10 Royalty-Free Audio Tracks for "Eighties"

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Short mechanized and slowed sample of noise which mimics the type of beep a 1980s or 1990s children's analog educational computer game made.
Author: Cognito Perceptu
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00:02
Famous orchestra hit. Play the sample in different keys and you hear what i mean.
Author: Soundslikewillem
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00:02
Very useful in discos and reggae tunes. . . Old school sound.
Author: Kevoy
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00:52
Some creepy music i made in garageband for an intro for something called victors crypt!. It's basically a synth-melody played with a lot of reverb and some echo. And just some fx wailing guitar and voice in the back. Reminds me a bit of some 80's horror theme or something. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:42
Something scary i made in garageband for a thing called victors crypt. I wanted to make a typical 80's kind of horror-tune. That synth with a retro vibe. I added sounds and some whisper to make it even more "fun". Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:39
Eighties kinda feel short loop with sampled vocal.
Author: Prtr Jan
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00:04
Persian instrument. These samples are originally for emu-sampler,which was usedin the eighties.
Author: Deleteduser
00:00
01:24
Binaural field-recording of myself swinging in one of those typical iron-made swings built in the eighties.
Author: Eguaus
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00:38
Noisy interference caught in the short wave during the eighties and recovered of recordings in casette. First fragment of the package "onda-curta".
Author: Galeku
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00:43
This a sound effect i created in acid pro for a play. It is intended to represent a conflagration with an explosive start, a fire alarm and then the approach of fire engines. The play was set in the eighties. It is made from a combination of sounds drawn from field recordings, freesound effects and purchased sound effects.
Author: Sarson
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