1,090 Royalty-Free Audio Tracks for "Ls"

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

J. S. Bach - bwv 670 - christe, aller welt trostchriste, aller welt trost is from clavierübung part 3composed by j. S. Bach (1685-1750)performed by l franke, organlocality tölö churchdate 2018-08-09recorded with a zoom h1. I was sitting to the left in the church. I placed the recorder at the armrest pointing towards the alter. Like your ears usually are pointing forward when listening to the organ in a church. No post editing of the sound.

A recording of anything i could do with two empty 1,5 l plastic bottles. A lot of sounds you can squeeze from a plastic bottles. Just no sounds of opening and closing a s i didn't have the caps. Recorded with a zoom h2, rear mics. The recording was done in a small room with a thinc carpet, there is soem natural short reverb but not too bad. Very little background noise. Converted to flac using audacity.

Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.

Neig, o Schöne Knospe Lied von Mirza Schaffy componirt für eine Singstime mit Begleitung des Pianoforte von L. Tarnowski, Wien, J. Gutmann. Leistung von Marcin Tarnowski (M.Tarnowski (talk) 09:50, 13 February 2016 (UTC)). Pieśń Neig, o Schöne Knospe Lied autorem tekstu był Mirza Schaffy, a muzyki na głos z towarzyszeniem fortepianu Władysław Tarnowski, partyturę wydał we Wiedniu, J. Gutmann. Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 09:50, 13 February 2016 (UTC)).

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

J. S. Bach - bwv 766 - partite diverse sopra: christ, der du bist der helle tagcomposed by j. S. Bach (1685-1750)performed by l franke, organlocality tölö churchdate 2018-08-09recorded with a zoom h1. I was sitting to the left in the church. I placed the recorder at the armrest pointing towards the alter. Like your ears usually are pointing forward when listening to the organ in a church. No post editing of the sound.

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

Curso (kurso). Facultad de derecho, unam (jura fakultato; unam)lugar: auditorio mario de la cueva (aŭdejo: mario de la kueva)horario: sábados de 10:00 a 13:00 hrs. (horaro: sabatoj, ekde la 10-a matene ĝis la 1-a horo vespere)desde el 25 de febrero hastael 31 de marzo, 2012 (ekde la 25-a de februaro ĝis la 31-a de marto 2012). Imparte: mtro. Luis l. Córdova arellano (profesoro: luis kordova arejano). Informes: luisesperanto@yahoo. Com(informo: luisesperanto@yahoo. Com www. Cordovaluis. Org.

Recorded during riding by attaching a zoom h4n at my left leg. The xy-microphone pointed vertically direction to the seat/engine, so no spectacular stereo-sound, but different sound timbre on l/r. The exhaust had a rusted hole so it's not the original vespa-sound but more rough. Different styles of driving. Including starter and switching off. No sound editing was made, so maybe you like to filter away low frequencies (some little wind was behind the shield).

City atmo inside a small pedestrian tunnel with roads around. Middle distance city traffic. Ambulance siren far away. Small construction/hammer nearby. Leaves and wind in foreground. Coimbra, portugal. Stereo l+r48k24bsound devices sd 688mic st km184metadata included. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Electric train arriving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Electric train halting and then leaving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

Good King Wenceslaus, is an 1853 English Christmas carol, set to the melody of "Tempus adest floridum" a thirteenth-century Latin carol for spring. It is here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. However, only verses 1, 3, and 5 are performed, giving it a somewhat disjointed storyline, which is very unfortunate.

