Recordings of 2 nerf guns, the strongarm and modulus recon mkii. Both well put together nerf guns, would be a good basis when creating your own weapon sounds when coupled with other layers.
24/48 mono recording of the sound of a fnx. 45 acp being shot slowly in a gun range 9 times. During the recording there are a couple shell casing that can be heard hitting the floor. There is a long break after the final shot before the target is recalled on the automatic rail system. There is a slightly echo-y natural reverberation to the gun range. Other than that the recording is very quiet in-between shots and each shot sound was allowed to dissipate before another round was fired.
Some recordings done for a game jam. Recorded by putting hand in bag full of screws and bolts, could be useful for some metalic sfx. Check out the rest of the pack for more like it.
Single shot from an m-1 carbine,. 30 caliber rifle as used in world war ii, the korean conflict, and vietnam. Manufactured by winchester. Fired in semi-rocky wooded area over small stream.
A almost (if not realistic) reload sound. Can you guess what made this? a toy rifle! a toy rifle made this sound!. Feel free to use this wherever. Games, videos, anything. Go wild :).
Hammer being cocked back on a pistol or revolver. This is apart of a much larger sound effects pack. Buy valhalla, an action sound effects pack with over 2,900 sound effects, available at:www. Filmmakersmanual. Com.
Hammer being cocked back on a pistol or revolver. This is apart of a much larger sound effects pack. Buy valhalla, an action sound effects pack with over 2,900 sound effects, available at:www. Filmmakersmanual. Com.
7 total gunshots from a distance with long echo trail. This was my neighbor shooting at his pond so there are ambient noises of bugs and birds in the background but the shots are nice and clear if you need them.
A gunshot sound effect recorded for a high school production of the musical heathers. It was recorded on a zoom h1 and was made by a theatrical cap gun. I recorded it at a distance of about 5 feet and then again at a distance of about 40 feet from the audience and allowed the sound to reverberate both times. Then i duplicated both and mixed in both original sounds on top of each other, plus each sound pitched down 1 octave and the 40-feet away recording at 2 octaves down, plus the closer recording pitched one octave up. We then added and adjusted reverb in audacity and adjusted the sync of all the clips to be aligned, and adjusted the mix to make it sound as real as possible.
