107 Royalty-Free Audio Tracks for "Materials"

I was recording wind that blows in my window, but the zoom h2 placed on a (cheap) mic stand after some time started to bend itself downwards. It hit the curtain/drape in my window and rubbed itself against it until reached the lowest position - the mic stands arm stopped gently as it started. This produced a very interesting sound that i totally didn't expect to find on the recording. Edited with audacity.

Cloth flapping on a clothesline thickly.

Contact me if you want to request any sound!(samsonite backpack /scarlett 2i2/samson c03).

Madera es razguñada con un tenedor.

Plastic breaking/impact sounds recorded and exported with audacity.

The sound of a puff jacket in my closet. This sound was created at: 5 august 2020, 9:13:55 pm gmt+10. This sound is using the creative commons 0 licence! use it however you like :d. Note: sounds are better sounding when downloaded.

Strange plastic like scraping. Check out our other media services at: echocinematics. Com.

Fast example of material being ripped or torn.

Clothes movements.

Finger being dragged on a noisy winter jacket.

Pillows, blankets, etc. Rubbing and interactions with fluffy objects, flapping and chucking around.

Here's another sound recording for your audio needs. I don't really need to explain much about this, lol. How it was made: i recorded my room's door creaking. (complicated, i know. ) feel free to use this wherever and however you want, as long as you don't steal credit.

Vinyl plastic scratching.

[coin_dropped_on_table_02. Wav]. Coin dropped on table. This sound can for example be used in films, games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[coin_dropped_on_table_01. Wav]. Coin dropped on table. This sound can for example be used in films, games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Fabric and clothes rustling and moving for foley use. Recorded with sennheisser mke 600 shotgun mic into an zoom h5.

Climbing a wooden ladder.

A down doona/duvet being rustled. Stereo zoom h4n recording.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

Jenny Lind polka. Forms part of a group of field materials documenting John Selleck performing Anglo-American music on the fiddle on October 2, 1939, collected by Sidney Robertson Cowell in Camino, California.

Squeezing a wad of bubble wrap so that several bubbles pop. Recorded with a tascam dr-40.

Mic rode nt 1000rec by piotrek zyla.

Heavy rain on mixed materials. Audible water drops. Recorded with zoom h4n pro.

Touch between metal materials.

Assorted impacts of various materials onto a hard surface.

Drying using a towel. You can hear the brushing off of both materials.

Digital silence-no materials, no events, nothing. . . -no impact, no body, envelope "0"-recorded without mic, no processing.

Metallic clang. Created by banging a baking pan with a bass drum mallet of several different materials, then layered.

A series of sounds recorded from different materials, objects and tools around the house. Olympus ls-11 digital recorder.

An open office building with sounds of people walking, talking and working with office materials.

A close mic recording, mono, 24 bit, 48khz, of a very large bee buzzing around close to the ground amongst leaves and forest floor materials.

Rubbing fingers against the rim of a glass, with some ambient noise in the background. Recorded with an sm57.

Soundwalk and studying the soundscape at loyola high school on the football field. You can hear traffic and the sound of different materials being walked on.

Some swooshes/ swishes made of many materials. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.

The piledriver recorded from more distance than the first recording, with some area traffic noise and lacking any distinct echo materials at the point of capture. (sample shortened due to windy conditions. ).

Audio recording art assignmenthow to make liquid water color from old markersart teacher tips for classroommusic is my son's original work - not copyright infringement materials.

Sound of dropping various items onto a carpeted floor (i used a small plastic duck, deodorant, and a hair spray).

A 90s trance / chillout vowel pad. Several layers recorded from various vst synths stacked, resanpled and seasoned in the sampler. No hardware involved and all materials are neither vintage nor rare ;-).

Typing with metallic fingers. Why do all the work when your robot can do it for you? created using a wooden stick hitting different plastic and metal materials, then layered and matched to a typing cadence.

The signal used in australia in the event of a terrorist attack, natural disaster, dam failure, nuclear explosion, large bushfire, disease outbreak and hazardous materials.

Sounds of inside a bag, next to other light materials and a mostly filled metal water-bottle that makes 'boing' sounds because of the forces exerted on the bag from walking actions.

Scratching various surfaces with fingers, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Taking apart a stone wall next door and loading it into a dump truck to be sold for building materials. The recording is in the nature of self defense. This is one particular concise crash. Recorded on a canon s21s. .

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

That's a sound coming from a cool hand beat on a wood in a laboratory which contains materials of all types situated in the underground floor in universidad europea of madrid. 26/09/2015 16h pmrecorded with a "h4n recorder". Edited with adobe audition cc (2015).

These are the sounds of real swords against various materials. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

Mic: akg p420 interface: presonus studio 18|10recorded through window in my room in piotrkow trybunalski (poland). Pretty big highpass from reaeq. Some birds bothers me when i play rdr2 online. I know that it's 4 am, but i need to get some more materials for cripps.

Varied hits on materials in my basement - cardboard boxes, a treadmill, wooden table, etc. . . Most of the sounds from this pack were extracted from a recording of me striking said objects with my palm. Because of proximity effect, i found some of these to be useful for the sound of an object hitting the ground.

A plastic bag, paper wrapper and other materials were recorded individually being rubbed. I then layered them in audacity to be played over each other. From the resulting layered sound i generated this 10 second loop. Sounds like a mellow rain upon the ground or a slow crackling fire. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Attribution appreciated but not required.

Now this sfx is my pride and joy. I acted quickly to get materials to work together to make this sound. I pulled a rope through the belt-eyes of some short pants, which would be the ropes releasing from the bag. Then i fluttered the pants to sound asif wind and the parachute material was colliding, making the sound so much more convincing.