117 Royalty-Free Audio Tracks for "Furniture"

Vacuum cleaner on carpet, bumping into furniture. Recorder with sound device 702t in a city apartement.

A low sound synthesized with gaia originally to add to a kikcdrum for that "resonate the furniture" -style umph.

Small bistro/ pizzeria in rijeka, croatia. People talking, children crying, sounds of furniture being moved around.

When we open and close the door it produces a sharp sound. When we close the door the sound is louder because it hits into the wall.

A bunch of sounds of hitting various parts of body or furniture. Useful for fight sounds, but you will have to edit it out.

A lab plastic pipette falling on the furniture surface. Interestingly the impact sound produced has a rhythmic pattern similar to this of a gun shell.

Sound of a hand moving a doorknob. Taken with a zoom h recorder, near the knob. Taken in the computer cafeteria.

This is the sound of a single cicada that i found resting in my outdoors furniture. I picked it up and it started making this sound. I used a zoom h6 field recorded with a xy mic.

There are noisy supermarkets. This is an amplified raw recording. Workers move furniture, people talk, music plays etc. Intetesting acoustics due to the design of the ceiling. Some noise comforts me - something's going on. I like busy places.

Table-tapping or knocking recorded as effects for ghost story audio drama. Wooden rolling pin hitting leather mat on hollow furniture, recorded in hallway for some boomy reverb. Bock u99 mic, ssl 2 interface, logic pro, presented here at 44. 1khz 24 bit.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Here's some more of that young couple next door. For this one, they probably went 15+ minutes. Their libido must be really high for this day/night. From my listening, it seems like they were not doing it in bed the entire time. They must have used other furniture and played around in different positions. From 3:30 or even before that is when they start. Passed 5:00 is when the woman starts to moan loud. 14:55 is when they finish. 16:07 guy says i'm tired. Note that the original audio had more bed and furniture creak noises, almost 30 mins long, and some of their chats cut out. Also note that some of the noises left in on the good parts may not be sex noises. This was edit and shorten with audacity.

Poking around in my grandmother's barn - building is approx 140 years old and filled with old tools, furniture and other random things. Recording consists of a lot of rusty metal scrapes and thumps, footsteps on old wood, doors etc. Recorded on a hand-held sony pcm-d50. I've edited out the worst of the wind and other artifacts of my sloppy recording technique, but there may be some still in there.

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of one of the internal draws. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

After spending a weekend putting together a giant wardrobe (from everyones favourite swedish furniture store) for my girlfriend i thought i should reward myself by making some recordings of it. This is a close mic recording of the sliding door, i followed the top of the door (where there was the most interesting sound) the full length of the wardrobe as i opened/closed the door. For this recording i used my sennheiser mkh416 going into a sound devices mp-1 preamp and recorded to a tascam dr-680.

Just me stretching, rubbing and 'twanging' a rubber exercise band. Apologies for the knocking in the first 20 seconds, my upstairs neighbour started moving some furniture. I made this recording for a very specific purpose but i suppose it could be used in an animation or computer game but also for something bondage or kink related?. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.