Experimental bass loop extracted from an ableton project that i chose to discontinue. This loop is made with native instruments massive, some saturation and low cut from around 30hz.
A tech loop @ 150 bpm. Done in caustic 3. Layer of 3 loops1) 8 bit synth, glitchy synth break2) beatbox, normal 606 breakbeat low vol3) beatbox, percussion through bit crush & fast delay.
Electronic bass loop extracted from an ableton project that i chose to discontinue. I used robpapen blue to create the sound and some effects like saturation for processing. Lowcut below 35hz.
Two cable cars drove in to opposite directions. Halt at a station. Typically noise of the electric motors. Public traffic system of the city of bremen. Recorded in the district überseestadt.
In the seventies george mc crae had a worldwide superhit with `rock your baby`. This one is the original loop of the drum machine ,which i created with audacity,using sine tones and filtered noise.
Was experimenting with involving an adsr in sequencing when this beat suddenly appeared. Had to record it. Saved it in a low resolution mp3 format just to get that old mp3 sound. Meaningless. . . That's what it all about.
3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.
Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.
