89 Royalty-Free Audio Tracks for "Height"

Rain spout drip after heavy rain, recorded with the zoom h2n in spatial mode in a very reverberant space. This is an ambisonic recording - b-format, ambix. Do to a limitation of the h2n, it does not have a height channel. You can decode this file to mono, stereo, or surround with rode's sound field plug-in.

Vow to the tulip lain in blood (Persian: به لاله در خون خفته ; Transliteration: Beh laaleh-ye dar khoon khofteh) was a famous revolutionary song composed in 1979 during the height of the Iranian Revolution فارسی: سرود انقلابی «به لاله در خون خفته» از سرودهای انقلابی مشهور ساخته شده در دوران انقلاب اسلامی ایران در سال ۱۳۵۷

A plate was placed on a table with a very small height gap so that it vibrated when flipped with a finger. Produces a sound similar to a ruler pushed down on a table, flipped and pulled onto the table. It's a bit difficult to describe but if you hear it, you see what i mean and i'm sure you've done it as well. . ;).

This is a recording from clearwater beach, florida, usa, made on november 07, 2014, from the gulf of mexico on a windy day, just before the tide came in. I made this recording while standing in the sea, where the waves were at about waste height. This was produced with a zoom h6 recorder and it's x/y microphone module.

I have recorded the noise made by blowing in a glass bottle and i have added a “wahwah effect”. Then, i have recorded a sound made with my thumb and the bottleneck. I have changed the speed ant cut it. Then, i have recorded the noise made with my hand hitting the bottleneck. I have used the effect “blend in closing” and changed the height. This sound can be used as a loop. I used audacity.

Someone walking in a trampoline, includes landing from a very high height, landing, and the steps themselves. To separate them, use an audio editing programyou can use the sound in any of your projects, it was created and produced by me. I actually used a plugin to make this this time, this time, it was in audacity, sounds in the future will be made with reaper or audacity.

Middle school (ages 12-14) band of about 50 students preparing to make an audition recording in their school auditorium. Two akg c 414 b-uls multi-pattern large diaphragm condenser mics were placed about 10 feet (about 3 meters) above the ensemble on the far right and far left, with a røde nt4 stereo condenser mic at the same height located in the middle of the group. Recorded january 2019.

Surround recording of a small country road near the croatian town of brela. It is a sizzling hot summer noon, crickets are chirping, several cars can be heard driving by the recorder, which is situated on the side of the road, facing the road at a height of approx. 1. 5m. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.

Title Windchime Artist stephan Original mp3 data Length:1:07 minutes (1.29 MB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Aluminium, Bells, chiming, Harmony, Outdoor, playing, ringing, Tubes, Wind, Windchime Type Single Subject, Natural PDSounds record number 381 Comment Aluminium windchime about 30 cm in height. The tubes / bells are ~1cm in diameter. Recorded in the kitchen. :( The refrigerator purrs. I played it with my hand, so its no real randomness from the wind. Sound is noisecleaned with soundforge to get rid of a bit refrigerator noise.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Recording of traditional sneaker with hard rubber sole stepping down on glasses on hardwood floor. Moderate room tone present. First takes are extremely near to glasses on floor, then followed by takes done about a meter away and at waist height. Glasses used were a pair of old metal framed earhook with polymer type prescription lens and an all plastic frame "blue light reducing" pair with plastic lens. Recorded on a tascam dr-05 linear pcm recorder around 11pm on 5/20/17.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

4ch surround recording made at a bus stop in greenwich/england at noontime on a weekday. The recorder's rear mics, featured in this file, are facing away from the street into the sidewalk at a right angle at a height of approx. 60 cm. Traffic is passing in both directions, about 1 min. Into the recording, a bus stops and continues onward. Recording was conducted with a zoom h2. These are the rear channels of a 4ch surround recording, mics set to 120° dispersion.

A stark recording of a bunch of northwest winds whipping through a small town. This was recorded in december 17th 2013 during the height of the frenzy of the holiday season. I think that it why i enjoy this recording so much -- the lonely yet comforting desolate wind in contrast to the frenetic sensory overload that the holidays can sometimes be. The wind chimes are a nice touch too. Recorded on my front porch using my zoom h4n recorder and it's internal stereo microphones with the record volume on 80.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

Boomerang is a steel shuttle roller coaster located at bellewaerde in ypres, west flanders, flemish region, belgium. Although it wasn't the first vekoma boomerang to be built, it was the first to be opened due to technical issues with the other roller coaster. This spectacular roller coaster takes you to a height of 32 m, before launching you forward and backward, like a boomerang, at over 80 km/h. There is a lot of nonsense in this file. Some belgian teenagers are talking about their families, their teachers, to fall out of the coaster, banana, carrot. . . You can even hear some flemish words. Recorded inside the roller coaster with tascam dr-100mkii onboard microphones.

The stuttgart rack railway (german: zahnradbahn) is an electric rack railway in stuttgart, germany. It is the only urban rack railway in germany. Affectionately called zacke (spike) by the residents of stuttgart, the line was opened on 23 august 1884. It connects the urban districts of stuttgart south (marienplatz) and degerloch (albplatz). The route runs along the alte weinsteige, which was historically the main route to the filder towns until the neue weinsteige was built in 1826. Over it’s 2. 2 km route the line climbs a height of 205 m (from 260 m to 465 m amsl). The maximum incline on the route is 17. 5% (between liststrasse and pfaffenweg). On the branch line to the depot of the (old) rack railway yard, the maximum incline is 20. 0%. Between the stops at pfaffenweg and wielandshöhe there is a view of stuttgart's city centre.

Atmosphere - Alexander Spöttel

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

Monthly tornado siren test performed in arlington heights, il, on august 4, 2009. The recording clips slightly in the left channel at the beginning of the siren. Recorded using a zoom h2.

Different heights at which the batteries where dropped onto the glass table.

A shoe is being dropped onto a wooden surface from various heights.

Composite sfx of a cardboard box being dropped from different heights and angels.

A hollow metallic can is dropped onto a carpet from different heights.

A fork falls on a limestone floor. Three versions at various heights.

Dropping a pencil onto a wooden desk from different heights. Recorded on hdr 633 with me-67 microphone.

Dropping a ladle onto a hard floor. This was actually a metallic cup measure. Various heights and angles.

Washing machine lid opening, then letting it fall close at differing heights.

One of those gents urrinals with the on demand/. Button pushed three times at different heights — background hum from fluorescent lighting removed. Recorded in a public toilet in carrefour, gandía, spain (province of valencia).

Simply picking up a sheet of paper off of a surface. The second half are sounds of me dropping the sheet of paper from standing and crouching heights.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

2020-04-05 / crown heights, brooklyn, ny. Five minutes of ambulance sirens recorded out of a window during the covid-19 crisis.

This mockingbird comes every spring to a tree outside my window in jackson heights, ny--a bustling part of queens. It could use some noise reduction, but its not bad and there's a lot of variety. This guys really goes to town with a hundred variations of chirps.

Me dropping a wooden batten on my driveway at various heights. I did it around 21:30 so there would be no traffic or bird noises etc. Nice clean sound. If you'd like to credit me then please do so as either 'richard edwards' or 'manim8'. If not, that's fine 😊if you'd like to follow my yt, then search for manim8 😊😊👍👍 would be great to have you aboard for the game dev ride. The more the merrier. Thanks.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte