38 Royalty-Free Audio Tracks for "G Sharp"

Electric guitar low distortion blues style based on d sharp, g sharp and f sharp (you pick).

G sharp rhodes note.

G-sharp melodic minor scale ascending and descending.

About 177bpm.

G♯ natural minor scale ascending and descending.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

remix of https://freesound. Org/people/g. Lamont/sounds/118068/. Have removed background music/mic handling as well as cleaned up room tone. . Ouch!.

This is a loop created using fm8, serum and battery. Not completely sure what genre to class this sloop as but gone for electro. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Electrical hum created by my guitar lead resting on the table top while connected to a line 6 box going into my laptop. The line 6 software was also giving it lots of 'cavernous hall' reverb. Quite stereo too. It is a g as far as i can tell but slightly sharp so try shifting the pitch to get it in tune with other instruments.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

This is a simple fifth phrase in the key of гusing dodeca notation: a д b c φ d đ e f г g љ(although it's played rather out of tune). The flute is made of red cedar and tuned to г.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

Fifteenth chord from Perry on C