31 Royalty-Free Audio Tracks for "Monday"

Performed by Isham Monday.

Performed by Isham Monday.

My remake of that iconic fill. I think i’ve got it pretty spot on. Thought it might come in handy for some people. 130 bpm.

Recorded with my trusted and cheap dynasonic pdr-1. Aplied a little filter i audacity. Loops pretty well. Location kungsbacka, sweden.

Recorded with my trusted and cheap dynasonic pdr-1. Aplied a little filter and limiter i audacity. Loops pretty well. Location kungsbacka, sweden.

Voice recorded from an answering machine saying monday 7:54 am [cc zero].

89bpm.

A monday sequence. . .

Monday in catalan language.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

Ups truck starting up and driving away. Laguna beach, monday 07/30/18 1:59 pm.

The sound of a small italian restaurant at approximately 7:30pm on a monday night in los angeles.

Class ring of secondary school la binquenais. The class ring is three times the same tone. Recorded on monday 12th november 2012 with roland r05.

It's monday and the krell is angry. This is a version of the krell patch. Analog modular synth doing it's thing.

A small piece of the heavy thunderstorm that hit genova (italy) the night between monday the 7th of november 2011 and the morning of the 8th. Unprocessed. Recorded with a edirol r9 from inside.

The dutch city of leiden has a test of its civil emergency alarm, at midday on the first monday of every month. Here is a distant recording of the alarm as it is heard in a leiden soundscape.

A busy highway on a monday morning, somewhere in the netherlands. Standing about 10 metres from the highway. Traffic going from left to right in the stereo image. You can hear the traffic on the other side of the highway as well, going from right to left. Recorded with a zoom h2n.

Keys noise. This work was done on monday 9 september in a recording studio as a training activity for the realization of an audio exam which consists of performing a foly for a short animated 3 minutes was the first approach to this method of sound recording thank you.

My recording of the dawn-chorus in bishopstone glen, a small steep-sided valley with a trickling stream heading out towards the north kent coast near herne bay. Conditions at 5:30 am on monday 18 may 2020 were warm and gentle. Recording was made using tascam dr-07 mk ii.

Combeloup, grenoble. On field recording in a forest of autumn falling leaves, round 1 p. M. Of monday october 20 2014. I seated on path border, under the tree of the photo, trying don't move. Better headphone listening. Binaural recording: zoom h4, soundman okm ii klassic, wav 24 bit, 48 khzduration 3'.

An answering machine, with the message set as "hi it's me. I'm out of town until monday. Just leave a message. ". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Broadmoor hospital siren test. The broadmoor siren. Every monday morning at ten o'clock the deafening sound of an air-raid siren disturbs the peace over a large area of the leafy commuter belt that is berkshire, uk. The signal sounds the familiar alternating high-low note, followed by a constant all-clear note five minutes later. It's not a re-enactment of the blitz; it's a test of the escape alarm at the local mental hospital, broadmoor.

This recording was made by me on monday, october 20th, at approximately 7:30pm. It was done in my house in montgomery county, pa, with a rode ixy mic (the 30 pin version), attached to an iphone 4s. The iphone, with the mic, was placed on the sink, approximately 6 to 8 inches away from the toilet. The sound was recorded using rode's iphone recording software, then uploaded via their file transfer site, downloaded, and then imported to adobe audition cs6 being run on a mac book pro, and normalized.

The sound of southampton water at around 5am on a bank holiday monday (national holiday). The microphone was placed right at the shoreline where the water meets the land. There are distant boats/ships, the oil refinery and a few sea birds. The wind was about 2 to 4 mph and that created some very small waves that can be heard lapping against the shore. Mixpre3, rode svmx, rode deadcat, 17hz hp.

The sound of southampton water at around 5am on a bank holiday monday (national holiday). The microphone was placed right at the shoreline where the water meets the land. There are distant boats/ships, the oil refinery and a few sea birds. There was no wind at all when i first turned up, so i could use the microphone without any wind protection at all. Mixpre3, rode svmx, 17hz hp.

A stark soundscape of the icy wind swooshing through dry oak leaves on the edge of a midwestern lake. Plus, as an added bonus, from out of nowhere two fast-moving canada geese come storming through at only about 25 feet from where i was standing!. I was very lucky because they are so close that at some point during this recording, you can actually hear the sound of the wind being pummeled by the beating of the geese's very large, strong wings. Equipment: sound devices mixpre-6 and sennheiser mkh 416 inside a blimp. Recorded on monday december 28 2020 around 1:30 in the afternoon. Outside temp was 37 degrees and the wind was blowing steady at 10 to 15 miles an hour.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

My computer starting up and shutting down in a quiet room around 11:30 pm. This thing has a solid-state drive of 120gb that is used to boot up windows 7 pro, and a wd green 500gb hard drive that is used to store nearly all my games, and tons of other large (compilations of) files including my five nights fangame files. This was recorded on the night of 4th september 2022, at 11:30 pm. As i am writing this, it's 11:12 am, monday, 5th september. This is my computer starting up and shutting down. (before you scold me for using a weak-ass computer, here are the specs and goodies). Gigabyte m68m-s2pamd phenom x3 720 2. 8ghz4gb ddr2-667 "unganged mode"gigabyte gp-gstfs31120gntdwd green wd5000aurx-63uy4y0asus radeon hd6570 1gb ddr3corsair vs350 psu 350w~~windows 7 pro~~windows 11 pro 64-bit (updated 9/10/2022). If you use this sound, you don't have to, but it would be nice to write my name in the credits and comment!. Edit - the small growl at the end when the fans stop ain't what you guess it is, it's a fan or the hdd's bearing having been ruined by age and emits this noise when spinning down. Yet i pulled up the gain, so it might not have been noticeable in real life.

I recorded the last part of my travel to work, the first day after my vacation. Inside the train my recording equipment (soundman digital recorder dr2) generates a lot of digital noise – more than usual. Interesting. Therefore i upload from when the commuter train stops at gothenburg central station and the doors open and i walk away from the station. The digital noise is there all the time but just less audible. In the beginning of the sound file you hear the noise clearly. Don’t buy this little recorder… (it has a sigmatel recording chip. ). In the frequency analysis, and spectral view, i notice peaks at about 800 - 950hz, 7850 - 8350hz and 16100-16450hz. I guess this is part of the digital noise. Tried to eq this away with spectral edit. This did not improve the sound. The noise has a wider spectrum. Tried to download the “latest” firmware at www. Soundman. De. Had to open command prompt and use unzip to extract the files. What?! but the firmware downloader does not detect the “device”. I doubt there is a new firmware anyway. The year for this recording, according to the recorder, is 2002…. The recording starts about 07:50 monday, august 07, 2017. I took 2 seconds from the beginning of this file and used paulstretch. Resulting in a 20second digital noise drone, “dr2 digital noise”,https://freesound. Org/people/gis_sweden/sounds/399075/had a thought that i could use a file like this to cancel out these frequencies from the other file with an inverted digital noise file… but i cant invert frequencies – off course :-d.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.