170 Royalty-Free Audio Tracks for "Hold"

Hitting one of the two metal support beams that hold up the main pole of a basketball hoop, with a wooden rod. Recorded with a tascam dr-40.

This was a battery-powered train car running in circles on its plastic track. Is the sound pleasant? no. Did i hold my zoom h4n upside-down in the center of the circuit so the engine slowly pans from ear to ear? absolutely.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

This sounds like something else, but my bf bought a new starter motor for my car. I guess he didn't think i should be able to hold it up in the palm of my hand. It's a small car, after all.

Washed out metal clashes carried by a beating pulse; pitched metal sounds drowned in reverb, lfo with sample and hold modulation, tense atmospheric drone. Created with mother 32 and 2hp play + happy nerding fx aid, recorded on zoomh6, no post processing.

Sample of a c note on a hammond m100 series organ, flute sound from first keyboard, initial click and note held 10 seconds. Recorded directly from a line output with a tascam dr-40 then processed with an eq to remove unwanted noise.

I used make noise function, doepfer a-147-2 cvlfo, doepfer a-148 sample and hold, doepfer a-110 vco, doepfer a-124 filter, alm tangle quartet vca and mixer, doepfer a-199 spring reverb, pittsburgh modular outs (mk. Ii) outmodule.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Wanted to emulate the sound of a stopping / slowing down turntable for a "pause" sound effect for a video game. Feel free to reverse the sound to get the matching "continue"-counterpart =). Made in fl studio using the "fruity scratcher" effect on a simple piano note sample.

I got hold of an old sony dat machine (tcd-d10 pro) and noticed a very interesting sound when i opened the door to the cassette compartment. The sound was recorded with an olympus ls-14 and was slightly edited in wavosaur.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) make noise function samples from 25hz bipolar lfo (doepfer a-147-2)2) make noise function samples from 25hz looping envelope (intellijel quadra)3) make noise function samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Heating up the coil without sucking on it. I didn't want to hold it too long just in case it blew up in my face. Anyway, i gave up vaping because it's disgusting. Device: innokin adept zlide with a z coil 1. 6 ohm.

Remix of: 153583__sheepfilms__8-bit-beeping-computer-sounds. Extracted a mono 1 bar techno loop at 126 bpm. Great starter for a track, can hold focus in a break and then for 8-16 bars before it gets stale. Also sounds cool backwards :). Thanks to sheepfilms for keeping it zero.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

Mono recording of a small cooking blender that, after some pitching and processing, i used as a layer for a robot's movement mechanism. Format: wav 48khz 24bit monogear: oktava mc 012 -> joemeek vc1qcs -> audiofuse interface.

Opened tracks and added new stereo track using audacity, generated brownian noise with. 9 amplitude and applied equalization effect removing all frequencies below 30hz and above 80hz to -120db, applied bass and treble effect increasing output volume 5db, applied limiter effect using soft limit and limit to -5db with a 20ms hold to remove spikes.

A hq supersaw lead, sampled from the roland jd-xi. Ideal for playing with a sampler like an virtual instrument. Have fun.

White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.

Cheap no-name tape player playing a cassette during a squeaky moment. I opened the walkman-esque player for this and put the zoom h2n recorder directly on top of the tape being played. Hold up, let me take a picture. Less weird version: https://freesound. Org/people/qubodup/sounds/622237/.

My adult cat was really wanting to be in on the recording, and got a little angry that i wouldn't hold him. You also get a brief jingle of his collar bell and loud exhalations of my breathing - i was trying not to laugh at his antics. I was holding my breath very close to the mic.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

I hold a carbonated can to my microphone and open it in two motions, one to release the pressure, and the other to open the hole the rest of the way. This was a 12oz (355ml) standard soda can (specifically moxie) held in my hand a few inches from the mic, with some slight ambient humming removed in audacity afterward.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

An all-american expression of incredulity. It can be used to express genuine surprise, or better yet, with a touch of sarcasm. "we need to put a hold on this check till it clears. " well, no shit. I note that it is easily edited to produce a very convincing "oh shit" which i have put into practical use on occasion.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. This is a special. I tok 5 seconds from https://freesound. Org/people/gis_sweden/sounds/546076/ treated a little and got this drone.

This sound have been recorded in mono, on a samsung s8, using the recording app ''audiorec''. I have used izotope rx 6 to remove any unwanted noise. This is the sound of an industrial elevator. The ones that you have to press and hold until you have reach your desired floor. *this sound is completely free to use without any need of giving credits(if desired). *.

This is a sound effect of me pumping one of those hand pumps used to hold water or cleaner for spraying. My pumping causes pressure that makes the water bubble (which you can hear in the sound). Thanks for listening, and be sure to check out some of my other sound effects!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

I recorded my voice while watching and listening to sad stuff to force real crying out of me. This way i can have real crying clips for stock instead of trying to fake it. I am honestly surprised that i wasn't crying harder. I think i was trying to hold myself back for fear a neighbor would think something was actually wrong. Oh, and i know my crying is ugly, please don't make fun of it.

Estonia soon switches over to new electric trains. But the old ones still have that heritage. These are mended ones which aren't that characteristic anymore but still close enough sound describing the older electric trains. Here's a picture of the train:. Http://foto. Urmo. Ee/wp-content/fotod/2010/09/elektrirong-tallinn_aegviidu. Jpg. It's recorded with a tascam dr100 and the whole audio is sometimes a bit messy because i'm desperately trying to hold the recorder still. Happy editing!.

File i recorded while at work on a telephone pole. I found a span of the steel cable they string between the poles that hold phone lines or cable lines. But this was just the bare span and nothing touching it. If you hit them with a wrench they make weird laser gun sounds. Recorded with my phone and cleaned up a bit in audacity. Use as you please. If you use it for anything interesting and want to share what you used it on, sure let me know. Enjoy.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

This track is perfect for a film trailer which hits several "reveals" within it. It was originally recorded on a zoom h2 of a glass bottle being hit while suspended in the air. After some modifications, you have this track, ready for your next film trailer. Like all my sounds, you don't need to mention me as the creator, but if you make a million from it, an open bar at any parties you hold would be nice. (-=.

I am a film director, and i have asthma. Here is me, a woman in los angeles, shaking up and using my albuterol inhaler. Entire sequence: shaking it up first (which we all do lol), then exhaling all air from my lungs so i can suck in a good amount of medicine, then depressing the trigger and sucking in. Kudos to toiletroll for uploading his inhaler audio first, but this is the entire asthma inhaler sequence start to finish. No need to credit me. Just use and have fun. Enjoy.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)

H.M.S. Pinafore, Listing of tracks Overture (Imperial Infantry Band) Selections - Orchestral medley (London Orchestral Band) We sail the ocean blue (Male chorus) I'm called Little Buttercup (Little Buttercup: Ada Florence) A maiden fair to see (Ralph Rackstraw: Walter Hyde) I am the Captain of the Pinafore (Captain Corcoran: Harry Dearth) When I was a lad (Sir Joseph Porter: M. Anderson) --- [Lost] Act I finale Never mind the why and wherefore (Josephine: Ada Florence; Sir Joseph Porter: Ernest Pike; Captain Corcoran: Walter Hyde) Hold, pretty daughter of mine --- He is an Englishman (Captain Corcoran/Boatswain's Mate: Harry Dearth; Ralph Rackstraw: Bernard Turner; Chorus) Farewell, my own (Ensemble)