O Tannenbaum, an 1824 German Christmas carol written and with music arranged by Ernst Anschütz using a traditional folk melody as his basis. Performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. This recording includes the first verse in German, followed by an English translation. CSM Debra L. McGarity O Tannenbaum (Mon beau sapin) interprétée par le chœur de l'armée américaine (U.S. Army Band). Basée sur un chant traditionnel allemand, elle est devenue depuis le début du XXe siècle un chant de Noël associé au traditionnel sapin de Noël. Українська: «О ялиночко!» (O Tannenbaum) — німецька різдвяна колядка у виконанні хору армійського оркестру США «Pershing's Own». Эрзянь: "O Tannenbaum" ("О, куз" эли "Роштувань Чувто") конань моры "Pershing's Own" АВШ-нь ушмовиень оркестрась. Моронть юрокс ашти немецень раськень эськоень моро, сон теевсь XX пингеньть ушодомонтень Роштувань ине морокс, кона сюлмазь Роштувань чувтонть марто. العربية: "أغنية O Tannenbaum" (يا شجرة الميلاد) من أداء جوقة الجيش الأمريكي ("Pershing's Own")، وهي مشتقة من أغنية تقليدية ألمانية، أصبحت إحدى أغاني ميلاد يسوع مرتبطةً بتقليد شجرة الميلاد منذ بدايات القرن العشرين. Čeština: "O Tannenbaum", německá vánoční koleda, vzniklá na základě tradiční německé lidové písně se z počátku 20. století v podání amerického armádního sboru "Pershing's Own".

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

A little excerpt from one of my cam sessions. I'm not the submissive type, but i thought it would be fun to hear her get really nasty and abusive, she was a really nice young woman though. Audio extracted from video and cleaned up somewhat. Audio:. Id : 2format : aac lcformat/info : advanced audio codec low complexitycodec id : mp4a-40-2duration : 16 min 12 ssource duration : 16 min 12 sbit rate mode : variablebit rate : 93. 5 kb/schannel(s) : 2 channelschannel layout : l rsampling rate : 48. 0 khzframe rate : 46. 875 fps (1024 spf)compression mode : lossystream size : 10. 8 mib (4%)source stream size : 10. 8 mib (4%).

These are claps recorded by three people at the same time. The kind of soft but very fast clapping that you would put in a spanish flamenco song or (as it was the case for the session) an argentine folklore song (chacarera). Soft clap — very tight, soft hitshard clap — tight, hard hit. Soft group — a little less tight, sounds like many people, still softhard group — less tight, many people, hard hit. Soft supergroup — i put three takes of this at the same time (one l, one center, one r), some hits sounded better than others so i picked the ones that sounded the best. Soft hits. Hard supergroup — same three takes put together. Hard hits.

I was experimentally, recording the garage door opener, but then this happened: next door neighbor kick-starts motorcycle, idles it, an aircraft passes by, and then the motorcyclist rides away. Recorded sound is indirect except for a brief moment when the motorcycle pulls past the open garage door in the alley outside. Set up with schoeps cmc6-uxt/ mk41+mk8 ms stereo in rycote zeppelin on tripod in small suburban single-car garage that faces an alley between lots. Ms-decoded and recorded as l+r channels on sound devices mixpre-6 @ 24/192. Some light post-processing to adjust levels as well as a little compression on the loudest moment.

Idea for a base for a radio bumper. I found another track in which someone had said, "du bist der hörer. Wir sind das radio. " so i recorded myself repeating these sentences, which translate from german into english as, "you are the listener. We are the radio. " i also overlaid it over a track of generated sine waves, one in each channel (l-r), chosen to be discordant (like a radioactive effect). Sine waves are 10. 5 seconds, i left 4. 5 seconds at the end to overlay your content (maybe an ident or whatever). Have fun!. Created for my online radio station (sscr tampa), but released in the public domain/creative commons zero/"copyleft" to the maximum extent allowed by law. Voice is my own, tones generated on my computer.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Overflight of 2 fighter jets (eurofighter). In quadro (in 5. 1-terms: l-r-sl-sr) you will hear them coming from front-left flying "above the head" to rear-right(roughly spoken). The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).

