22 Royalty-Free Audio Tracks for "Major Sixths"

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*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.
Author: Hyacinth at English Wikipedia
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*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 934.375 cents rather than 933.13. New version a M6 on 77,74 for 933.1298828125 cents rather than 933.13.
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*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 112,65 for 905.859375 cents rather than 900.
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Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64
Author: The original uploader was Hyacinth at English Wikipedia.
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*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58
Author: Hyacinth
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Fifteenth chord from Perry on C
Author: Hyacinth
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Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.
Author: Hyacinth
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*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68
Author: Hyacinth
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*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78
Author: Hyacinth
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*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76
Author: Hyacinth
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*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6
Author: Hyacinth
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Minor major sixth chord on C.
Author: Created by Hyacinth (talk) 06:31, 10 March 2010 using Sibelius 5.
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Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.
Author: User:Hyacinth
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This is a recording of a Wolf Tone on the major sixth or seventh above the open G on a cello. I recorded this sound using an Azden SGM-X microphone and edited it in Audacity.
Author: User:Mdd4696
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Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?
Author: Hyacinth
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Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.
Author: Hyacinth
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