71 Royalty-Free Audio Tracks for "Height"

* circular saw for cutting stone on a construction site* ambient noise: birds, voices, construction site* distance to source: ~8m* height above source: ~5m* post processing: none. * microphone: samson c01* interface: phonic firefly 808u* resolution: 24bit@96khz* preamp: +35db* cables: 2x 6m sommer sc-the stage 22, hicon connectors* software: ardour on debian.

Lluvia sobre un paraguas andando por la acera de calle del carmen con la fachada de la biblioteca nacional. Los desagües a bastante altura golpean alternativamente el paraguas. Rain on an umbrella walking along the sidewalk of carrer del carmen with the facade of the national library. The drainages at quite a height hit the umbrella alternately.

Rain spout drip after heavy rain, recorded with the zoom h2n in spatial mode in a very reverberant space. This is an ambisonic recording - b-format, ambix. Do to a limitation of the h2n, it does not have a height channel. You can decode this file to mono, stereo, or surround with rode's sound field plug-in.

A plate was placed on a table with a very small height gap so that it vibrated when flipped with a finger. Produces a sound similar to a ruler pushed down on a table, flipped and pulled onto the table. It's a bit difficult to describe but if you hear it, you see what i mean and i'm sure you've done it as well. . ;).

This is a recording from clearwater beach, florida, usa, made on november 07, 2014, from the gulf of mexico on a windy day, just before the tide came in. I made this recording while standing in the sea, where the waves were at about waste height. This was produced with a zoom h6 recorder and it's x/y microphone module.

Someone walking in a trampoline, includes landing from a very high height, landing, and the steps themselves. To separate them, use an audio editing programyou can use the sound in any of your projects, it was created and produced by me. I actually used a plugin to make this this time, this time, it was in audacity, sounds in the future will be made with reaper or audacity.

I have recorded the noise made by blowing in a glass bottle and i have added a “wahwah effect”. Then, i have recorded a sound made with my thumb and the bottleneck. I have changed the speed ant cut it. Then, i have recorded the noise made with my hand hitting the bottleneck. I have used the effect “blend in closing” and changed the height. This sound can be used as a loop. I used audacity.

Middle school (ages 12-14) band of about 50 students preparing to make an audition recording in their school auditorium. Two akg c 414 b-uls multi-pattern large diaphragm condenser mics were placed about 10 feet (about 3 meters) above the ensemble on the far right and far left, with a røde nt4 stereo condenser mic at the same height located in the middle of the group. Recorded january 2019.

Surround recording of a small country road near the croatian town of brela. It is a sizzling hot summer noon, crickets are chirping, several cars can be heard driving by the recorder, which is situated on the side of the road, facing the road at a height of approx. 1. 5m. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

4ch surround recording made at a bus stop in greenwich/england at noontime on a weekday. The recorder's rear mics, featured in this file, are facing away from the street into the sidewalk at a right angle at a height of approx. 60 cm. Traffic is passing in both directions, about 1 min. Into the recording, a bus stops and continues onward. Recording was conducted with a zoom h2. These are the rear channels of a 4ch surround recording, mics set to 120° dispersion.

A stark recording of a bunch of northwest winds whipping through a small town. This was recorded in december 17th 2013 during the height of the frenzy of the holiday season. I think that it why i enjoy this recording so much -- the lonely yet comforting desolate wind in contrast to the frenetic sensory overload that the holidays can sometimes be. The wind chimes are a nice touch too. Recorded on my front porch using my zoom h4n recorder and it's internal stereo microphones with the record volume on 80.

Recording of traditional sneaker with hard rubber sole stepping down on glasses on hardwood floor. Moderate room tone present. First takes are extremely near to glasses on floor, then followed by takes done about a meter away and at waist height. Glasses used were a pair of old metal framed earhook with polymer type prescription lens and an all plastic frame "blue light reducing" pair with plastic lens. Recorded on a tascam dr-05 linear pcm recorder around 11pm on 5/20/17.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.

Boomerang is a steel shuttle roller coaster located at bellewaerde in ypres, west flanders, flemish region, belgium. Although it wasn't the first vekoma boomerang to be built, it was the first to be opened due to technical issues with the other roller coaster. This spectacular roller coaster takes you to a height of 32 m, before launching you forward and backward, like a boomerang, at over 80 km/h. There is a lot of nonsense in this file. Some belgian teenagers are talking about their families, their teachers, to fall out of the coaster, banana, carrot. . . You can even hear some flemish words. Recorded inside the roller coaster with tascam dr-100mkii onboard microphones.

The stuttgart rack railway (german: zahnradbahn) is an electric rack railway in stuttgart, germany. It is the only urban rack railway in germany. Affectionately called zacke (spike) by the residents of stuttgart, the line was opened on 23 august 1884. It connects the urban districts of stuttgart south (marienplatz) and degerloch (albplatz). The route runs along the alte weinsteige, which was historically the main route to the filder towns until the neue weinsteige was built in 1826. Over it’s 2. 2 km route the line climbs a height of 205 m (from 260 m to 465 m amsl). The maximum incline on the route is 17. 5% (between liststrasse and pfaffenweg). On the branch line to the depot of the (old) rack railway yard, the maximum incline is 20. 0%. Between the stops at pfaffenweg and wielandshöhe there is a view of stuttgart's city centre.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.