102 Royalty-Free Audio Tracks for "Input"

A short drum loop with a distinctive "low-fi" and "raw" feel. Could work well in a drum and bass or hip-hop project. Recorded live with a zoom h2n (line input from a soundboard).

A single plane coming in from the right to the left, creating some nice reverbing sounds at the end of the recording. Some low level sounds from bystanders. This is a recording with normal input gain.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

A very re-samplable bit of digital glitching made using aphex twin's samplebrain app with some of my own drum samples as the input. Feel free to use for anything (but i'd love to see what you make with it!).

I took an rca to 1/8 inch cable and plugged it into my sound card input. The sound is created by sticking the two rca plug ends to a 9 volt battery's + and - terminals. . . I don't know if the noise comes from the battery or the computer, though.

Mixed signal and noise with 15db snr. Input file : '15db. Wav'channels : 1sample rate : 16000precision : 16-bitduration : 00:00:03. 24 = 51761 samples ~ 242. 63 cdda sectorsfile size : 104kbit rate : 256ksample encoding: 16-bit signed integer pcm. Source for generation: https://github. Com/sato-kunihiko/audio-snr.

6 octaves of a simple square wave in concert c for reference. Tuning oscillators has never been easier! just patch an oscillator output into the morphagene input, select an octave with the organize control and dial sound on sound to mix the two to assist in tuning.

This is a sample of a wooden flute my girlfriend gave to me in high school. I'm playing an a at 440hz. It was recorded using a townsend labs sphere l22 into my uad input chain: neve 1073 > sphere (u67) > la2a (grey) > oxide tape > pultec eqp-1a.

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

A sample of my microwave oven's transformer starting up was paulstretched to roughly 30 seconds using audacity. Makes a really nice 50hz buzz sound. Input voltage was 240v 50hz ac, output is about 2400v (2. 4kv) ac. Recorded using an oppo reno 8 lite 5g phone.

From the ui sounds collection by gabfitzgerald. This sound is a high pitched approval ui sound for notifications, success indicators, winning or other auditory feedback for users. Created from using a wavetable synthesiser and high midi input.

I've only had one take of breaking glass mirror shot for feature film - so i used 3 different microphones at different input levels & position to avoid clipping. This one is from oktava mk-012 short condenser microphone with omni capsule to sound devices 788t. .

Lighter sounds captured for the mct - physical computing subject. It was capture with a small speaker as the input, capturing the sound of an empty lighter. The small speaker was plugged by alligator clamps in a 9v battery. After that i've processed the sounds a bit with a pinch of reverb, delay and some compression.

My 1st recording with my marantz pmd661, with enhanced preamplifiers by oade brothers. I used my two matching stereo samson co2 microphones with the input level on 7. Recording made around 9pm at night on august 1st, 2014 in a small midwestern town. The chorus of cicadas and tree frogs is very steady on this one.

An hp officejet pro 8610 printer, printing multiple pages, via direct usb drive input. The usb drive used to store the documents is a lexar micron 8gb usb 2, manufactured in china. The chinese facility responsible for the assembly of the drive lies near the mouth of the yangtze river, in the tiny, quaint village of shanghai.

Field recording of an electric train passing by. Recorded fairly close, wide dynamic range. I had to reduce the input gain during the middle section of the recording to avoid overloading the adc. I think this a fairly good example of the spatial image binaural recording can provide. Gear: sharp minidisc, soundman okm binaural microphones.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

Vinyl-like sounds coming from my old guitar(cheap stratocaster imitation) connected directly into the mic input of my pc with an adapter, the volume and tone knobs, and the five way switch make a similar noise but way more louder; which can be heard around the end, the audio is compressed with the compressor from ableton live 9.

Rode nt4 placed centered and perpendicular to an outside window, fed into an maudio delta1010lt. Slight clipping on the larger thunder claps, had the input slightly too high. This is a sample of about an hours worth of recordings i got on this storm. Heavy rain and the lightning got so bad later i had to shut off my computer. 3am couldnt sleep.

Lift of an university. First he says "lift up" and then "2nd floor". The sound of doors opening and closing. We can hear the distant voices. Sound environment. I used zoom h4 handy recorder with built-in microphones. I modified the original sound and added equalized and compression. I changed the input and output sound progressively decreasing. All with adobe audition 2014.

Doepfer a-119. Maybe not the coolest module on the market. But i have plans for this little friend. Bought it used. "module a-119 (external input / envelope follower) is designed to allow external audio signals to be integrated into the" (from doepfer home page) modular synth. As delay i use joyo analog delay.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

Formatted for use in the make noise morphagene. This is another reel made in the modular using the new intellijel plonk, which is amazing for microsound but also really jagged edges. My interest in this module was as far from anyone else's haha. This is one of the most fun to play with, especially when sending modulation into every input!.

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Device: zoom h5 (x-y stereo input)48khz 16-bit. I locked my cat outside and he's begging me to open the door. Rarely can i manage to record the sound from a cat in such strong emotion, so i rolled the recorder for 1 minute with guilt. I gave my cat a fish can afterward, so don't feel sorry when you use the sound.

