57 Royalty-Free Audio Tracks for "Atonement"

Troy dvorak lecture from october 16th part 2.

Atonal drone 04.

An atonal lick on alto sax.

Granular electronic ripping sound. Synthsects. Sound design: tec studios.

An atonal lick on the alto sax, ending with a long tone.

An atonal lick on the alto sax, ending with a low overblown tone.

Sounds made by completely transforming existing songs. This is a cathedral full of extremely drunk gargoyles trying to play music.

Granular electronic industrial beat/sound. Sound design: tec studios.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

Multiple atonal melodies with different length.

Mix-tape.

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

Exploring nlc genie.

Exploring nlc genie.

Exploring nlc genie.

This is a strange sound. Was testing something. Recorded.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A self generating patch going though the zoom ms-70cdr. The synth generates weird noises etc and the fx adds reverb anda strange clipped pan fx. I recorded 5 minutes.

I'm rebuilding and downsizing my synth. Which modules should i keep. Doepfer a-124 is that a keeper or not? maybe i keep it, but not in the starting eleven?.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Atonal drone 01.

Yeah #300.

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Recorded with smartphone.

Analog modular synth generative nonsense.

Atonal modular synth melody.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

This is a part of the longer file "escalator hissing 1".

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

Five nonmusical piano horror sounds.

A krell patch.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

A machine composition recording2 voices.

Careless asteroid whispers in the dark (of space).

Drones made with an analog modular synth. The drones are generated by a generative patch.

Recorded with smartphone.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Old guitar multitrack recording with some effects from the pod x3. Some post-processing, not much. There's some minor clipping issues since i never got around properly mixing this and the original project file is long lost. Maybe someone can find use for this :-).

Recorded on the atonal festival in berlin kraftwerk. Nice athmospheric soundscape.