4,699 Royalty-Free Audio Tracks for "Electronics"

Sonar / echolot sound created with apple logic's es p synthesizer.

Uplifting ambient session, made in ableton with several sylenth vst's.

A short lead or loop. Notes: d,e,g#,a. Sound design: tec studios.

An abstract wah wah sound.

This was recorded from my secondary phone an htc, you can use this for skits, or a song. . .

A dull synth kick.

Saw wave arpeggio with lfo, 2 octaves. Tools: jp8080 & fx.

A swoosh wobble fx sound.

Electronic generated voices and ambience sounds.

Made a loop. Nice i think. . . Use it!.

A short clip from my roland kit. Please comment on what you will use it for. Thanks. :^).

A sequence i made on accident and thought it sounded like an anxiety trip or bad dream.

Moog like sounding bassline, very groovy.

A couple of loops (the same one actually) from a song i'm producing for vÿs mür, an electronic project based in guatemala.

Drill recorded with mic thru multi fx very loud warning.

A final 'boop' from the circuitry of a toy.

120 bpm. Sawtooth glithcy arp with reverb.

A recording of a synthesized harpsichord instrument recorded from my yamaha portasound ps-3.

Typing on a dell keyboard. Recorded on h4n.

Hardcore kick drum at 160 bpm.

Noise with a lot of low frequencies.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

Modular diary 2018-11-13. Struggled with an idea i had. I wanted random chords. Outcome. Just boring. Involved many patch cables. Mixed the sound with radio noise and"a creek in a forest" by nikeranhttps://freesound. Org/people/nikeran/sounds/321471/.

I have tried to make a patch similar to the one i did in vcv-rack herehttps://freesound. Org/people/gis_sweden/sounds/421725/not exactly the same. Don't remember. . . Then i did https://freesound. Org/people/gis_sweden/sounds/421752/cool, but i think i forgott to connct one oscillator. . . Now! a "faster" version. 4 vclfos are spitting out cv! yeah!fun!still no glitch!.

Made a patch in vcv-rack. Kind of industrial drone thing. Searched for some suitable sounds to mix it with. I found these. Https://freesound. Org/people/puniho/sounds/145222/strange talk slow down. Wav by user puniho(remix of: slow_down. Wav by corsica_s). Https://freesound. Org/people/schafferdavid/sounds/269042/industrial laundry. Wav by user schafferdavid.

Small but nice drone patch. Will try to replicate it on my physical modular.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

Aha! the wave form effects the wave color! here is a 60hz tone playing alternatly sinus and triangle wave. In this test im using vco-1. #colortest.

What effects the color of the wave here on freesound? i could ask, but here is a little test. Part 1 - a (about) 60hz tone going from sinus to triangle (vcv-rack vco-2)part 2 - same tone. Sinus wave. An accelerating vibrato. Part 3 - now 2 tones. Same 60hz sinus tone plus another sinus tone slowly increasing in frequency creating beating effects. The second, rising, vco has a lower amplitude. All three part has the same peak amplitude (-4db)#colortest.

Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.

While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Sci-fi communications 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communications 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

This is a recording made by me from my electronic organ, selecting a contrabs sound, then i edited it to make this kind of suspense sound; the series from netflix called dark inspired me; there you can hear sometimes a sound very similar to this one. I hope you like it guys.

Playing with quantussy cells in vcv-rack, creating generative music. I call in machine composition, but this time its done on a virtual modular. Hmmm no 100 should have been done on a real modular. . .

More modular hip-hop. Does it work? neeed a sampler i think. . . Some compressor and limiter in audacity. Little too much bass.

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

One classic passive ring mod based on 2 transformators and one vca based.

This sound is meant to be paired with thishttps://freesound. Org/people/gis_sweden/sounds/431375/this is an almost tonal machine composition recording. . . Annoying background sound. . . Check! i have selected my part. Made on analog modular synth.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

Super useful electronic chords. The omnichord is a true classic. The only catch is you have to chop them yourself. I just load them into a beat slicer and go to town :). Also sounds amazing with distortion!.