534 Royalty-Free Audio Tracks for "Four"

Hail, Columbia, preceded by four ruffles and flourishes as would be played for the United States' vice president, performed by the United States Army Band

The first four bars of Fugue No. 12 in F Minor, BWV 881, by Johann Sebastian Bach

The first four bars of Prelude No. 2 in C Minor, BWV 847, by Johann Sebastian Bach

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Round by Margaret Embers McGee, "My Paddle's Keen and Bright" (1918), used to keep time paddling.

A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Twinkle Twinkle Little Star melody doubled in four octaves: consonant and equivalent. Created by Hyacinth (talk) 14:49, 26 July 2009 using Sibelius 5.

Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.

Four ruffles and flourishes and "The Stars and Stripes Forever" (last 32 measures) performed by the Concert Band of the United States Air Force Band. Track 19 from Esprit de Corps (1997).

Simple quadruple drum pattern: divides four beats into two. Created in Sibelius.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Antonín Dvořák's Four Romantic Pieces for Violin and Piano, performed at Regent Hall, London, UK.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Hail, Columbia, the former (unofficial) national anthem of the United States of America, preceded by four ruffles and flourishes as would be played for the Vice President of the United States, performed by the United States Navy Band Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Hail, Columbia, the former (unofficial) national anthem of the United States of America, preceded by four ruffles and flourishes as would be played for the Vice President of the United States, performed by the United States Navy Band Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

The national anthem of the United States "The Star-Spangled Banner", preceded by four ruffles and flourishes (as sometimes played for the President of the United States instead of "Hail to the Chief") and performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".

Four hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny. KV 626

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

While Shepherds Watched their Flocks by Night; Christmas Carol; The old Melody arranged for four voices by Robert Jackson; score published by Beal, Stuttard & Co Ltd, 231 Oxford Street, London, date unknown

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars; made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures : fait avec LiLypond

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

Ein feste Burg ist unser Gott, Martin Luther's original tune, 1529; four-part setting by Peter Gerloff Ein feste Burg ist unser Gott, Martin Luther 1529, Evangelisches Gesangbuch 362; vierstimmiger Satz: de:Peter Gerloff

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:8:5

Ein feste Burg ist unser Gott, younger version of Luther's original tune, 1529; four-part setting by Peter Gerloff Ein feste Burg ist unser Gott, heute meist gesungene Version von Luthers Melodie, Evangelisches Gesangbuch 362; vierstimmiger Satz: Peter Gerloff

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Pinafore airs, Pt. 1 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "We sail the ocean blue" "Hail, men of warsmen", "I'm called Little Buttercup", and "A maiden fair to see" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley.

Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

A simple piece of synth pop by producer mesostic with stepped pads, bass, melody and four on the floor beats. Made on Ableton Live with freeware softsynths and included Ableton instruments and shared copyright free for any use from educational to commercial. The stems have also been shared. Track 1 uses the free MiniSpillage drum softsynth. Track 2 uses the free OB-Xd softsynth for the pads. Track 3 uses Ableton's Analog softsynth for the bass line. Track 4 uses u-he's free Tyrell N-6 softsynth for the lead melody.

Pinafore airs, Pt. 2 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. This is Edison Blue Amberol #1891, also issued as Edison Amberol #820

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause