612 Royalty-Free Audio Tracks for "Mating Call"

Hero's theme from photoplays and melodrama.

If charles dickens may be counted as an authority on the matter, to harbour a cricket in one's home was once an honour and a good omen. Perhaps it still is. That being the case, i am privileged, and i hereby share my good fortune with this community in the form of a recording of that hallowed insect's chirping. However, i do not find its call as soothing as some might, and if it continues to bruise the air with its incessant racket, i may be moved to seek it out and destroy it! so. . . Perhaps. . . In memoriam. . .

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

Pobblebonk frog named for the sound of its call or the eastern banjo frog. An australian frog with a distinctive call. Note i've used selective eq to remove the cicada calls. An accompanying file has the cicada calls unedited. Recorded with rode ntg5 - > zoom h4n pro -> processed in adobe audition, equalisation, hi-pass, eq.

Attention: sounded as a warning that troops are about to be called to attention.

Recorded inside the fireplace while the bird hammered the metal cap on my chimney. He starts and stops a few times, and squawks once.

Officer's Call is a bugle call which signals all officers to assemble at a designated place.

I recorded these spring peepers in upstate ny on march 18, 2022 in a wetland area. Spring peepers are small tree frogs. They are rarely seen, but during mating season in the spring, they are often heard. They are generally about one inch (2. 5 centimeters) in length, or about the length of a paper clip, and their weight averages from 0. 11 to 0. 18 ounces (3 to 5 grams). Spring peepers are known for the males’ mating call—a high-pitched whistling or peeping sound repeated about 20 times a minute. However, the faster and louder they sing, the greater the chances of attracting a mate. They often congregate near water and sing in trios, with the deepest-voiced frog starting the call. They begin breeding early in the spring and call on warm spring nights and during the day in rainy or cloudy weather. Females lay their eggs in vernal pools, ponds, and other wetlands where fish are not present. A female may lay anywhere from 750 to 1,200 eggs, which attach to submerged aquatic vegetation. Males fertilize the eggs as they are laid. Depending on the temperature, eggs can hatch within two days to two weeks. The tadpoles have gills to breathe underwater and tails to help them swim. Tadpoles transform into frogs over the course of 6 to 12 weeks. Spring peepers are said to have short lives, living three to four years at most.

Mouth sound, edited and effected in garageband.

The bugle call "Taps", performed by Sergeant Codie Lynn Williams of Dallas, ceremonial bugler for Marine Barracks Washington, on a Soprano bugle in G, as typically performed in the U.S. military.

Adjutant's Call performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 35 from Ceremonial Music (1993).

A trumpeting roar-like sound i made by dragging a heavy metal chair across a cement floor. I picture a herbivorous creature, maybe like an indricotherium, making this call, but feel free to use this sound for any creature you want! edited in audacity.

Taps (with flyover) performed by the Concert Band of the United States Air Force Band. Track 33 from Heritage to Horizons (2007).[1]

Retreat performed by the Ceremonial Band of the United States Air Force Band of the West. Track 22 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Adjutant's Call and "Men of Ohio" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 1 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

First Call performed by the Concert Band of the United States Air Force Band. Track 39 from Esprit de Corps (1997).

Assembly performed by the Concert Band of the United States Air Force Band. Track 40 from Esprit de Corps (1997).

To the Colors performed by the Concert Band of the United States Air Force Band. Track 46 from Esprit de Corps (1997).

Adjutant's Call performed by the Concert Band of the United States Air Force Band. Track 42 from Esprit de Corps (1997).

Mess Call performed by the Concert Band of the United States Air Force Band. Track 43 from Esprit de Corps (1997).

Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.

Retreat performed by the Concert Band of the United States Air Force Band. Track 45 from Esprit de Corps (1997).

Tattoo performed by the Concert Band of the United States Air Force Band. Track 48 from Esprit de Corps (1997).

Attention performed by the Concert Band of the United States Air Force Band. Track 41 from Esprit de Corps (1997).

Recall performed by the Concert Band of the United States Air Force Band. Track 44 from Esprit de Corps (1997).

Adjutants Call, To Honor with Dignity performed by the Concert Band of the United States Air Force Band. Track 6 from Esprit de Corps (1997).

Church performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 1 of Ceremonial Music (2005).

First Sergeant's Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 26 from disc 1 of Ceremonial Music (2005).

Adjutant's Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 17 from disc 1 of Ceremonial Music (2005).

Carry On performed by the Concert Band of the United States Air Force Heritage of America Band. Track 14 from disc 1 of Ceremonial Music (2005).

To the Colors performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 1 of Ceremonial Music (2005).

Charge performed by the Concert Band of the United States Air Force Heritage of America Band. Track 27 from disc 1 of Ceremonial Music (2005).

Drill performed by the Concert Band of the United States Air Force Heritage of America Band. Track 12 from disc 1 of Ceremonial Music (2005).

First Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from disc 1 of Ceremonial Music (2005).

Mess Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 1 of Ceremonial Music (2005).

Officers Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 11 from disc 1 of Ceremonial Music (2005).

Fatigue performed by the Concert Band of the United States Air Force Heritage of America Band. Track 13 from disc 1 of Ceremonial Music (2005).

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

Tattoo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 21 from disc 1 of Ceremonial Music (2005).

Retreat (solo) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from disc 1 of Ceremonial Music (2005).

Attention performed by the Concert Band of the United States Air Force Heritage of America Band. Track 10 from disc 1 of Ceremonial Music (2005).

Retreat performed by the Concert Band of the United States Air Force Heritage of America Band. Track 19 from disc 1 of Ceremonial Music (2005).

Assembly performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from disc 1 of Ceremonial Music (2005).

Recall performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from disc 1 of Ceremonial Music (2005).

Echo Taps performed by the Concert Band of the United States Air Force Heritage of America Band. Track 24 from disc 1 of Ceremonial Music (2005).

Adjutant's Call and "C.M.T.C. March" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from disc 1 of Ceremonial Music (2005).

This sound is a fart reversed.