22 Royalty-Free Audio Tracks for "Liberty"

Performed by Peerless Quartet

Performed by Sousa's Band

Performed by Henry Burr

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the New England Winds of the United States Air Force Band of Liberty. Track 1 from Discoveries (2010).

Instrumental version of "Forged from the Love of Liberty," performed by the United States Navy Band

The Liberty Bell march, by John Philip Sousa (1854-1932), played by the New York Military Band. Recorded on Edison Blue Amberol cylinder record #3220 (unrestored version).The march is often associated with the British TV comedy program Monty Python's Flying Circus (1969–74), which used the piece as a signature tune. Nevertheless, the march remains popular with British military bands. Der Freiheitsglockenmarsch von John Philip Sousa (1854-1932), interpretiert von der New York Military Band, aufgenommen auf Edison Blue Amberol Zelluloidzylinder Nr. 3220 (Unrestaurierte Version).Der Marsch wird oft mit der englischen Comedy-Show Monty Python's Flying Circus (1969–74) assoziiert, die ihn als Titelmusik einsetzten. Dennoch ist er nach wie vor bei britischen Militärkapellen beliebt.

The Liberty Bell performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 2 from Ceremonial Music (1993)

Afternoon timeon the streetrecorded on tascam with shot gun mic.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

Iphone 6.

The siren used in the fire purge video by newyorkgaming based off the game liberty county: emergency response.

Chimes of Liberty performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from disc 2 of Ceremonial Music (2005).

Hail to the Spirit of Liberty performed by the Concert Band of the United States Air Force Heritage of America Band. Track 19 from disc 2 of Ceremonial Music (2005).

I couldn't find an actual lion snore so i took to liberty of taking an actual recording of a person snoring and treated it so it could sound something similar to the desired sound.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Liberty Loan" (1917) as performed by the United States Marine Band. Track 76 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Liberty Loan" (1917) as performed by the United States Marine Band. Track 76 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

I'll See You In My Dreams on tenor saxophone by Beachcomber. With Band in a Box accompaniment. Gear: Selmer (USA) Liberty TS501L Bronze tenor Sax with Vandoren Optimum TL4 mouthpiece and Rico Reserve #3 reed.

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.