131 Royalty-Free Audio Tracks for "Excerpt"

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Cat blow. How it was created: recorded by me in a samsung j5. It is an excerpt of a sound, but i don't remember wich (it is not really the claw of a cat)recorder used: "grabadora de voz" version 20. 1. 83-92recording quality: media 128kps, 44. 1khzsoftware used: to mute the noise, cut it and export it. Date: june 20, 2017location: buenos aires, argentina.
Author: Locontrario
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This sound is an excerpt of 244429__milton__army-band. Wav , available here in freesound: http://www. Freesound. Org/people/milton. /sounds/244429/i have edited a four bars loop in audacity to change the format to wav and mono sound with a depth of16 bits. Also i have applied a soft fade in and fade out in order to avoid artefacts.
Author: Brote
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This excerpt demonstrates a kind of gamaka (sphuritam) in carnatic music. Description-sphuritam: starting on a svara higher than its own position and quickly descending to its position which is repeated. This particular instance is sphuritam gamaka on m svara in raaga arabhi. Sung by: vignesh ishwar.
Author: Sankalp
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00:35
Myself singing an excerpt that i later took a few hours to take apart and put back together. I don't use the sampler, it's just the notes are out of order. I used this in my song violet town: https://soundcloud. Com/user-32192831-668958257/violet-towni hope someone can find it useful.
Author: F R A G I L E
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02:34
Brno's street ambience excerpt. Cars and trams passing by from different sides and at different distances, birds, people, noise. Recorded in brno at udolni street, using tascam recorder, windscreen and tripod. ---in case you use any of my sounds, i will be happy to be informed about it, although it is not necessary. Recording on request of similar sounds with different technical attitude, procedure or format is possible. Just let me know. Recorded in 2018.
Author: Dersinnsspace
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Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.
Author: Iainmccurdy
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Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.
Author: The original uploader was Hyacinth at English Wikipedia.
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A bad readout of an excerpt from prosperous. The tempest act 4, scene 1, 148–158. Our revels now are ended. These our actors,as i foretold you, were all spirits, andare melted into air, into thin air:and like the baseless fabric of this vision,the cloud-capp'd tow'rs, the gorgeous palaces,the solemn temples, the great globe itself,yea, all which it inherit, shall dissolve,and, like this insubstantial pageant faded,leave not a rack behind. We are such stuffas dreams are made on; and our little lifeis rounded with a sleep. .
Author: Bricoler
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02:42
A little excerpt from one of my cam sessions. I'm not the submissive type, but i thought it would be fun to hear her get really nasty and abusive, she was a really nice young woman though. Audio extracted from video and cleaned up somewhat. Audio:. Id : 2format : aac lcformat/info : advanced audio codec low complexitycodec id : mp4a-40-2duration : 16 min 12 ssource duration : 16 min 12 sbit rate mode : variablebit rate : 93. 5 kb/schannel(s) : 2 channelschannel layout : l rsampling rate : 48. 0 khzframe rate : 46. 875 fps (1024 spf)compression mode : lossystream size : 10. 8 mib (4%)source stream size : 10. 8 mib (4%).
Author: Clothespeg
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An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.
Author: Audible Edge
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A looping lo-fi excerpt of felineterror's song 'r-s 5'. There is alot going on under the hood here, everything from an analog bass exciter, feeding into a audio rectifier, creating that unique bass tone. A highpass filter, feeding into a delay. And then a tape emulator, featuring frequency loss, tape degradation and wow'n'flutter. Other versions of this remix:. . Since my ears can't hear any frequencies above 14khz (please remember to wear ear defenders around loud machinery! thank you. <3), i can't hear tape hiss very clearly, and are afraid i might overdo the volume. Therefore i think its best to leave any tape hiss up to you, if you want any, there's plenty of recordings here on freesound, for example this one (cc-0). 120 bpm | original by felineterroruse this however you like!. Have fun, see you on the other side!.
Author: Dwy
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Created this excerpt for my film "one thing". Melodic cello is joined by chirpy guitar to create an odd mood. Very lovely imo. Not a complete piece but a nice sound-bite?. Created in garage band at 120bpm. Mp3 file. Simple two track overlay. Feel free to hash it, mash it and trash it. Use it as you wish, with only two conditions:. 1. Don't claim it for yourself by claiming you created it - that's just rude!. 2. If you feel inclined, and it's appropriate for you to do so, please feel free to say something like "credit to max riley tennant for their part in sound used" - or something like that. Or nothing like that. It's ok. I just would like max riley tennant credited too, if you wanted to. Don't bother to credit me. I don't really mind :) and only if you want to :) enjoy!. And if you want to see the short film i created it for: one thing then click here. Please be advised though -it is a potentially challenging subject matter, and i've been interviewed by the police for it already, so don't watch it if films about mortality and the ephemeral nature of life may upset you?.
Author: Andymanister
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Created this excerpt for my film "one thing". Melodic cello is used to create a doleful mood. Very lovely imo. Not a complete piece but a nice sound-bite? mp3. 120bpm. Created in garageband. Feel free to hash it, mash it and trash it. Use it as you wish, with only two conditions:. 1. Don't claim it for yourself by claiming you created it - that's just rude!. 2. If you feel inclined, and it's appropriate for you to do so, please feel free to say something like "credit to max riley tennant for their part in sound used" - or something like that. Or nothing like that. It's ok. I just would like max riley tennant credited too, if you wanted to. Don't bother to credit me. I don't really mind :) and only if you want to :) enjoy!. And if you want to see the short film i created it for: one thing then click here. Please be advised though -it is a potentially challenging subject matter, and i've been interviewed by the police for it already, so don't watch it if films about mortality and the ephemeral nature of life may upset you?.
Author: Andymanister
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01:19
Created this excerpt for my film "one thing". Chirpy guitar is used to create an odd vibe. Very lovely imo. Not a complete piece but a nice sound-bite? created in garage band at 120bpm. Mp3 file. Feel free to hash it, mash it and trash it. Use it as you wish, with only two conditions:. 1. Don't claim it for yourself by claiming you created it - that's just rude!. 2. If you feel inclined, and it's appropriate for you to do so, please feel free to say something like "credit to mr. Max riley tennant for their part in sound used" - or something like that. Or nothing like that. It's ok. I just would like max riley tennant credited too, if you wanted to. Don't bother to credit me. I don't really mind :) and only if you want to :) enjoy!. And if you want to see the short film i created it for: one thing then click here. Please be advised though -it is a potentially challenging subject matter, and i've been interviewed by the police for it already, so don't watch it if films about mortality and the ephemeral nature of life may upset you?.
Author: Andymanister
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04:19
I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.
Author: Chromakei
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An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit
Author: Untitled
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Earth - barbie mower. . . Drum + brush + small aluminum plate. Sony (again!) mz-n707. No overdubs or effects used. These are excerpts from a longer composition which in its entirety is copyrighted. 02/06.
Author: Traktorman
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An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.
Author: Untitled
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Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110
Author: Ludwig van Beethoven
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Excerpts of from freesound #403476 , which has a variety of electrical noise. Extended version here.
Author: Timbre
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Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.
Author: Cabled Mess
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Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.
Author: Hyacinth
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Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.
Author: Hyacinth
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02:30
Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.
Author: Strangehorizon
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This is the first of two excerpts from a field recording of wind chimes hanging from the front porch of my home in south central tennesee. A zoom h1n recorder was placed below the wind chimes and set to record in wav format. The high-pass filter in audacity was used to reduce wind noise. The recording was made in march of 2021.
Author: Timmwood
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This is the second of two excerpts from a field recording of wind chimes hanging from the front porch of my home in south central tennesee. A zoom h1n recorder was placed below the wind chimes and set to record in wav format. The high-pass filter in audacity was used to reduce wind noise. The recording was made in march of 2021.
Author: Timmwood
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Tibetan bells and sounds from outer space,a pathway to inner peace. Sounds for relaxation and meditation. 289,4 hz is attributed to mars, 841,68 hz is frequency of synodic moon. Hello,this is the very real horst from duisburg germany with another soundpiece of tibetan singing bowl attributed to planets of our solar system. The sounds of mars/synodic moon, were taken by me on february 25th, 2014 also as a modul used in our soundproject "tibetan bells and sounds from outer space" at youtube-channel :https://www. Youtube. Com/user/taochisoundthe singing bowl has frequency of mars/synodic moon [grundton: mars 289,4 hz / synodic moon 841,68 hz; durchmesser ca. 170 mm; höhe ca. 80 mm; gewicht ca. 790 gramm] and was treated with different mallets [drumsticks]. For more information about frequencies of the planets, please visit:. Http://www. Planetware. De/tune_in/frequenz. Htmlhttp://wiki. Astro. Com/astrowiki/de/planetenton. I share three excerpts of these pieces of 03 min, 07,45 min and variation with stretched sound 3,07 min here for you for your free usefor more information about tibetan singing bowls please visit:http://en. Wikipedia. Org/wiki/singing_bowlthanks for listening andfind true peace on your waythe very real horst. .
Author: The Very Real Horst
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