1,199 Royalty-Free Audio Tracks for "Minute"

A couple of minutes of small copper wind chimes, hq, wind free.

Went out to get birdsong and general ambience without realizing it was going to rain. First two minutes can hear birds and bugs and nature sounds, then past the 3 minute mark the rain begins to set in gradually.

This is 10 minutes of a chain rattling and falling as it is pulled out of the water to raise the anchor by a group of pirates. It is used as background percussion instead of drums etc. It can be used for anything that requires a long steady beat of a chain.

Recorded with motorola xt1095a fan starting, running for a minute, then stopping.

Just left my camera in the forest for a minute.

4 minutes in the city of buenos aires. Olivera and rivadavia corner.

Working on a program. . .

8 minutes of a bathtub filling with water. Recorded at home for sound effects for a play. .

Modular experiment.

2020-04-05 / crown heights, brooklyn, ny. Five minutes of ambulance sirens recorded out of a window during the covid-19 crisis.

10 minutes of a bathtub filling with water. Recorded at home for sound effects for a play.

Laguna seca gt race, 3 minutes of audio from the corkscrew.

A loop. With a beep. And some more.

A modular synth composition.

Now you do the rest.

A "horror sound". . .

Whitney music box, variation 11, "minute waltz". 60 notes are used in the music box, whose cycle lasts 60 seconds. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v11.

Two minutes to midnight. Recorded with olympus ws-852 digital pocket recorder on my front porch where the only noise is coming from the neighbors. No audio effex used at all, this recording is pure.

More sounds. More of my voice. . . "i am your friend".

Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

I'll tell you when the patch is okay.

Sequence done with analog modular synth, spring reverb and analog delay. Roote note is c - ish.

Ducking with modular synth. Or lets call it audio puzzle. If you dl the file you see what i mean.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Out of my control. . . . Let the synth decide.

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

A light rain lashed calcutta on the day when i got my rode nt4 first.

Recorded with zoom h2this was recorded during a thunder storm in pa.

Sounds generated by a generative patch on my modular synth. Cool, isn't it? loads of samples to find here.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

2nd sound today! in spite of short time by the synth. . . . Anyway here in using a feedback loop on the quadra envelope generatorstrange effect with long pausesi use quantizer on thisnoise from jupiter storm. Evaluation of patch/soundone cycle is - about 17 sec - goodonly short sounds - no and yes, good this timeamplitude variation - yep goodpitch variation - yep, enough, goodtimbre variation - could say somusical value - i should consider this musicalentertaining - hmm. . . Interesting.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

Repeating vinyl crackle, taken from a record without a cover (b. 1955).

A small piece of music made a sunny day in november.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.

A loop. A dirty loop colored by dirt. This time edited i audacity. . . Compressor and limiter.

The day before the swedish election 2018. Yes ,there where was an other version of this sound before. . . Free sound keep suggesting the tag "digital". Wrong! my sounds are made with analog gear. Right, the sound has to be digital to reach you - this way.

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

The three parts are following the sam chaotic lfo.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .