113 Royalty-Free Audio Tracks for "Mars"

Recorded mar 13 2016 in the woods in manchester, vt. Zoom h4n in 4ch mode using built-in stereo mics and a sennheiser k6/me66 shotgun. This small but quick moving stream had recently blocked a small dirt road.

18 mar 2004 11:00 - walking in via del proconsolo (street in the centre of florence, italy). Recorded stereo at 44100 hz - 16 bit with a digital videocamera used as a audio recorder and a compact stereo mic.

This is a stereo recording of distant fireworks on the 4th of july in los angeles. Some partiers' voices, and the occasional helicopter mar the otherwise nice recording. Recorded with: audio technica bp 4025, sound devices 702t.

This is a stereo recording of distant fireworks on the 4th of july in los angeles. Some partiers' voices, and the occasional helicopter mar the otherwise nice recording. Recorded with: audio technica bp 4025, sound devices 702t.

This is a stereo recording of distant fireworks on the 4th of july in los angeles. Some partiers' voices, and the occasional helicopter mar the otherwise nice recording. Recorded with: audio technica bp 4025, sound devices 702t.

I designed these fragments/loops to be used individually or to build a longer song by stretching the loops and combining them in a linear way. Ideal for creators of videos for babies. Loops 100 bpm 24 bit.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

Just waves at the beach. Nightrecording with almost no other noise (no birds, people, cars; some low frequency wind noise); 48/24-stereorecording with zoom h1, normalized. I´ve just uploaded a new file without low frequency wind noise.

I recorded this sound in lloret de mar, a small town of spain. It was a really windy day, i went to the beach to record the wind and the sea, because it was a bit stormy. You can also hear people, talking and laughing in the background. It was a really beautiful and sunny day!.

Just waves at the beach. Nightrecording with almost no other noise (no birds, people, cars; removed low frequency wind noise); 48/24-stereorecording with zoom h1, normalized, now in 48/16.

Some of These Days Written by Shelton Brooks Performed by Sophie Tucker Edison Domestic Series 691 Recorded Feb or Mar 1911 David Giovannoni Collection

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.