359 Royalty-Free Audio Tracks for "Mass"

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

Four aspects of maya people: music, market, religion, transport. A frantic music of a concert to the solola main square, market noise, an intense and coloured piece of mass into the church, followed by the return to the concert place and the end of the visit near a typical public bus, called "chicken bus" because it is used by maya people to transport animals and vegetables to sell at the market. Registration made in august 2010, equipment used sony sx800d external microphone sony icm cs 10.

A futuristic trance/house vibe that i made a while back, after playing mass effect 2 for the first time. I really loved the nightclub on omega, and i suppose it sort of inspired this. I'm never going to do anything with it, so i'll toss it on here in case anyone else wants to. Cut it, warp it, splice it however you'd like!. 124 bpm, made in fl studio. Credit is welcome, but not required.

This sound i made with a python script. The script simulates a 2d-network of 13x13 identical masses connected with springs. I 'feed' one mass in a corner of the network with a 'chirp' of 400-2000 hz for one second and the system resonates at its characteristic frequencies. I 'listen' to the resonating system in the adjacent corner. The decay of the sound was build in, but the last half second i edited the volume to zero. The code took a few hours to execute. You may want to change the picture of this sound to the frequency-domain. Yo! awesome! nerd-pride! :-).

A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.

Strong winds from the spanish badlands!mono field recording with an akg c91 cardio in a windjammer, into a aeta mixy onto an maudio microtrack via spdif, sometime around spring 2011. Recorded in the bardenas reales desert in spain. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/0/04/lapisquerra. Jpg/1024px-lapisquerra. Jpgthis particular recording was done a day of high winds on the hills overlooking the bardena, close to a mass of shrubbery with birds nesting in it!it's pretty dense, the infra gusts have been somewhat tamed but are still quite present!.

A stereo recording made at 4:50pm on saturday september 12th 2015 of the ambience of a small town near a playground. Up until this day, the weather here in the midwest had been your typical high-heat high-humidity. But, the day before this field-recording was made the wonderful jet-stream had dropped down on us, a cool, mass of less-humid canadian air, making the leaves sing through the trees with the lifting of the northwest breezes. A gentle tinkling wind-chime can be heard from 1:05 to 1:20. Recording made in stereo with marantz pmd661 and two sennheiser me66 microphones mounted on tripods about 4 feet off the ground.

This recording was done on a balmy day in early november at the shore of a small lake in southern illinois. Even though it was november, i was in a short-sleeve t-shirt, because of the warm weather that we had been having. However, there was a huge, approaching mass of cold air from canada approaching which resulted in some tremendous, steady winds, gusting up to 40 miles an hour. I literally had my zoom h4n recorder sitting in some sedge-type grasses inches from the lake, which enabled me to get the clear, crisp sound of the wind-driven wages breaking over the small rocks and sticks. Occasionally you will hear a dull roar of the wind, which i was able to decrease a bit using my graphic equalizer, although as you listen to the entire piece you will notice that i just could not eliminate all of the “wind roar”,. Still, i think this is an effective, realistic sound-record of what happens when cold air hits head on with warm air over a lake. Again, this was recorded using the zoom h4n digital audio recorder, using the built-in stereo microphones. Enjoy.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.