102 Royalty-Free Audio Tracks for "Gramophone"

Sohini Qawwali is a sitar solo recorded in 1904 by Imdad Khan. Sohini Qawwali – solo na sitarze w wykonaniu Imdada Khana z 1904 roku.

Violin telugu (pallavi) played by Narayanasami Iyer Pudukottai. Recorded in Madras by William Sinkler Darby & Max Hampe . Gramophone 17934.

Sung by Fazal Hussain Khan. Recorded by William Sinkler Darby in Lahore. Gramophone 2-12765. Gokul Gaav Ke Choriwa – tradycyjna hindustańska pieśń w wykonaniu Fazala Hussaina Khana zarejestrowana w 1904 roku w Lahaurze przez Williama Sinklera Darby'ego. Gokul Gaav Ke Choriwa gesungen von Fazal Hussain Khan. 1904 von William Sinkler Darby in Lahore aufgenommen. Македонски: Традиционалната песна Гокул гав ке чорива снимена во Лахор (во денешен Пакистан), 1904 г.

Recorded by Ivor Robert Holmes in Warsaw. Gramophone matrix 1236ab. [1]

Recorded by Franz Hampe in Warsaw. Gramophone matrix 7109L. [1]

Recorded by Ivor Robert Holmes in Warsaw. Gramophone matrix 1225ab. [1]

Recorded by Ivor Robert Holmes in Warsaw. Gramophone matrix 1229ab. [1]

Recorded by Franz Hampe in Warsaw. Gramophone matrix 7094L. [1]

Let our prayer ascend recorder in Wilna. Gramophone matrix 1681z. [1]

Accept our prayers recorded by Franz Hampe in Warsaw. Gramophone matrix 7112L. [1]

Recorded by Franz Hampe in Warwaw. Gramophone matrix 7108½L. [1]

Be Thou found by us recorded in Wilna. Gramophone matrix 1682z. [1]

He who performed miracles recorded in Wilna. Gramophone matrix 1690z. [1]

Man, his origin is dust, recorded in Wilna. Gramophone matrix 169Hp[m]. [1]

The thirteen attributes of God recorded in Warsaw. Gramophone matrix 414L(z) [1]

O father of compassion recorded by Ivor Robert Holmes in Warsaw. Gramophone matrix 1222ab. [1]

From His place may He return to us recorded in Warsaw. Gramophone matrix 410z [1].

On the first day of the year recorded in Warsaw by Franz Hampe. Gramophone matrix 7096L. [1]

O God who art full of compassion recorded in Warsaw by Franz Hampe. Gramophone matrix 7110L. [1]

Ephraim, my dear son is a precious child recorded by Franz Hampe in Warsaw. Gramophone matrix 7090L. [1]

Malaysian quasim. [1]

Recorded by Ivor Robert Holmes in Warsaw. Gramophon matric 1224ab. [1]

Bengali song.

O universal Lord (Adon Olam), recorded in Wilna. Gramophone matrix 168Hp [1]

The blessings of the priest recorded in Warsaw by Franz Hampe. Gramophone matrix 7114L. [1]

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Hindustani song.

Thumri - Hindustani song.

Hindustani song.

Aria from Rigoletto sung by Enrico Caruso, accompanied by Salvatore Cottone on piano.

Aria from Tosca sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Manon sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Label: Disque "Gramophone" Cat. no.: DB 1001 Order number: 2-053278 Matrix/StamperID: CVE-31274-5 (A31274, 2-053278-P) 1st release date: 1927 1st recording date: 29 October 1926 Place of recording: - Author(s)/Composer(s): Julius Benedict (1804-1885) Lyricist(s): none Music arranger(s): Jean-Baptiste Arban (1825-1889) Conductor: Josef Pasternack (1881-1940) Performer(s): Toti Dal Monte (born as Antonietta Meneghel (1893-1975)) Vocal range: Soprano vocal solo, with orchestra Title/Work: Carnival of Venice Content: Part 1 Genre(s): Variations for trumpet Comments: RCM and SPU

Aria from L'elisir d'amore sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Iris sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Germania suny g by Enrico Caruso accompanied by Salvatore Cottone on piano..

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

Aria from Aida sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Various scratching, needle drops, surface and mechanical sounds from portable, wind-up gramophone player.

Slight abstracted vinyl stuck in groove.

Portable gramophone player. Zoom h2 internal mics.

Portable gramophone player. Zoom h2 internal mics.

Portable gramophone player. Zoom h2 internal mics.

End of 78rpm record continuously running as someone forgets to lift the needlerecorded with zoom h5 xy pack.

Old, portable gramophone player, motor noise, surface static, various scratches on a 78 record. Sony m10. 2012.

This is an old gramophone with a 78rpm vinyl-record. The sounds include the winding-up, the placement of the needle, crackle-noise and other surface sounds of the vinyl, lifted-up needle and the sound of the vinyl record-player stopping. Recorded in stereo on a zoom h4 handheld recorder.

Winding the hand crank of a 1909 tabletop victor ii phonograph and letting the turntable spin. Recorded with a tascam dp-24sd using two akg c 414 b-uls mics.