Recorded using the ms mic on the zoom h644. 1khz/16bit wav recording. No effects added. Marine drive (south mumbai) at 9pm during high tide right after raining for a short time. Recorded whilst standing on a pavement across the street; facing towards the sea. Volume is initially low, but i increased the input level after about the 1 minute mark.

Close up recording of a bee on a flower, i had the mic input level turned up to max to see if it would pick anything up, i couldn't hear it at all, and it sounds pretty good! shame about those inconsiderate people in the background. "hey i'm trying to record a bee over here!" is not really something you can get away with saying to strangers.

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

Two sennheiser g3 transmitters were set for the same frequency; one of them was transmitting a previous interference recording from my macbook p2 phone output, the other one had no input;the receptor was connected to loudspeakers; the interference would vary as i moved each transmitter around. I recorded the loudpeakers output through the macbook built-in microphone, on audacity. This is a specially noisy part i exported. Not a pretty sound, but may be useful.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

This is a recording of the audio transmission of the digital mode jt-65 through a yaesu ft-950 amateur radio on the 20m band. Information on jt-65 can be found at http://physics. Princeton. Edu/pulsar/k1jt/wsjtx-doc/wsjtx-main. Html. The recording was made by a zoom h6 with one input connected to the radio's monitoring output. Recording was made at -12db. The file was trimmed with audacity and exported as a wav 96khz file.

Assisted breathing for my agonizing friend the day before he died. He told me that the sounds bothered him (morphine made him sensible to ears), that everything was magnified, so i raised the input level to 9, removed the lo-cut and the limiter in order to better understand how he perceived it. He died listening to the annoying noises of the environment, but he will not suffer anymore. See you never more my dear friend. Recorded using zoom h1n (70% of battery when recording).

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

Many find the sound of a prop-plane flying lazily very peaceful --- especially if it is a late summer day against a blue sky on the edge of a forest. Even though i was actually on an outing to record the birds of the deep forest in summer, this plane came right overhead and, well, here it is. The ocassional soft chirp of the birds adds a nice touch. Recorded with my zoom h4n recorder with the internal microphones set on an input volume of 75.

Here is the sound of a 50-caliber barrett rifle being fired. You'll first hear the sound of the bolt being pulled back. Really cool sound if you can listen on some nice big speakers. Recorded with my handy zoom h4n using a rode ntg-2 shotgun microphone. I was standing about 20 feet from the rifle, and i still have the input gain turned way down to about 30, just to make sure the circuitry was not overloaded. Also, since this was in a big, wide-open field, you get a nice echo.

A sample that was made completely by accident. I was recording outside my local park and trying to capture the bird calls (with a semi-successful effort - too much motorway noise is a bit of a bummer) one morning and aimed my uchó pro at the ground as i stood on a sludgey leaves and wet sticks with the input too high - overdriving it but also somehow making a gore sound effect. When i imported it to reaper, time-shifting it - i spotted the unique flavor of crunchiness and wetness it gave.

Results from running randomly-generated neural networks (all weights in neuron connections start random and then slowly drift when generating). Although sample rates used are 44. 1 and 48 khz, sounds pretty lo-fi. The reason could be input compression needed for network to actually work. Each sound channel is an output from two separate neurons in the network. Each sample in this pack is generated by a separate network, as they wasn’t saved anywhere after they produce a thing. Global parameters (output compression, neuron count, drift rate etc. ) aren’t the same from sample to sample, too.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Rode nt4 -> maudio delta1010lt, capturing a lightning strike that made the walls of my house shake, and forced me to turn off my computer. The lightning occured ~167 meters away from the microphone, calculated from the time lapse between the initial dc spike and the start of audible strike. Clipped quite a bit, had the input slightly too high, but did not expect one to hit so close. A picture hanging on my wall shook violently when this one hit. This was captured at the end of session on 5_28_2006, same night as http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=19283.

Recorded on the shortest day of the year at the edge of a lake where the wind was gusting from the south at 15 to 20 miles an hour. At the beginning you hear some geese in the distance. This recording was made using my sony pcm m-10 with it's internal microphones set to level 5 input volume. I actually placed the recorder, carefully, in a crook of some branches in an oak tree about 5 feet above the ground---very near a big clump of dead and brown oak leaves. . . . This gives you that wonderful sound of the wind hissing through the leaves.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded a little before dusk, 2017-07-19. Recorded binaurally using sound professionals ms-tfb-2 binaural microphone headset, 12vdc battery box, sound devices mixpre-6 at 24/192. Postprocessing: digital gain, downsampled to 16/48. Flac: encoded. The rock formations here play appealing tricks with the sound of the running and falling stream. Facing out over falls dropoff, vaguely. A lot of digital gain (+30db?) was applied in postprocessing. The analog preamp was originally set to +21db on the aux-in (ch5/6) input, but this may not have been the optimal gain staging. See also schoeps ms stereo version recorded one month later, here: http://freesound. Org/people/chromakei/sounds/400404/.

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.

A recording i took on 04/26/2014, presumably on cassette tape, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. To my knowledge, this is the only audio recording that exists of the soundscape, though if asked by kelly or katz i will respectfully take it down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

This is an alternate recording i took on 04/26/2014, on microcassette, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. This was taken at the same time as the cassette recording i uploaded previously; if asked by kelly or katz i will respectfully take both down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.