فارسی: سرود «سر کوچه کمینه» از نوار کاست «سرودها، اشعار و مارشهای انقلابی مجاهدین خلق ایران – سری چهارم» منتشرشده در آبان ۱۳۵۷ به تهیه‌کنندگی محمد سیدی کاشانیThere's an Ambush at the Alley (Sare Koucheh Kamineh), a song from the 1979 cassette tape named "Songs, Poems and Revolutionary Marches of the People's Mujahedin of Iran – Serie 4", produced by Mohammad Seyyedi Kashani (uncredited). The song was written by an imprisoned member of the People's Mujahedin of Iran, inspired by assassination of the US Army Lieutenant colonel w:Lewis Lee Hawkins by the organisation. No one is credited in this album.

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

It's recording of a passenger train's on duty. You can hear the train's motors, the wheels rumbling against the rails, the wagon connectors hitting each other, when the train stops also people chatting. Near the end of the recording the room acoustics change, because a woman entered the area between wagons where i was standing with my recorded pointed down. I was standing in a narrow passage, where two wagons were joined, between two closed slide-doors. She have opened those so the overall sound has radically changed and i decided to end the recording. Through the entire recording the unit is moving forward, decelerating, stopping, staring and accelerating again repeatedly as it travels stopping at several stations. The recording was done with a hand-held zoom h2. Rear mics used pointed to the ground. I was in the loudest area in the whole train. I was using "low" gain (h2 has three mic gain levels to choose from: l/m/h). Viewed and converted to flac using audacity, the file hasn't been altered in any other way. Originally recorded as a 96khz/24-bit stereo wav file.

Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781

*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

We are writing the end of the 20th century _ _ _ cheer up !. After a nice concerto @ the charlatans, ghentduring the infamous ghentse fiestas ! ! ! ! !one of the guitarists of the band torturadodrives back home,. . . 72h after the concertthat is. . . He don't remember having slept. . . Ghentse fiestas are hardcore, he does rememberthe hamburger @ the vlasmarkt though. . . &he thought he heared 'vree wijs' like a thousand timesbut back then he couldn't decifre the real meaning of thosemumblings. . . So he always answered back to the girls, with 'i'm latino !' ( the usual reply). Hm,. . . Suddenly on the radio he hears musicwhich strangely seems familiar to himwhen the radio host describes the artisthe seems to be talking about the torturado boi ??!!!!##is he ??!!!!!#é"'((('à)§!(çà. Is this some kind of message from the future ???. The reference of glenn branca is there, but 2015 ??? never happened yet. . . Wooooooojoo !!!!. There is also this clear 'why nut' 2020 duyvisch nuts publicity reference !!!that he obviously doesn"t get yet, but an invisible force, makes him grab some nuts (not what you think), he bought just before entering the car ??!!! (you see!). Is this some kind of message from the future ???. No ! as the host continues the little descriptionhe makes a t e r r i b l e trabalengua or you knowknot explosion with the tongue & has to repeatthree times the sequence of the stroboscope. Wtf is going on here. . . The future seems to besending a very unflattering non elegant message to him _ _ _. It just seems to be just a rehearsal for a descriptionof the solo artist he is going to be. . . What the fuuuuuuuuukkkkk ?!!!èy"é'!'"''çé'ç"'à"'"é'é")*¨%££££££=:;ù%%%%. -----------------------------------------------------------------------. Recorded with my new dpa 4060very happy with iti can write a whole essayabout how i found it & stuffbut i think it's better totell you live in a barwith a beer or 5 ! ! ! ! ! !. 11112020josé !. P. S. All references to real persons/situations/musicians/latino's/birthdates, es-pe-cially for tindr dates / ! \ are very fictive, jaja !.

Soave Sia Il Vento from Cosi Fan Tutte performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 9 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Brindisi from La Traviata performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 7 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Una Voce Poco Fa from Il Barbiere Di Siviglia performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 10 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Vedi! Le Fosche from Il Trovatore performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 6 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Votre Toast ("The Toreador Song") from Carmen performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*