13,527 Royalty-Free Audio Tracks for "Image To Audio"

Archaic hemiola.

50s progression in C major, with different voicing.

The note A440, also known as "concert A", on violin. About 8 seconds. No pitch bend.

3-4 equals 3-8 drum pattern.

The note A440, also known as "concert A", on piano. About 8 seconds. No pitch bend.

Progression en do des années 1950, finissant en do. Fichier midi.

Arpeggiation, the first technique of Auskomponierung.

All-interval hexachord triads.

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

3-2 son clave.

Artificial harmonic on D string: G', D', and B.

Example of an altered chord progression in jazz.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Ab-over-A slash chord.

6-Z44 hexachord.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Augmented triad on D.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Tone row for Milton Babbitt's Composition for Four Instruments.

Chord progression with diminished seventh chords added, without chords added yet.

Add6 chord on C

Compound minor third on C (Augmented ninth), MIDI

Augmented triad on C, As MIDI

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

3-2 rumba clave.

Augmented scale on C.

Augmented dominant seventh chord on C

Augmented major seventh chord on C

6-8 clave in 4-4.

3/4 version of Image:Characteristic rock drum pattern.png.

Chord progression with diminished seventh chords added.

Aeolian mode on C. No pitch bend.

Aeolian mode on A. No pitch bend.

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

Ascending melodic minor scale on A.

Alternate augmented ninth chord on C.

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Tritone substitution (for V) notated as Italian sixth.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Neapolitan sixth in C minor.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

A harmonic minor scale ascending and descending. No pitch bend.

A melodic minor scale ascending and descending.