1,031 Royalty-Free Audio Tracks for "Filter"

2:54 field recording interior of an empty lincolnshire office ambience on the third floor during high winds. Mics in the closed window. Recorded with a stereo pair of (different make) mics and edited to remove intrusions. Filter at 90hz.

Left the lid of my top loading freezer open, you can hear the hum of the motor and also the crackle of inside the freezer. Messing around with a low or high pass filter can give a nice background white noise. Free for commercial and non commercial use as apart of a creative piece of work. Recorded with the zoom f4 and rode m5s.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

A date calls you, because you are late to the date. . . Is it even a date? she's not sure and really nervous. Lots of rambly apologizing. 3 individual voicemails with slightly different contents. Recorded with a phone, then added an eq-filter to achieve the "voicemail" effect. Please tell me what you used this sound for! i am really excited to hear!.

Recording of a pair of oven mitts being hit together. Might be useful in a game as an inventory sound. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Real recording of a distant train rolling on an old canadian railway. Ran it through a low pass filter to remove unwanted noise, gentle 12/oct slope. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio.

Notes as an arpeggio derived from the chord cadd9b5 fed through a glass viper synth at 120 bpm using a panning notch filter on a soundfile that has been reversed cross faded into the original soundfile stretched to its maximum. Featured at about 6 minutes 15 on this experimental track. Https://soundcloud. Com/klaxonite/klaxonite-5-010515.

Stereo sound made by csound where we reproduce a sound that has been previously worked on, in which you hear a glissando that oscillates from one channel to another covered by white noise and we work on it, putting a butterbp filter to be heard more by one channel than another, a reverb and an interaural time delay. All this reflected in a score that our sound sounds 5 times in delayed time intervals.

Removed the hum from cognito-perceptu's pill-bottle-4 sample. Original sample had truck in background in addition to some low frequency hum. Used the remove hum feature on izotope rx2 and, presto-chango, no distracting background noise. Now there is still a high frequency hum which i did not touch. I think this could be mitigated with a low pass filter in eq if you choose.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

Hey,. I tried to create an acceptable recording of a thunderstorm. Unfortunately i live near a freeway, so it was impossible to filter out the car noises. . . And also the wind blows a little disturbingly into the mic. . . Anyway, the recording turned out better than expected. Feel free to use it for whatever u could need it for. . . . I recorded with a zoom h4n in 44. 1khz wav quality.

Plenty of traffic at a large square in central munich, southern germany. The square has been named officially karlsplatz in 1797. Munich natives seldom use that name, calling the square instead stachus. Towards the end of the recording a tram tries to force its way, using his bell for a looong time. Soundman okm microphones, a3 adapter (with the filter on)into sony pcm-d50.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

. Wav created from a "save us" image in a frame. . Added and lowered some frequences with some eq. Simple in and out automation low pass filter. Fade with volume. And a bunch of compression. When you use this noise. Just remember, this was created from an image that said, save us.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.

Night vision turn on sound for video games. Made with rutgermuller's light switch sound https://freesound. Org/people/rutgermuller/sounds/51156/ and audacity generators and effects (three sine waves 1000hz/2000hz/4000hz, sliding pitch shift, fades, reverb, low pass filter, normalization in not that order and exact details i did forget).

This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.

This is a field recording, done using a zoom h6 with attached stereo mic. The limiter (general type) was activated on the channel. This is the raw recording without any eq or dynamics added. A quick normalization gave a nice, rich signal that you might be able to use for any purpose. Apply a low pass filter to cut out the rain. Well, enjoy. :). More of this will be uploaded.

A collection of sounds of a magazine flipping through its pages and a heavy book slamming shut. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Alternate take of ye 'ole washing machine. It's just a washing machine, but could be a printing press or space ship or what ever else you can come up with !recorded from the bottom. Lowpass filter nothing above 500k. Ran a limiter on it -1 db so your speakers are safe!audio technica pro 37 24bit 44. 1 mono.

Sounds like space ambience/a sci-fi space station. Did this today while messing around in audacity. This sound was created by blowing into a microphone while slowly changing pitches. Afterwards i slowed down the sound, added the baseboost filter, and lowered the pitch of the sound. Feel free to use this with or without giving credit to me, i really don't care. It literally took me 2 minutes to make.

I needed a quick fix for a bomb sound effect, and i think i made this one okay. Honestly, i just went "pkhoooooo" into my laptop mic, bass boosted it, slowed it down, pitched it down, and ran it through a low-pass filter in audacity. This sound is licensed under a creative commons 0 license, meaning you can use it in any project you want (for monetary gain or not) without creditting me. Enjoy!.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.

Wind turbine sound, near lacedonia, campania, italy, the 16th august 2022 @ 18:30the sound was recorder with a zoom h1n with windshield from a distance of 25m approx from the wind turbine. Processing:* 120hz high pass filter (to reduce some low frequency rumbles due to the wind);* volume adjustment;. Other sound in the recording:* voice of a woman in the distance (at the beginning of the file);* wind gusts;* car passing by (at the end of the file);.

Nyc subway train arrives, doors open, announcement of direction, doors close, train departs. I stood on the platform at the montrose l station with a sony minidisc and recorded the entire process of a nyc subway train coming and going. Low noise, though you may wish to use a high-pass filter as there is so much bass in the material.

