63 Royalty-Free Audio Tracks for "Mars"

Monster bats come out of martian cave. V-station, 3 osc, phaser fx, delay, reverb, modulation of filter with lfo and modulation wheel,.

Just a clear regular gulp. Cartoon style. Recorded on blue snowball microphone 8. 10. 2017 - recording for my own animation series, mars tv. (voice of marty the goofball martian).

Clear cartoon style 'gulp!'. Recorded on blue snowball microphone 7. 10. 2017 - recording for my own animation series, mars tv. (voice of marty the goofball martian - pitched up 28).

Recorded with the microphone of mars gaming headphones. I was trying to create an element of tension to the climate of a short film. I didn't get to use it but hopefully, it can help you.

Imagine a battered spacecraft with the hull creaking, the engine room banging, and the crew weary of endless space without a horizon.

Sound fiction from "sons de mart" workshop at cccb, barcelona with ins miquel tarradellas students, as part of the project escola en residència. 2000 years ago mars with birds and water, the landing of perseverance and rover's working sounds.

Outdoor swimming pool. Children are smimming, playing and diving. Some adult voices, birds arround. St mars la jaille, france, 2012. Recorded with schoeps ab ortfrecorded on sounddevice 744t24 bits, 48khz.

Mapex mars big rock recorded with one dynamic sennheiser e835 over the kick facing the snare (also known as "wurst" by moses schneider) with parallel compression and eq.

Sheet music based on mystic and ambient tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Creaking footbridge at la rochelle harbor - france - creaking moorings in the evening - soundscape of the city in the background -grincement passerelle port de la rochelle - france - grincements d'amarres en soirée - paysage sonore de ville en arrière plan -ortf st dpa 4022 - aeta mix2000 - edirol pror4.

Manifestation des sans-papiers le 21 mars 2015, 17h, bd magenta à paris, près de la gare du nord, depuis une fenêtre sur cour au 6ème étage. Protest in paris on march 21st 2015, 5 pm. This recording is taken from a rear window on boumevard magenta, near gare du nord, on the 7th floor.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.