4,289 Royalty-Free Audio Tracks for "Midi"

3-1 trichord on C: [0,1,2]. Chromatic trichord.

The most basic ride pattern in rock and other styles.

7-2B heptachord on C. Inverted version of 7-2A.

4-2B tetrachord on C. Inverted version of 4-2A.

3-6 trichord on C. Major/whole-tone trichord.

8-2B octachord on C. Inverted version of 8-2A.

5-2B pentachord on C. Inverted version of 5-2A

6-2B hexachord on C. Inverted version of 6-2A.

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Characteristic rock drum pattern with rimshot in place of snare

4-26 (minor seventh chord) tetrachord on C

4-28 (diminished seventh chord) tetrachord on C

Suspended fourth chord on C in first inversion.

4-22B (minor sus4 chord) tetrachord on C

3-2B trichord on C: [0,2,3]. Inversion of 3-2B.

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

4-24 (aug. seventh chord) tetrachord on C

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

Purdie shuffle variant. Created by Hyacinth (talk) 01:56, 30 October 2010 using Sibelius 5.

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Two-step drum pattern associated with the older NON-Texas two-step dance pattern.

Berg's Lyric Suite Mov. VI tone row 2-P.

4-10 tetrachord on C. Four note segment of the minor scale.

Berg's Lyric Suite Mov. VI tone row 1-P

Robert Schumann: Album für die Jugend, Op. 68, No. 1 "Melodie"

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

4-22A (sus2 chord) tetrachord on C: [0,2,4,7] = C,D,E,G

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.

The most common and simple blastbeat. Two measures repeated (four measures total).

Chord progression with a borrowed chord second: v or Gm in C major.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.