524 Royalty-Free Audio Tracks for "Jazz Standards"

Panama performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

Pensamiento by Breuss Arrizabalaga Quintet

Cherenzig by Breuss Arrizabalaga Quintet

Bailey's Lucky Seven under the direction of Sam Lanin perform Gee! But I Hate To Go Home Alone. Gennett Records 1922. Bailey's Lucky Seven unter der Leitung von Sam Lanin spielen Gee! But I Hate To Go Home Alone. Gennett Records 1922.

Tiempo Espacial by Breuss Arrizabalaga Quintet

Nfamoudou-Boudougou by Breuss Arrizabalaga Quintet

Ghosts by Breuss Arrizabalaga Quintet

Tsurugi by Breuss Arrizabalaga Quintet

Zubaida by Breuss Arrizabalaga Quintet

They Dwell On Other Planes by Breuss Arrizabalaga Quintet

Mount Fuji by Breuss Arrizabalaga Quintet

The Dark Side Of Frigiliana by Breuss Arrizabalaga Quintet

The Lick in different swing levels (straight, 60%, 70%, then 80%) on piano. Made in Musescore with the default piano sound with a tempo of 120BPM. In D minor

Geluidsfragment, Ilse Huizinga, van de CD Beyond Broadway, 2005, bron: www.ilsehuizinga.com, eigen beheer

Al Jolson's 1920 recording of "Avalon".

Tiger Rag by the Original Dixieland Jass Band

Geluidsfragment, Passion, Erik van der Luijt, piano, bron: Erik van der Luijt, www.erikvanderluijt.com

West Point Band's Jazz Knights

So What chord.

West Point Band's Jazz Knight

Arthur Fields sings Hunting the Hun, recorded 1918. It was a hit during the first world war and also a strong seller the years after. Arthur Fields singt Hunting the Hun, aufgenommen 1918. Der Titel war ein großer Hit während des Ersten Weltkrieges und verkaufte sich auch danach noch gut.

A sample of the 6/8 clave.

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Dixie Jass Band One-Step, composed by J. Russel Robinson, Nick LaRocca, and Joe Jordan. Recorded by Original Dixieland Jass Band in New York in 1917 (Victor 18255-A)[1].

Jazz Violin Solo

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78RPM, transferred to .ogg from a .mp3 file from The Internet Archive.

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.

Contenido by Arrizabalaga, Bravo, Laginestra, Martinez

Record number: Zonophone 2155 Vocals: none

Electro Cartoons / Lamento acústico by Arrizabalaga, Bravo, Laginestra, Martinez

Persecución en el interior de La Casa Encendida by Arrizabalaga, Bravo, Laginestra, Martinez

Petrushka Revisited by Arrizabalaga, Bravo, Laginestra, Martinez

3LW by Arrizabalaga, Bravo, Laginestra, Martinez

Big band style recording of Auld Lang Syne, performed by Les Deux Love Orchestra.

Record number: Zonophone 2155 Vocals: none

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

C major bebop scale.

Dan Papirany interview on New Zealand national radio concert FM

Song recorded by Rudy Vallée & Yale Collegians (later Connecticut Yankees). This recording was never issued.

performed by the Airmen of Note of the United States Air Force Band. Track from Compositions (2012).

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Stole Back My Soul performed by the Airmen of Note of the United States Air Force Band. Track 5 from Compositions (2012).

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Little Dreamer, Big Dreams performed by the Airmen of Note of the United States Air Force Band. Track 7 from Compositions (2012).

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*