723 Royalty-Free Audio Tracks for "Interval Class 5"

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.

4-29ZA (all-interval) tetrachord on C

4-29ZB (all-interval) tetrachord on C

4-15ZA (all-interval) tetrachord on C

4-15ZB (all-interval) tetrachord on C

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

Sum-4 family.

Nono- Il Canto sospeso all-interval series, as Midi

All-interval hexachord triads.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

7-36ZB heptachord on C

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

8-16A octachord on C

7-5A heptachord on C

10-6 decachord on C

4-5A tetrachord on C

5-7A pentachord on C

7-2B heptachord on C. Inverted version of 7-2A.

6-21A hexachord on C

4-25 (French sixth) tetrachord on C

5-36ZB pentachord on C

7-35 (diatonic) heptachord on C

10-4 decachord on C

8-26 octachord on C

6-26Z hexachord on C

8-16B octachord on C

7-16A heptachord on C

4-26 (minor seventh chord) tetrachord on C

9-7A nonachord on C.

7-38ZB heptachord on C

5-31B pentachord on C

6-30B hexachord on C

6-4ZA hexachord on C

5-27B pentachord on C

7-27B heptachord on C

7-13A heptachord on C

7-21B heptachord on C

8-9 octachord on C

5-16B pentachord on C

6-16A hexachord on C

4-2B tetrachord on C. Inverted version of 4-2A.