1st release date: January 1939 1st recording date: 3/4 November 1938 Composer: Wolfgang Amadeus Mozart (1756-1791) Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Work: Piano Concerto No. 25 in C major, K. 503 Content: 2nd Movement: Andante
Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.
Version of alarm number one looped four times. See alarm number one. Created with: audacityformat: ogg vorbislicense: cc0 (attribution is encouraged, but not required).
This sound results from applying the hps model to a few notes from a flute. A 'zipper' sound with tonal chirps are produced, reminiscent of long last days of amateur radio.
Wandering through the floor of a casino past hundreds of different chiming slot machines. Sorry just recorded on an i-phone mic, but it's nice and long.
This is the sound of an lrad (long range acoustic device). I managed to create this sound with a basic sample from nch tone generator and a few days of processing in goldwave.
I was playing around with spear (sinusoidal partial editing and resynthesis) after a long absence (still available for free download)and came up with some drones for the upcoming pincushioned album. "enjoy".
A long bomb noise. . . Sounds sort of like a nuke i guess, even has debris falling afterwards. Made by popping a little trick noisemaker by the mic and slowing it down.
A 16 minute long recording of the ticks made by a 19th century longcase/grandfather clock. Recorded by an edirol r-09hr field-recorder inside the clock hood. Free of other ambient sounds.
White noise and then a simple bang at thee end. I got sound file off here but can't remember by who, sorryenjoyp. Sit's a bit long so just skip most of it.
High tide on the beach, with moderately gentle waves and surf occasionally hitting the rocks and pebbles. Recorded on location at long rock beach, near penzance, cornwall in england.
Last night i took out my handy-dandy little tascam dr-07 and recorded the irritating bark of the dog next door. There are crickets and, occasionally, another more distant dog that is heard.
Was going in and out of my cellar door today and had to capture the rich sound of creaking. There are several variations- long and short, and outside ambience.
Long hi-quality quadrophonic recording of winter windy forest. Equipment - sound devices 633 w kortwich preamp, shoeps double ortf system. First two chanels - mix, last four - separate iso.
Αττεντιον: really harsh noises! lower your volume!harsh, metallic, industrial sample, 2 bars long at 120 bpm with a little release, dry. Created with a yamaha dx-100.
This sound u can use for cartoon blinking, tentacle sound and so on. I was searching this sound for a long time and it was unsuccessfully. So, i made it for my own.
A gliz. Glitched and reverbed perc. (48khz, 24bit, wav format). Sounds where created using ableton live as daw, reaktor ensembles and m4l devices as synths and processed with long fx chains. Useful for idm, glitch, experimental dnb.
Field recording of rain with thunder now and then. Birds chirp away in the background. It's a rather long recording, so there may be some unwanted sounds here and there.
My sax player friend played a few things for me and so i sampled parts of them (fairly long parts) to share. Used a sm57 about 3 inches away from the barrel.
Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.
