918 Royalty-Free Audio Tracks for "Full"

Sveriges Radios folkmusikinspelningar. Bergslagsresan 1955 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/47.231:3:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:8:4

Instrumental recording of the national anthem of Uruguay (full version with introduction). Converted to Ogg format by Remember the dot using Audacity.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:25:10

La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker, cleanup by Adam Cuerden. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

The melody of "Patriots of Micronesia", which comes from the 1819 song "Wir hatten gebauet ein stattliches Haus", is performed by the w:United States Navy Band

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:29:4

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:1:2

Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Delay send track

The Stars and Stripes Forever (jazz version) performed by the Stellar Brass of the United States Air Force Academy Band. Track 18 from Full Circle (2011). Larry H. Lang, conducting.[1][2]

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Reverb send track.

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:44:5

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:69:13

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:41:5

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:18:5 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 105

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Volume stepper automation track

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

America the Beautiful performed by a brass quintet of the United States Navy Band. In the original video, the five performing musicians are dressed in full dress blues. Instrumentation: one French horn, two trumpets, one trombone, and one tuba.

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:14:6 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 65

Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the bass track and was made with the Ableton Analog instrument.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the synth lead, created with the free U-He Tyrell N6 soft synth.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the drum track, created with the free MiniSpillage drum synth.

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the stepped pad, was made with the free OB-Xd synth and the Volume stepper applied on stem 7 (Send).

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.

Full diatonic fifteenth chord from Listz on B

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Hausa: Full song album of the movie Babul (1950). Babul is a 1950 Bollywood film directed by S.U. Sunny produced and with music direction by Naushad. The film stars Dilip Kumar, Munawar Sultana and Nargis. Track Names: 1. Kisi Ke Dil Mein Rahna Tha 2. Lagan More Man Ki 3. Mera Jeevan Saathi Bichhad Gaya 4. Na Socha Tha Yeh 5. Milte Hi Ankhen Dil Hua Diwana 6. Panchhi Ban Mein 7. Husn Walon Ko Na Dil Do 8. Jadoo Bhare Nainon Men 9. Nadi Kinare 10. Duniya Badal Gayi 11. Dhadke Mera Dil 12. Chhod Babul Ka Ghar

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

Shake a full of color spray.

A tree full of bats.

A full stadium of fans watching the game.

Some jazz chords with a full wind section. 88 bpm.

Full length clip of coffee maker brewing coffee.

Full sweep from top to bottom with portamento at 100%.

Directly under a few trees full of bats.

Tree full of bats with distant traffic.

Recording of a full octave on the rsf kobol analog synthesizer.