882 Royalty-Free Audio Tracks for "Filter"

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

Sound effect of paper index cards being torn, by hand, with multiple performances at different speeds and intensities. Recorded on a neumann kmr 81i into high-end studio preamps. Trimmed in pro tools with a gentle high pass filter, no other effects added.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

Small tinggg going on for a while after sharp start. Recorded at home 26th of june 2014 with sharp md-sr50h(s)+ it's normal microphones, imported via analog (unfortunately*)into pc and saved with free software audacity. *please use some filter if you use this sound. . .

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

Sound of water from a public bathroom. Sounds as white noise filtered with a high pass filter. Recorded with a zoom h2 (cardioid polar pattern, medium sensitivity and at 20 cm) in a public bathroom of the building 54 of the universitat pompeu fabra in barcelona.

Recorded at children science exhibition at shibuya city hall. Metal objects in a test tubes jumps when coil under them have electrical current. Multiple test tube tuned to produce a melody. Raw, unedited, low pass filter on, tascam dr-40.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

An amplified version of thrusters_loop for a more intense effect. Has some nice rumbling and stereo sound. Created in fl studio with two white noise components, both with a low pass filter and one with an overdrive plugin. Edited in audacity.

Qrm listened in am mode on 80 m band in my qth jn79ek. If i use cw mode listening and narrow filter, the qrm is mostly worse. Strength: peaks s9+40 db. Sometimes any traffic impossible. From -41st sec. Of record is possible to heard my tuning around frequency.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

Smooth fm chords for calm atmosphere in movie. Use fat low pass filter depending on your taste. Highs should be mostly removed, i left them there - you need to decide how much highs you want to keep. It reminds me roland sound. Optionally add roland chorus tal-chorus-lx.

I recorded myself typing on my corsair k95 rgb platinum. This is a keyboard with cherry mx brown mechanical switches and has a tactile feel to it. I recorded this with a audio-technica at2020 condenser microphone w/ pop filter and shock mount.

This sound is an extremely distorted sample of breathing suitable for use in horror soundscapes. It was created by taking the sound of breathing and feeding it through multiple filters in audacity. The filter sequence used is as follows: reverb, volume boost, static, phaser, bass boost, barry's satan maximizer, amplifier.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

Field recording - recorded with a zoom h6 in stereo. Bubbling and filter tanks running in a small petting tank at an aquarium. (there's a shark in the petting tank. ).

Exterior ambience with birds chirping and very slight rain. It's all quite relaxing, if i do say so myself. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

A slight improvement on my inception-sound. Wav , created using lmms, again 2 instances of zynaddsubfx and now also 2 instances of sf2-player with a trumpet type sound. I also used lowpass filter.

Hitting a wooden table with the palm of the hand. Sound produced by the strenghtening of fingers against a wooden table. Technical aspects:- zoom h4n handy recorder- built-in microphones. Edition:- adobe audition cc. Effects:- (slight) noise reduction (process)- fade out- multiband compressor -> classical master- filter and eq -> graphic equalizer (20 bands) -> classic v.

A recording of page turns and riffles. Recorded right up near the grille of the mic so perhaps not the most natural sounding recording out there. 80hz high-pass filter was applied with a 12db an octave slope. Normalized to -3db. Signal chain: cad e100s and a focusrite scarlett 2i2.

Ringing of a small metal bell. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

I used a bandpass filter of 50 bandwidth at 475 hz on audacity to transform a goat "baw". The sound isn't too unusual, just a little more hollow than the original due to the very small spectrum i use. There are two goats.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

My breathing while wearing a french arf-a gas mask with a new filter. I recorded this for a personal project, but i figured someone else could also use the sound. No need to credit me if you use it. I recorded it using a chat microphone, but the quality is decent enough.

Well, i guess i live in a loud city, east village, new york city. - here is a snippet of sounds heard from a walk through my neighborhood during a weekend evening in september 2022. Also playing with hi-pass filter as part of the fade out.

