251 Royalty-Free Audio Tracks for "Lfo"

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Recording settings:. 48[khz]24-bit.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Noise heavily processed with chorus and delay. Slight lfo to lp filter cutoff. Recorded at 130bpm.

A continuous sweep between 1khz en approximately 2khz of a saw-wave, like an lfo. Sound like an alarm, made with reaper.

C2 moog faded in and c2 pizzicato + reversed. All passing through effects of distortion, reverb, delay and lfo. Recording settings:48 [khz]24-bit.

Moog synth c2 note mixed with c2 pizzicato and c2 reversed pizzicato. Uses reverb, delay, lfo, distortion, etc. Recording settings:48[khz]24-bit.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Recording of an acid bassline i wrote being algorithmically deconstructed via an lfo-controlled scratcher module in buzz tracker.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

This was made days in sunvox. I used a lfo, flanger and used a filter to make it sound muffles. Made in 10/25/20.

Es e synth in logic, used a low cutoff point with a fast lfo to create the effect of a helicopter flying in the distance.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): distorted lfonote: c3midi note: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): little lfonote: c2midi note: 36.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

A synth chord with a resonant filter that erupts rhythmically due to an lfo sequence routed to the filter. Made with native instrument's massive digital synth.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Distorted in whole spectrum. Recording settings:. 48[khz]24-bit.

Sound of an insect. Synthesized in "reaper" from a noise generator and lfo modulation. Can be used as a character's sound in a video game ;).

This is an acid bass type lead created with jeskola buzz instrument ksynth, with added ohmboys delay lfo at 126 bpm.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Monster bats come out of martian cave. V-station, 3 osc, phaser fx, delay, reverb, modulation of filter with lfo and modulation wheel,.

Constant arpeggiators rolling with the waves, shoulda added a panning lfo but o well. Added eq eleminate some frequencies.

A boomy break i made from a variety of free hits using jeskola buzz sequencer, with an ohm boys lfo effect applied.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Contains whole spectrum 20 [hz] to 20 [khz]. Recording settings:. 48[khz]24-bit.

Synth lead created on the minibrute, tweaking the kbd tracking and lfo rate dials. Was played above the 63 bpm synth loop which is also on my selection of freesounds. Enjoy!.

The electrocardiogram of a dying man-machine. 2 synthesizers used: sample & hold lfo for pitching and filters, sine waves for electriocardiogram. Delay, chorus, eq. . .

This is a bassline i made using alchemy vsti dancetrance/ leads/ mentasm instrument, run through ohm boys lfo delay at pitch a#3. Enjoy :).

A wobbly vocal saying "roffat", "robbit", "raffy" or something like that. Did it whit a extension for the vocal in audacity and changed some lfo settings also bass and a little reverb.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

This is te same sound of my excision bass version, on this one i included a lfo vibratoi dont think this sound will be useful but is a kind of funny sound to make.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

This is a recorded sound of nails tapping a fence. The different modification steps :. - fade-out effect- wahwah effect with the following parameters :lfo frequency : 1,5hzstart-up phase : 0 degdepth : 100%resonance : 1. 0wha frequency lag : 10%.

I made the vcf self-oscillate at a frequency of ca 270hz then i connected a sinus wave vco to cv1 and swept all the frequencies.

2 oscilators. One panned to the left the other to the right. Random pitch lfo bent on different rate speeds. With a bit cusher set to a certain amount, and mix to give both the crush and the original.

Inspired by 'thatjeffcarter' and his angel breath 4. Wav, i did my own remix of "ocean giant breathing" by 'satoration'. Time stretched, reversed, some band pass lfo, phaser, then some chorus flanger.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

A single shot of what could be an electromagnetic pulse for some sci-fi videogame or video. Made in ableton with layers of synths, reverb, lfo and chorus. Completely free to use.

This is an acid loop i made with free vsti called rubber duck. I run it through various lfo type filters. I've tweaked it to make it a perfectly looping one shot hit at 112 bpm.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

A remix of this sound:. Http://www. Freesound. Org/people/gmtechb/sounds/49175/. Just put some effects, if i remember correctly, hpf lfo, phaser, flanger, delay and reverb. All modulated a certain way. Please enjoy, and remix some of my sounds ; ).

Drone experimenti want sideband frequency 1 (s1) to be 110hzas fc (carrier) i use 164hzthen fm (modulator) must be 54hzcreated s2 will be 218hzslowly an lfo brings in the carrier frequency. This is mono. No fx. All analog. Listen to the electronics.