for "Dynamics"

This is from a set of dynamic microphone recordings of my keychain being dropped repeatedly on a wooden table.

This is from a collection of sounds recorded with a dynamic microphone of a beer can being hit various ways. It's about three-quarters empty.

This is from a collection of dynamic microphone recordings wherein i plucked the tab of a 3/4s empty beer can.

Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.

Recorded light rain in lutsk (ukraine) via zoom h2 in stereo (cut, edit in ardour, added dynamics by tap dynamics plugin).

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

Series of hand slaps of differing timbres and dynamics, with short pauses between.

Recording of a koshi chime. Editing:- eqing- dynamics- stereo image- soften the transients- harshness reduced.

A ni massive self-made preset bounced and processed with multiband dynamics. :).

4-bar-techno-loop made with rebirth. 142 bpm. Slightly improved with some dynamics. Before i provided a rebirth-mod with samples from thefreesoundproject.

4-bar-techno-loop made with rebirth. Slightly improved with some dynamics. Before i provided a rebirth-mod with samples from thefreesoundproject.

Binaural recording of a festive event. Slightly lowered dynamics. Hrtf corrected. Microphones: soundman okm studio ii.

Piano high resonance filtered and elaborated as a loop. Used dynamics envelopes from water flowing soundfile on max/msp for irregular texture. .

4-bar-techno-loop made with rebirth. 142 bpm. Slightly improved with some dynamics. Before i provided a rebirth-mod with samples from thefreesoundproject.

4-bar-techno-loop made with rebirth. 143 bpm. Slightly improved with some dynamics. Before i provided a rebirth-mod with samples from thefreesoundproject.

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

A stereo recording of a whiteboard duster across a plastic table. Moves from right to left. I used it to simulate a sliding door. Slightly compressed to even out the dynamics and recorded at 48k 24bit.

Remix of another sample of a honda civic car horn, beeping twice in short succession. Background noise removed. This is a clean, all dynamics present version. Relicensed to cc0 to match source sound effect by guitarguy1985.

Long duration ms recording of an evening atmosphere, big dynamics, people going back home, taking their cars, walking on the pavement, train in the background coming and going.

A composite alarmsample. Loop this sample on a huge stereo with decent volume and report back :) the sample is optimized for dynamics, so it's not overcompressed. This sample also contains a firealarm bell which is absent in the other sample in this pack.

Recordings of a violin (performed by poppy crum) playing long sustained notes in various expressions; pitch, dynamics and express (normal, harmonic, sul tasto, sul pont) are in file name. Recordings made with a pair of neumann mics.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

This is not layered or multi-tracked; actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Sound of block in boxing in several different dynamics. Use it however you like and show me results of your job i will glad to show it in my social media. Thanks a lot and have fun!.

This is not layered or multi-tracked; very active birds this morning! actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Recordings of variouts trumpet extended techniques, performed by david bithell, recorded by ali momeni with a neumann mics (marked. L) and an earthwords (marked. R). Dynamics are indicated with from pp (very soft) to ff (very loud). V indecas valve, s and l indicate short and long, pitches in names indicate fingered pitches,.

Recordings of a home made instrument of david bithells called sun ra, recordings by ali momeni. Instrument is made of metal springs extending from a large calabash shell; recordings made with a pair of earthworks mics, and a number k&k; contact microphones, mixed down to stereo. Dynamics are indicated by pp (soft) to ff (loud); name indicates action recorded.

I call this my flash boom. It's a sub plus a pitch shifted snare that i created on my track "a flash of light by the shore" use it to create dynamics on a hit or whatever you want. Give a shout out to stark for machines and have fun! :). - chris.

Recording of knocking on three kinds of glass for effect of tapping on window (recorded as foley for characters tapping on viewer's screen from the inside). First is damped thick glass, second is undamped thick glass, third is double-glazed window pane. Knocks separated to allow reverb and dynamics to damp down between them, background noise lightly cleaned.

Optional extension of intro. 3/4 piano loop pack. Loops in this pack are 90 bmp with 3/4 signature, played by hand with dynamics. Designed for building 6 or 8 bar long song parts, preferably 6. Smaller bar count works well in combination with slower tempo. Loop sizes are 2,3,6 bars. Targeted at people who likes to build slightly different song structure.

One satisfying thunder crack, followed by it's rumbly aftermath, as well as a car passing on the street in the distance. There is no compression or eq applied, and the file has a high dynamic range, so for many applications you may need to use some dynamics processing to reduce the dynamic range. Recorded with spaced pair ksm141, in omni mode, no filters.

This is a field recording, done using a zoom h6 with attached stereo mic. The limiter (general type) was activated on the channel. This is the raw recording without any eq or dynamics added. A quick normalization gave a nice, rich signal that you might be able to use for any purpose. Apply a low pass filter to cut out the rain. Well, enjoy. :). More of this will be uploaded.

While creating an ambient haunted house track, i created 4 slightly different versions of a grandfather clock chime by layering tube bells, hand bells, and a vibraphone at varying dynamics and articulations in musescore 2. 0. The chime rings at a b2. I obviously had a clock in mind when creating these sounds, but you could also use this as a singing bowl, a bell or gong, or as any number of sound effects.

Automated/computer controlled plasma cutting torch. Re-processed from open source wikipedia video courtesy of metaveld wijchen bv. Noise reduced, dynamics compressed and high/low frequencies resynthesized. I'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

This is the soundscape i've recorded in my neighboorhood of cidade tiradentes, a district from são paulo, brazil. We name these events as pancadão (big punch) or fluxo (flow). When a flow occurs, you know that the sound is very high and it invades all surroundings. It happened in april 4, 2021, during our worst period in the the global covid-19 pandemic. Plent of people, vehicles, multiple speakers and so on in a street. I'm writing in the exact moment police came to repress, but in my conclusion only education can solve city problems, not repression, not paliative atitudes. I think this is interesting to share it here, as a cultural manifestation, showing that when the state fails, everyone fails. This is disrespectful at all, but i try to look it as a construction of city. In a country where its president goes for a for a swim at a crowded beach amid 200 thousand pandemic deaths, how can i criticize suburban people?. I'm not conservative, i like the kind of music playing known as"brazilian funk" or "funk carioca", this is our culture, even if i do not participate actively. Plot twist: i was working in a asmr video. *-*. Recorded in mp3 320 kbps, using a zoom h1n and compressed in ableton live to bring on the dynamics.