22 Royalty-Free Audio Tracks for "Key Of E"

Bell synth in key of e3.

Power trap at 145 bpm key of e-minor.

sound sample of a small bansuri of key E (white three).

Pump organ sound in the key of e-minor------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------rec by jiipee nyman.

A simple loop in the key of e. Enjoy !.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

Chords in e minor played on two virtual cinematic pads in music maker. Sounds good with drum and bass loops at 80bpm.

Bunch of keys being shaken. It was recorded with condenser microphone in a controled studio. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Bass and drum loop - brand new bass strings - come get 'em while their hot.

This is a recording of my fender jazz bass di'd directly into my interface. Hopefully this set up sounds good so i can upload more with these settings. Any suggestions? please comment below and thanks!.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Gravado no estúdio com um microfone condensador, de um chaveiro. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recorded in the studio with a condenser microphone, from a keychain. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

Piece of backing vocals from my new song, dropping on soundcloud soon. Key of bm, 80 bpm. Notes are b,a, a, f#.

A sample of me pumping 8th notes in the key of g (notes used e,g,b,d)on a late 70's ibanez bass. I ran the bass through a pod xt and an old 4track. It was cut from a song i recorded for my solo project "the heirs of rockefeller".

3rd in chromatic order. I recorded 16 notes from a music box. I waited for the motor to loose juice then i wound it forward manually so i could record each separate note chromatically. There are two octaves plus one note. Begins with d and climbs up the scale ending with e.

This is a simple fifth phrase in the key of гusing dodeca notation: a д b c φ d đ e f г g љ(although it's played rather out of tune). The flute is made of red cedar and tuned to г.

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

Chromaphone demo track of the soundset condensed energy. "condensed energy retains the power of real instruments in a smart package with very tight electric percussions, deep and soft drums, colourful and complex bells and evil soundscapes. ". More info here:www. Zensound. Es/soundsets/chromap…condensed-energy/.

This is the sound of collecting keys and using them to open and close a door. Este es el sonido de recoger unas llaves y usarlas para abrir una puerta que conduce al exterior. Recorded with apple watch series 6.