These are a series of gunshots that are supposed to resemble a laser sort of weapon, like an alien weapon. To make this, i used a filter that has a vocoder, polyvox, and talkbox, with distortion added. The initial sound i'm making is a chirping with my mouth and the filter does the rest. I think this works well on its own but it should work well mixed in with another sound effect if you choose to mix it. There is no reverb added or environment effects so its very flexible. Feel free to use it however you like. Credit is appreciated but not necessary. If you do want to give credit, please give credit to cooljunk productions. Thank you.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

Ambience from an extremely reverberant space inside a college. Some students can be heard chattering in the distance, thankfully with not enough clarity to be recognizable. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

This is a sample of a classic (diy) dubsiren build by me. Its a squarewave synth modulated with a squarewave lfo. The sample is dry. Add delay and some chorus, reverb, (resonant) (auto) filter or so to get the typical dubby soundsystem style.

Unless you have never ever been around a branch of lidl, you will be all too familiar with this sound! you would not believe the amount of background noise i had to filter out, just to get this. If you have any complaint about the sound quality, then do not bother me with them!.

A small collection of gurgles from a small water dropper/pipette. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Songbirds sing at the raptor trust in millington, nj. Recorded on the very first day of spring. I highly recommend visiting the raptor trust if you're in the area. It's an amazing place. Http://theraptortrust. Org. ----2 em172 omni capsules -> zoom h1 (low cut filter added).

This is a deep bass rumble sound. Created in audacity by generating a brownian noise and band passing it through a steep 15 to 100 hz filter. The reason for the roll off below 15hz is to remove energy that doesn't produce any sound. It just moves the speaker cone and wastes amplifier power, thus it was rolled off.

A giant two-legged creature approaches in the forest with crunchy, thumpy stomps. Created in audacity by changing speed, adding reverb and using a low-pass filter with this sound:. Https://freesound. Org/people/garybran/sounds/75263/. Combined with a sample from this sound for a heavy thump:. Https://freesound. Org/people/ambiosis/sounds/316690/.

A field recording of a semi-rural stream and cicadas. The cicadas life cycle means that in some years they are particularly abundant. The recording was taken with a tascam dr-70d (internal mics) and very little processing (only high pass filter to remove location rumble) 24 bit 44. 1 khz.

Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

A binaural recording of birds singing in the woods. Recorded at the 'utrechtse heuvelrug' in the netherlands. Gear used: roland cs-10em binaural microphones, zoom h4n field recorder. Processing: slight noise reduction (9db) using izotope rx7, high pass filter to remove unwanted rumble (cubase 7. 5), made into a loop.

Hitting radiator with fingers and scrapping over with a metallic object (car-key). Additionally amplified, notch-filter and accented subs. Results in a interesting sound scape. I've started to save my files in pcm format (instead of acm) because there was additionally quality loss. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

Credits to kendog88 for the base sound. I found their sound while searching for reaper-like sound effects on here, and the sound they made resembled that of the mass effect reaper, so i decided to overlay some distortion and put a wave filter over the sound, to give it a vibrating feel. Enjoy.

These sci-fi synth sweeps were created by manipulating white noise with filter sweeps and other effects and then using noise reduction to remove the underlying white noise. You would need to pick through them and cut them up, but they can be useful for sound designing light graphic elements that move around and animate on and off.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Using the remove hum tool on izotope rx2, i took out filtered out the hum that occurs in the 190-220 hz range. I believe any eq could filter that hum out at that range without affecting the bass in the footsteps. I believe the footsteps are in the 50-60 hz range anyway.

A metallic pad with lfo weaving in and out in amplitude/filter. Includes some lfo modulation, so some peaks are longer than troughs and vise versa. Used in an experimental scene to symbolize birth. Recorded with a roland groovebox self-sample utility straight to wav, which is pretty good sounding. Though i've found this method results in reduced high frequencies.

Moog grandmother, plucky sequence in am, 90bpm. You could make loops out of it, as the whole sequence was digitally clocked. Some interesting play with noise, filter, pulse width and the internal spring reverb of the synthesizer. Recorded through an ssl superanalogue preamplifier at line level, uad-2 apollo 8 adc. No eq, no compression. Mono file, 24 bit 48 khz.

Recorded by shaking a small sack containing coins. :-). I used it in my game deep and sound. Feel free to use this sound for whatever you want!. The background humming sound is my computer, sorry about that! but it should be pretty easy to filter it out with audacity. Recording date: june 13, 2021, 12:32 ast.

Recorded with zoom mkh416, in los angeles. Street noise with fire crackers. Traffic and people can be heard. Audio has not been edited. Beware fireworks if wearing headphones. I can't remember what mark the fireworks occurred. Bring the file into an audio program and you'll notice the peak immediately. Raw audio, no filter applied. Use freely, credit name. 2021.