10 Royalty-Free Audio Tracks for "Formation"

Harry's roadhouse, santa fe, new mexico lunch crowd walla. Recorded with tetramic ambisonic microphone, b-format *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

These sounds are produced by the instrument called rainstick. It has little pebbles inside that produce some interesting slide noises when held upside down or inclined. I hope they can help you in one of your projects.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

Extended soundscape. Jets flying overhead, various distances. House finch in bg. Binaural. Sony m10 with cs-10em mics. 2012.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Recorded with a zoom h2n via it's ms configuration. The side microphone was slightly open. The rock formation of that particular spot of the beach caused the water to bump inside it.

A large group of barnacle geese flying close by, as they get close it is easy to pick out indivaiduals in the formation. One of my faves. At the moment. Olympus ls-5 mic vivanco em35 parabolic.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .