290 Royalty-Free Audio Tracks for "Logic"

A short sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Electrical server sounds recorded and sampled from field recording. Mastered and edited through daw software, logic pro x. Theme: sci-fi, horror, ambient, scary, dark, drone, metallic and futuristic. Industrial: electric server, noise. Sizzle, machine, machine gear, mechanics, reverb, large room, scary. These sounds were sampled, recorded and mastered through the digital audio workstation (daw), ‘logic pro x’. This pack is a collection of ambient sounds stylised on an industrial soundscape. Sampling equipment is a ‘htc desire’ (phone). For donation purposes, you can buy my other work here ($4) : https://msfx. Bandcamp. Com/. For non-attribution licensing: send me a private message. Made by msfx.

Direct exterior mic recording of an arrow being fired from 40lbs english longbow. Recorded on rode shotgun mic into zoom h4n. De noised/de bird atmos in rx6 then logic processing.

An early morning (6am) in a suburban brisbane garden. Distant traffic noise coupled with bird calls (native to east coast australia). A plane passes overhead at 7. 26. Recorded on a realistic pzm and eq'd with logic and ozone 4.

Made from different sounds recorded from my metal thermos (24 oz) bottle by striking it with my hand. Recorded on iphone, sequenced in logic. These sounds can be downloaded from my 'metal bottle' pack and are totally cc0!.

Electric garage door opening, with a few seconds of outdoor ambience at the end. This is the mechanized kind of garage door that bends and rolls up in the ceiling of the garage. Nady scm-2090focusrite saffire pro 24 interface/preampmacbook prorecorded in logic at 16/44. 1normalized in soundtrack prono other processing.

Was messing around in logic today and came up with this little 16-bar loop. Bassline is made with ni razor synth (excellent piece of software!). I can elaborate on this beat, give you any samples or variations if you want. Just send me a pm and i'll do my best!.

01. 03. 17: happy new year, everyone. This is one of a couple of mouth swooshes i made for a papier-mâché style animation. Sweep up, small break, then a mouthy impact. Recorded with iphone 6s, edited and processed in logic.

01. 03. 17: happy new year, everyone. This is one of a couple of mouth swooshes i made for a papier-mâché style animation. Sweep up, small break, then a mouthy impact. Recorded with iphone 6s, edited and processed in logic.

These are fake siren noises i made in logic by using es p. The warnings are in the following order: caution (three pulses), alert (steady), attack (wailing), large fire (hi-lo), evacuate (hi-lo/alternate wail). These don't conform to any signal guidelines and must not be used for anything other than a mere sound effect.

A metallic riser that could be used in a song or to build up to a moment in a game or film. Made by hitting a spoon with a metal cup (recording with an iphone), adding tape delay with lots of feedback and short time in logic pro x, and reversing the bounced audio. I'm really proud of this - it sounds really cool!.

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

This sound has the potential to be used as a great intro for a house track!i created this using logic pro x 10 on an apple immac late 2013 27 inch model. I made the loops from scratch myself, and the all of the sounds were sounds already installed in the daw. I created this at home on my computer.

The raw version of this sample was made by hitting my knuckle on a metal sculpture of an aircraft. De-clipped and de-noised just slightly using izotope rx. Verb, eq and comp in logic pro 8 + plugins. Recorded using the spectrumview iphone app. Sample rate = 48ksample size = 24 bit.

Here is an advanced melody for you! i will be using this for my own track so remember that. Look me up and hear my stuff! www. Soundcloud. Com/thedasilva i would love it if you sent me a link to the sound to show me that my stuff is worth listening to!. Made in logic x with sylenth1.

I decided to upload all of my sound design stuff where i am working or have worked on. This is a series of hard sole footsteps on a stone tile floor i recorded for slicing it up to load it in a sampler. Recorded with a brauner phantom classic via an xlogic alpha vdh pre-amp from solid state logic.

Iron can opening effect. Recorded by zoom h5 recorder and rode m5 stereo pair mic. Mastering with logic pro x. Perfect for movies, for soundtrack, theatre performance, presentations, advertising. More a not free sounds effect you can find on: https://audiojungle. Net/user/blackriverphonogram.

A cartoony sting made in logic pro x, perhaps a blink or a surprised reaction? credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Recording of the traffic noise taken from the balcony in marsala tita street in tuzla, bosnia. Recorded with rode m3 and audio technica at4040 microphones. Recording device: scarlett 2i4 audio interfacesound recorded in logic pro x. No post processing, except audio level normalizing in sound forge pro.

I recorded a bird on the koh tao island in thailand. It makes some weird sounds and says "i love you". This was very quiet though and i had to make it louder which increased the ambient noises. The weird sounds are pretty clear. Used an rhode ixy and edited in logic.

Made using a logic x. Cant beat a good arpeggiator. I put this together for a cheesy action movie style entrance after the hero is presumed dead but makes a dramatic return with plenty of smoke and back lighting. Enjoy.

