1,948 Royalty-Free Audio Tracks for "Filter"

Hard house style loop programmed in ableton. Straight 4 on the floor with a big kick and a top end break run through an auto filter and beat repeat for a glitchy random sound. 4 bars at 133 bpm.

Bass shape made with a 3 osc. Fx filters: echo, reverb. "crisp" effects are my current asio bugs with gives a special effect.

The sarangi is an instrument ,which is played at india and nepal,been used for folk and classical music. This sound has three components:1) attackphase (200 ms),taken from a sarangi-video(youtube)2) sustainphase ,created with audials,magix and audacity3) stringnoise,created with filtered noise ,(magix-music-lab).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

A 3kw electric fan heater switches on, runs for a few seconds, then gets switched off, thus demonstrating my mastery over small electrical appliances. Olympus ls-5, built-in mic capsules, no filtering.

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

Recorded with audacity, this ghost is terrifying me, i can hear him through the walls :(. Microphone: logitech g35. Just using a couple filters via audacity. Stretching and morphing sound. I started with saying pretend words backwards in realtime.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!. .

This was requested by laiden (obviously). It's me yelling "laiden, drop the beat!" into my rather cheap mic and then running it through some filters in fl studio 11 to enhance the sound and give it a feeling of power.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Some typing on a standard desktop pc keyboard (but you may use it as the sound of a laptop keyboard too). Recorded with a dynamic mic and a directional, condenser mic in a small room, filtered and compressed to minimize noise.

This is a deep bass rumble sound. Created in audacity by generating a brownian noise and band passing it through a steep 15 to 100 hz filter. The reason for the roll off below 15hz is to remove energy that doesn't produce any sound. It just moves the speaker cone and wastes amplifier power, thus it was rolled off.

An amplified version of thrusters_loop for a more intense effect. Has some nice rumbling and stereo sound. Created in fl studio with two white noise components, both with a low pass filter and one with an overdrive plugin. Edited in audacity.

Sound created from making artifacts from a wavetable, then resampled into audio multiple times with different reverbs and effects. . Mainly auto filters, eq, etc.

People moving through echoey museum. Recorded in madrid. Multi-european indistinguishable voices and footfalls. Recorded at 48khz as ab stereo on tascam dr40. Some mic rumble so i've added a 100hz low pass filter to clean it up.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is a really simple beat is based off the beat from a remix of "happiness in slavery" by nine inch nails. I used all my own sounds though. The snare was created by filtering white noise, and adding distortion, then adding an acoustic snare sound over it. Really good for heavy industrial songs.

A production sound created for a film project where the character is looking into the void of a black hole - and the emptiness overwhelms. The track is rooted in me slowly exhaling across the microphone. A flanger and low-pass filter is responsible for the rest!. Created on 04/17/2021 with an h4n and sennheiser shotgun mic.

I recorded myself typing on my corsair k95 rgb platinum. This is a keyboard with cherry mx brown mechanical switches and has a tactile feel to it. I recorded this with a audio-technica at2020 condenser microphone w/ pop filter and shock mount.

I recorded this from my bedroom window at night. There were cars going by on the road so i tried to filter those sounds out. It's pretty hard to pull this off. Hope it sounds good!. Tools used:sony cybershot cameraaudacity (editing).

Sound effect of paper index cards being torn, by hand, with multiple performances at different speeds and intensities. Recorded on a neumann kmr 81i into high-end studio preamps. Trimmed in pro tools with a gentle high pass filter, no other effects added.

Multiple performances of pressing the eject button on a nintendo gamecube console and closing the lid again. Recorded with senal sci-3212mp microphone into zoom f4 recorder. Trimmed in adobe audition with high pass filter added, no other effects applied.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Created this sample using only audacity. I started off by generating a square wave chirp between 10000 and 20000 hz on a mono track, copied this created a stereo track and messed around with timestretching and low pass filtering until i got the desired sound.

Sound created by synthmaster one with wavetables created by me in waveedit, 24lp filter, chorus, delay fx and differents modulations, is a very impressive sound ideally made for dark gloomy and desolate environments. I would appreciate it if you show me what you did with him.

I used a plug-in called harmor on fl studio 11 and i messed around with highpass and lowpass filters with a very wide resonance. Of corse you can use this ''thing'' for whatever you want because it's totally unoriginal and easy to make.

Slow deliberate snipping of scissors. I operated the shiny new steel scissors with my right hand whilst gently holding my chin with my left, providing a thoughtful pose for my onlookers's enjoyment. Olympus ls-5, built-in mic capsules, no filtering.

A kick drum did to my psytrance project called sonicmancer. I use u-he bazzile, filter resonate envelope in a sine wave. Hope u enjoy. Send me the track u did using this. . . I wanna listen =).

Rustled bubblewrap recorded with at2020usb+ and reaper. Poped noise filtered with high pass function. Can be used for many usages like transformation sound effect (male to female, female to male, etc), horror fiction/movies and many more. Enjoy !! ^^.

Slightly better version of sound 678955. This 100-second cymbal roll is done using a hi-hat. Edited in audacity 3. 2. 4 at 48 khz with filter curve effects and fades.

My breathing while wearing a french arf-a gas mask with a new filter. I recorded this for a personal project, but i figured someone else could also use the sound. No need to credit me if you use it. I recorded it using a chat microphone, but the quality is decent enough.

A recording of page turns and riffles. Recorded right up near the grille of the mic so perhaps not the most natural sounding recording out there. 80hz high-pass filter was applied with a 12db an octave slope. Normalized to -3db. Signal chain: cad e100s and a focusrite scarlett 2i2.

An alternative "riser" with a strong suspenseful atmos and cold metallic tones. Originally edited from a stretched and filtered sound of a bed frame being hit. I imagine, however macabre, the lasting shot of a character demise or a shocking sound cue for particularly transgressive notions.

Closing a wooden door in my apartment, somewhat aggressively. This was recorded in stereo with two matched akg c568 b microphones, going into a sound devices 633 recorder. Audio was trimmed in adobe audition with a very gentle high-pass filter. Sound two of two.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Small tinggg going on for a while after sharp start. Recorded at home 26th of june 2014 with sharp md-sr50h(s)+ it's normal microphones, imported via analog (unfortunately*)into pc and saved with free software audacity. *please use some filter if you use this sound. . .

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is a recording i made of a handle-less serrated knife rubbing against another of the same type, back and forth. I then cut out the lighter points to leave the heavy tones, then i gave it a little stretch and filtered it. Recorded on a zoom h2.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.