739 Royalty-Free Audio Tracks for "Force"

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

Crunching march with tune fading in and out. Hard road battalion stuff. Rendered @48khz 32-bit in reaper with markers for all you morphagene fans out there. Enjoy the boots!.

I created this sound to mimic the rustle of a moving special force soldier's uniform. I used a baby carrier made of a rough fabric and just moved it in my hands.

The Airmen of Note Lieutenant Colonel Alan C. Sierichs, Commander and Music Director arranged by Senior Master Sgt. Joe Jackson

With the uk lockdown in force,time to make a dawn chorus recording without the sounds of traffic in the background. This recording was made in the last week of april 2020.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

The air show highlights each year's canadian national exhibition in toronto, ontario, canada. The army airplanes make a fantastic noise. This short recording captures surprised people when the planes go right above them.

The sound of avalanche in denali national park Alaska. Great for and avalanche, landslide, mudslide, or torrent like sound.

The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

Keys in door lock - trying to open a locked door with a different key. Recorded with audio-technica boom mic with zoom h4n.

The very real sound of a wide leather belt, folded into a double strap and mercilessly applied with unnecessary and unexpected speed, and force. The impact was against a defenseless bare bottom. Mine. This was the only strike that had no expressions mixed.

National Anthem of Brasil during WWII Bombings in Italy (1944) - Brazilian Expeditionary Force Português: Hino Nacional Brasileiro Durante bombardeios da Segunda Guerra Mundial na Itália (1944) - Força Expedicionária Brasileira

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

A strangely sinister english male voice on a megaphone telling everyone to go back into their homes with a scary giggle.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

The sound of kicking in a door. Based on cc0 http://opengameart. Org/content/35-wooden-crackshitsdestructionsmade for http://dnt. Dnteam. Org/http://upload. Wikimedia. Org/wikipedia/commons/thumb/f/fa/broken_door_lock. Jpg/512px-broken_door_lock. Jpg.

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band

Second movement of Gustav Holst's Second Suite in F for Military Band, an arrangement of "I'll Love My Love".

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

Four ruffles and flourishes (what would be played in the presence of the President of the United States) followed by the short version of "Hail to the Chief"

A thin wooden door, locked from the inside with a bolt. Someone forces it open from the outside. This is the sound of the bolt tearing through the wooden door-frame. I mixed the splintering of wood with a dull clang of metal on metal to simulate the situation. Recorded with a rode video mic attached to a camera. My first time recording a sound!.

The march "Joyce's 71st New York Regiment" by Thornton Barnes Boyer (1881), played by the United States Navy Band directed by Ned Muffley for the 1978 album "Tour de Force" (reproduced in "75th Anniversary Collection", 2000).

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

Early morning, crossing the bay of biscay in a force ten gale, the whole cabin (high up in the ship) creates a symphony of sounds. Engine noise in the background, plus a cacophony of different stresses on the woodwork and fittings of the cabin.

I recorded my voice while watching and listening to stuff to force real reactions out of me. This way i can have real voice clips for stock instead of trying to fake it. This was while watching something sad, but something cute happened that made me giggle.

An excerpt from The Indian Queen performed by the 561st Air National Guard Band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 1 from Flag of Stars (2010).

Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

I clicked it so hard, that if i clicked it half as hard twice at the same time, it would be the same volume!!! there's quite a bit of background noise on this one because i am the king of maximum gain. Bzzhzhhshshhzhzhhhzzzz.

Well, this was a happy accident. I was trying to record my neighborhood with birds, etc, but of course living in los angeles that was practically impossible, so instead i captured this great helicopter passing directly overhead. Recorded with: audio technica bp 4025, sound devices 702t.

This is either a recurring fantasy or a bit of the real thing. Is it the latter?. Of course, it couldn't be. I really couldn't do this stuff on my own. Let's just say i know a guy who knows a guy ;-d.

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.