34 Royalty-Free Audio Tracks for "Folklore"

Euskara: Urtearen lehendabiziko egunean, goizean goiz herriko kaleetan barna haurrek urtatsak eskatzeko abesten duten kantua. Hitzak: Urte berri berri Zer ekarri berri Uraren gañean Etxekoandrea ona Nausia hobia Urte zahar Nik atorra zahar Maukarik ez Eta nik axolik ez! Bota urtatsak! Canción popular que cada 1 de enero niñas y niños cantan en diferentes lugares del pueblo pidiendo que les echen aguinaldos desde las ventanas. Letra: Urte berri berri Zer ekarri berri Uraren gañean Etxekoandrea ona Nausia hobia Urte zahar Nik atorra zahar Maukarik ez Eta nik axolik ez! Bota urtatsak!

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Tango de los negros Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Pericón nacional (Aire Nacional) Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

The song "Windham" by Daniel Read; piano reduction. Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Waltz Chiapa de Corzo

Recording made by Kevin Laurence at 9 AM on 22 February 2011 of the bells of St. Clement Danes Church in London, England, playing the nursery rhyme Oranges and Lemons.Français : Comptine musicale Oranges and Lemons jouée par les cloches de l'église St. Clement Danes à Londres. (Durée : 1 m 44 s)

At a roadside restaurant grill, a musician plays sikus and guitar.

At a roadside restaurant grill, a musician plays sikus and guitar.

At a roadside restaurant grill, a musician sings and plays sikus and guitar.

A large crowd gathers to observe la danza de los voladores (dance of the flyers) at the main plaza of cuetzalan town. State of puebla, mexico.

The sound of tynryn (nivkh fiddle), recorded in a village named nekrasovka (in the north-west of sakhalin island) by michail chayka.

The variation on the melody of czech folk song "já do lesa nepojedu" played on the recorder.

These are claps recorded by three people at the same time. The kind of soft but very fast clapping that you would put in a spanish flamenco song or (as it was the case for the session) an argentine folklore song (chacarera). Soft clap — very tight, soft hitshard clap — tight, hard hit. Soft group — a little less tight, sounds like many people, still softhard group — less tight, many people, hard hit. Soft supergroup — i put three takes of this at the same time (one l, one center, one r), some hits sounded better than others so i picked the ones that sounded the best. Soft hits. Hard supergroup — same three takes put together. Hard hits.

The sounds of shaman drum and tyatya chkharsh (musical log). Recorded by michail chayka in a village named nekrasovka (in the north-west of sakhalin island).

A simple version of greensleeves on acoustic guitar.

Tahitian music slightly fading, female voice singing + choir. Recorded at the noumea market, morning.

Jew's harp sigle hit.

Some music and ambience of a small german folk party.

The very traditional jarabe tapatío, one of the most beloved pieces that you can ask to a mariachi group. The last segment is commonly use as fanfare (in mexico we call it "una diana"); you probably hear it in old mexicans movies. I recorded this on the street (so, you need to equalize it a little), in oakland, california, in august 20, 2011, with my zoom h2. Use in case of 5 de mayo celebration.

This is not the most traditional bamba i could remember, but be sure it's really a good one. Laura cambrón, a californian native, is the singer. She also composed the lyrics, this time dedicated to the great césar chávez. Recorded in san francisco, ca. April 1, 2011. I used a h2 zoom.

Kum za kuma by A.Goldin & M.Radesic. Istrian (vocal) folklore music from Muntic

La guacamaya (the macaw) one of the most popular songs of the traditional son jarocho genre. The interpreters are soneros del tesechoacán, a group originally from playa vicente, veracruz. They play those small guitars -imagine a ukelele in hands of a mexican- they call jaranas and also a 4 string guitar they call requinto. Recorded in oakland california. January 2012. I used a h2 zoom.

Looping synth sequence made in fl.

1st release date: 19th century, Folklore collections from the Russian Empire

1st release date: 19th century, Folklore collections from the Russian Empire

Hand maded reedin cane rivertrumpet folklore.

This is a new arrangement of an old german folklore from the 1600's. Often played in school in sweden during the end of semesters.

Formatted for use in the make noise morphagene by todd barton. Sounds from "music and poetry of the kesh". "all samples have been remastered from the master 8-channel recording sessions of 1984. It has been fun and fascinating "remixing" them in the morphagene. " - todd. Music and poetry of the kesh is the documentation of an invented pacific coast peoples from a far distant time, and the soundtrack of famed science fiction author, ursula k. Le guin’s always coming home. In the novel, the story of stone telling, a young woman of the kesh, is woven within a larger anthropological folklore and fantasy. The ways of the kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet (le guin’s conlang, so she could write non-english lyrics), and with early editions, a cassette of “field recordings” and indigenous song. Le guin wanted to hear the people she’d imagined; she embarked on an elaborate process with her friend todd barton to invoke their spirit and tradition. Full album available here:. Https://ursulakleguintoddbarton. Bandcamp. Com/album/music-and-poetry-of-the-kesh. Todd has also released a remix of the reel on soundcloud. Post yours in the comments!. Https://soundcloud. Com/user7621213/kesh-8th-house-remix.