36 Royalty-Free Audio Tracks for "James Brigham"

Black and White Rag (1908), composed by George Botsford and performed here by James Brigham.

Palm Leaf Rag' (1903), by Scott Joplin

Palm Leaf Rag' (1903), by Scott Joplin

Scott Joplin's "The Entertainer", published in 1902 and performed here by James Brigham in 2018.

Scott Joplin's "The Nonpareil", published in 1907 and performed here by James Brigham in 2018.

https://musescore.com/james_brigham/scores/1794851

Scott Joplin's "Leola (Two-Step)", published in 1905 and performed here by James Brigham in December 2015.

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

An American march composed in 2022 with lyrics written in 2022. Performed by the United States Air Force Band.

James Scott's "Grace and Beauty" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

The Holly and the Ivy with piano accompaniment by Cecil James Sharp

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

This is tune to the English Folk Song "King Herod and the Cock." The sheet music can be found on pages 20–22 in English Folk-Carols by Cecil James Sharp. The music is

Edison Gold Moulded Record #9295. Performed by Bob Roberts.

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

The Omani national anthem, "As-Salam as-Sultani", performed by the United States Navy Band. It was composed in 1932 by James Frederick Mills, a Briton who died in 1945.

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

English lyric for a traditional French carol, sung a cappella

Uberhaxornova saying "aww yeah".

Some guitar stuff.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .

I was playing along with 'the payback' by james brown on my roland td-11 kit. Had to record right off my simmons monitor with my yamaha pocketrak. Please comment on what you will use it for. Thanks. :^).

Recorded at the occupy toronto basecamp in st james's park, toronto, right next to the anglican cathedral of st james, 11 nov 2011. At the start of the recording, you can hear the cathedral bells chime. Most of the recording is of the ambient sounds of a walk-through of the park surrounded by the occupy protesters. Roland r05 sound recorder with sennheiser mke400 stereo microphone.

My friend ripping an apple in half with his bare hands. Unedited. Recorded originally to use as a sound for when the stem breaks in my school's production of james and the giant peach. Recorded on my iphone x in a relatively sound proof dressing room.

Arning: evan török committed to provide business project funding for a refundable fee and never performed or returned the fee. Lots of victims uncovered primarily from linkedin dating back to 2017. Exposing the truth about the evan török scam fraud scandals. Https://www. Ripoffreport. Com/report/oncidium-capital-evan-tzirzik/cape-town-western-toumlroumlk-1518779. Https://africacomplaints. Com/scam-fake/338085-warning-evan-trk-committed-to-provide-business-project-funding-for-a-refundable-fee-and-never-performed-or-returned-the-fee. Html#comment-id-382.

Another clip recorded at the occupy toronto base camp in st james park in downtown toronto, 11 nov 2011. You can hear the sounds of the occupy protesters as we walk through the park. Roland r05 sound recorder and sennheiser mke400 stereo microphone.

From my horror game "black rose". Ghost (sullivan james) letting out a loud moan. This clip is heard during chases every time he's about to rush you.

A jpotter sound that has a techno kind of feel to it with a sort of dark edge and a surprising bass. -jpotter.

Evan török is a notorious international scammer with 28 confirmed victims and over us500000 in confirmed stolen fees from around the world.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.