A brassy, cartoonish punctuation for movement made using a synthesizer in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Echoey, creepy piano loop from a song i was working on that may never be finished. Created with the "steinway grand piano" patch, in addition to the "echo" and "silververb" plugins, all within logic pro x. If you use this in a song, i request that you link the song in the comments. I like seeing how the things i make are used. :d.

Some splashing in a bath in bath. Recorded using a rode nt1 running through to a tascam 1082 into logic pro 9. Samples where from taking a mug of water and pouring it into a bath full of water. ( after having a bath not to waste the water ) recorded at december 1st 2014 6:36pm. No additional plug-ins or normalisation was used.

A soft sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Simple, sad chords with an ambient drum pattern accompanying. I created this with logic pro x and a basic soft synth that come with the software. The drums have some effects from fabfilter's "timeless" plugin, and also some distortion, but nothing too fancy. This is my first sound contributed to the community so they'll hopefuly get more interesting as i improve, but feel free to use it as you wish.

I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.

All sounds were made with eastwest quantum leap instruments (hollywood strings, etc. ) there is a duduk for a taste of another world! edited in logic pro x. Check out more music at www. Empyreanma. Com/music-licensing. Credit me "joshua empyre" in your work. Don't hesitate to send me your game, video, or whatever you do with my music! i'd love to see them and potentially share them on my facebook page (empyrean media arts, llc)!.

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

A reproduction of the opening electric guitar riff from marius constant's twilight zone theme (used in season 2 and later). I obtained some info about this arrangement from reading bill wrobel's film score rundown website, which has a detailed description of both the bernard herrmann and marius constant twilight zone themes. I played this into logic pro using the "classic clean" guitar sound. One guitar is playing bb bb bb bb and the other guitar is playing g# a g# e (repeated).

This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.

Here is a sample of my last work "electricity sound library". I recorded some radio noises and guitar amps noise grounds with my tascam dr-40 then i processed them through additive, granular synthesis technique in logic pro x. Please leave a comment if you downloaded. You can use it under creative commons attribution license (please read before download it). This sound was originally recorded at 24 bits 96000 hz. Hope you enjoy. More sounds or music ? visit : https://audiojungle. Net/user/wakerone.

This is a cue i built while sound designing the play "wait until dark". I own the right to sound design this production and therefore own the right to this cue. Please feel free to use this cue, just shoot me an e-mail when you do, i like to know what my cues are used for, only out of sheer curiosity. This is a 0:07 clip of car starting, revving its engine, and running someone over in an alley. Mixed in apple logic pro 9. Recordings made with various sdc and peavy pv8 mixer.

A nice little sample i had at the end of a vinyl only mix i did, no sounds wasted obviously=) i like to use everything i can and use a lot of these sounds in my deep house productions. Add some reverb in build ups for great effect, i have sliced it to loop 128bpm but is formatted aiff so will change tempo in logic pro=)enjoy!danwraysounddesignhttp://www. Dancemidisamples. Com/choose-label/dan-wray-sound-design. Htmlfor more soundsets, samples and sounds;-)dont forget to pleaase comment!i put a lot of effort into providing every sample, and your free to use my sounds in any way! ur feedback is all i ask in return. Cheers.

This is the sound of a spaceship's underbelly cargo hatch closing mid-flight after receiving a cargo transfer. The sequence begins with a warning alarm indicating the hatch closing, followed by the sound of the giant servos rotating the dual bay doors up and inward until the bay is sealed shut and locked. An all clear signal is given, reverberating into the dark, silent chamber. Made in logic pro, completely synthesized with es2 and mac's built in speech synthesis for vocal alarm. No unoriginal samples or sounds were used in the creation of this sound. Use freely as desired, but i would appreciate credit.

An audio translation of statistics on the current covid-19 pandemic. A sound composition that makes the pandemic tangible on an acoustic level, based on data series and curves. The basis for the auditory presentation of the statistics is provided by pixelsynth, a browser-based synthesiser for generating sounds from images. A cursor scrolls over the monochrome image of a statistic and plays notes when it comes into contact with bright pixels. The audio tracks generated by pixelsynth from the statistics were then recorded in logic pro and individually processed using effects, automations and other synths and sounds. Additional information: the audio is complemented by appropriate animations of the statistics, which cannot be shown here, however.

This is a short, dissonant loop made with a neapolitan mandolin. This has been recorded with an sm7b into a rme interface, and quantized to 148bpm in logic pro x. This is a dry file with no other processing. I used it on a couple of old-school hip-hop beats to trigger effects or completely butchering with distortion for some extra textures. I thought it might come in handy to rap producers out there! if you do something with it, i would love to check it out!. I was recording an acoustic version of a song called "closer" by my band dead rituals, and a friend let me borrow this old neapolitan mandolin. I made some random noises by picking behind the strings at the end of a take, and i decided to sample it!.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.