At closest to target it was recorded from about 33ft away from mower at farthest range about 40ft away. If you wanted the mower to be heard from an inside area you could add a high pass filter to the recording. Please note this wasn't taken with the average household mower it was taken with a heavy duty lawn mower used for cutting large areas of grass so it doesn’t have the same sound as a regular mower.

Scary ambient sounds. . . Almost musical, perfect for a horror scene in a movie or a game. Try morphing it further by reversing and/or time-stretching it!. Fully made with a 7-string electric guitar, a line 6 pod x3, and delicious amounts of post-processing, sampling and vst effects :d.

This sort of kickish type sound is one of my experiments with my model d. The ones near the end sound the kickiest and there's a nice filter sweeping as it goes along. They'll probably be best shortened a bit but, hey, it's up to you. If you like, please rate. Uploaded into public domain because attribution is such a pain to manage on little sound files, so feel free to use it without having to worry about attribution.

Similar to my popular 2016 recording. Many birds are audible, as well as distant dogs. This clip is highly processed, for a much less processed version, check out the raw version of this track. Recorded during the 2019 world series of birding competition in nj. Feel free to use in commercial projects. --------------------------two em172 mic capsules -> zoom h1 recorder -> high-pass filter -> noise reduction.

This is a recording of a lot of morse code conversations on the 40 meter band of amateur radio. Mainly between 7 - 7. 012 mhz using lsb, usb, cw wide, cw narrow, and am filters. I used a yeasu ft-757gx transceiveri mainly recorded this because i thought the am filter on the morse code sounded very unique and space like. Feel free to cut out whatever you like and modify. Also the buzz is from the computer's sound card impurity being amplified through the transceiver, this is not easy to fix. Recorded on 3:50 utc 2013-11-2.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.

While messing around in audacity i accidentally made this. I generated dial sounds and g-verb'd it. I then put a high pass filter on it and paulsteached it. And made this. The breathing sound wasn't there in the original. But when i paulstreached it again. It just. . . Happened. I uploaded this because i thought i should share this. It may need editing to make it sound better. Feel free to use it in games or anything. C:programs used: audacityfilters used: g-verbhighpass filterpaulstrechchange tempochange pitchgenerations used: dtmf tones. - cazsunxa.

Field recording of a summer afternoon (28th june, ~20:30) in berlin lichtenberg. The recorder (edirol r-09rh) was set in a very high building, therefore the sound consists mainly of ambient noise, eventually with subtle concrete sounds (birds, childs, dogs, sirens,. . . ). The audio is unfiltered, so it's dominated by low-frequency energy. Filter as you wish :). (the web preview seems to have some high frequency artifacts. Download the wav file to get it on full quality).

Recorded at the side of a lake on easter 2023. You can hear the wind rustling through the trees. Some background noises are audible, including passersby and what sounds like a camera shutter. Birds heard: blue jay, red-winged blackbird, song sparrow, northern flicker, red-bellied woodpecker, northern cardinal, american robin, blue-grey gnatcatcher. ----primo em172 mic capsules -> zoom xyh-5 x/y mic attachment line in -> zoom f1 audio recorder -> low-cut filter.

Gas or steam escaping from pipes or vessel, or blow torch. Description:using an air duster (aerosol can) to create gas or steam sounds. Http://i. Imgur. Com/2joaguhs. Jpg http://i. Imgur. Com/0rawl84l. Jpgequipment:. Yeti mic. Http://i. Imgur. Com/ctvvnfas. Jpgrecorded in lab,learning audio booth. Http://i. Imgur. Com/whtgn95s. Png. Note: a pop filter was used while aiming dust buster at yeti mic. Inspired by:youtube. Com - socom iii foley artists (playstation underground feature)http://i. Imgur. Com/w2dvi8l. Png.

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

This is a foghorn-like sound that i created using an accidentally recorded poot from a friend. I stretched the sound bite a few times while lowering the pitch, added a couple different reverb effects, and then finished it with some parametric eq, raising the bass, and using a low pass filter to cut out the high frequencies. If you would like the original poot sound, i have also uploaded it as fart sound 1.

Calm ocean breeze simulation, created using the zoom h1. Sound was created using water faucet, and carpet to catch ambient close sounds to create this effect. Added pop compression filter and verb. Recorded at 24bit 96khz , converted to 16 bit wav. Feel free to use this sound how ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improved sound effects. :).

Placing an object somewhere in an epic, resonant way. In fact placing a water filter on top of a gas cooker. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Crickets recorded at night, in my garden, in summer. Recorded with a tascam dr-05. The sound was post-processed with audacity to remove the background noise (it was a stormy weather). If you want the raw sound without post-process, find "crickets at night - raw sound". I recorded this sound intended to use it in the video game i'm currently developing : the elven decline.

I had a need for some burps in a project, and decided to burp loudly into the mic whenever the urge arose while i was narrating. Beer aided the process quite a bit. These were collected over the course of several stories. I've studiously avoided sniffing my pop-filter, for obvious reasons. Mic is a rode procaster. Not that i think it is necessarily the microphone of choice for belching. Feel free to use the sound for whatever purpose you like.

Foley audio of passing cars on a country lane. Cars passed behind the direction the camera was facing. There's a mild stabilisation noise you may hear which could detriment your audio if not removed. Other than this, the sound is eloquent enough. Oin camera mic has been used from a canon 7d with no wind filter. Recorded in burnley, lancashire.