5,689 Royalty-Free Audio Tracks for "Muted Voices"

Electrical buzz and background voices. Recorded 2015-02-14 14-06-08.

The national anthem of Rhodesia

Acoustic guitar. . . One chord strum, then muted finger picking.

Sequence of several muted trompets playing in harmony.

A recording made around noon on the edge of a woods located right in the middle of a major midwestern university. Throughout this entire recording, you'll hear the everpresent hum of heating and air conditioner units running. You will also hear faint conversations and laughter of students as they walk to class, faint sounds from a nearby construction site, distant rumble of traffic, the distant droning of an airplane lazily floating through the april sky. From time to time you will also hear the well known "beep. . . Beep. . . . . Beep. . . . " of a piece of heavy equipment backing up. However, despite all of the dominating background of man and his machines, nature comes through. Sincei was sitting on the edge of a fairly large woods which sits in the center of all of the concrete and glass and steel, the sweet singing of birds lasts throughout much of this recording. Equipment used: zoom h4n recorder using the internal stereo microphones set on 180 degrees for the greatest sound capture.

A small group (about 20) people talking in small groups. English voices. A mixture of male and female.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_mute_a#1_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: muted sustainnote: a#2midi note: 46midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

Japanese voices processed samples remix.

Japanese voices studio recording.

A collection of facebook secrets.

A short jingle that represents a successful action, end of level in a video game, or any other kind of job well done.

Created from my home-built wavetable synthesizer, and recorded in audacity.

Recorded in backyard, seagulls and children can be heard in the distance. Some cars drive past, a manhole cover is driven over. A car pulls away and beeps it’s horn. Trimmed version.

Electronic generated sonic object non human female voices modulations sample 1.

The interactive map at the staten island ferry terminal.

Recorded at an event in bristol uk city hall 2014. Interior, crowd of young people and adults talking and laughing, bongos being played in the background. No individual voices or conversations audible. Recorded on h4n zoom, no post production.

I recorded myself singing a few random notes and combined them, then editing them. They came out to sound like an interesting spooky choir of voices.

Electronic generated voices and ambience sounds.

Electronic generated voices and ambience sounds.

Recorded with a zoom hn4.

Recording near a cafe with people outside, recorded with a sony pcm d-50 in 2014.

A clip from an old uncompleted project. A robotic female voice (yours truly) saying the word "tuning". Useful for sci-fi projects.

Created from my home-built wavetable synthesizer, and recorded in audacity.

Water running at the side of an un-made lane near forge dam, a disused steel grinding mill pond on the porter brook on the western edge of sheffield, uk. Recorded using the irig recorder app on an iphone 3gs.

Female voice from a ticket fee payment booth in a parking garage saying "please insert your parking ticket" in fort collins, colorado. Recorded on 2015-01-31 13-51-40 with a smartphone.

A modest sized crowd of people in a fairly good mood speaking in american english in a an old building. The room is chamberous enough to create some short reverb, although the walls and floors are wood and there is some carpeting to reduce the effect.

Stereo recording made in the generator hall of tate modern between exhibitions. The end of the hall furthest from the entrance was empty, so i ran the recorder for a couple of minutes just to sample the reverberation. Because it is a school holiday in the uk, there were large numbers of children in the gallery, especially on the upper deck bridge about 25m from the recorder, and their voices are higher pitched and their behaviour extrovert. The space is large, so the echoes give a lot of atmosphere. Recorded on zoom h2. Transferred to audacity and high pass filter with breakpoint of 180hz used (12db/octave) to remove the hum that is prevalent at this site. +6db of amplification used, so peaks at -18dbfs.

Ideal for looping, 4x4 electronic drumloop with some shredded and delayed voices. No prevalent chords or music.

This is the ambience of both banks of a river that normally runs loudly outside the kitchen window of my home here in honolulu, hawaii. You can hear traffic passing by, birds singing in the trees (especially a dove), kids laughing in the distance, and a light breeze blowing.

A small group of very odd children chanting their hearts' desire.

Environmental sounds recorded at night in "little bosnia" quarters in gothenburg, autumn 2014. A muted / sordined trumpet is playing softly in the background. Recorded with a zoom h1 and edited with audacity. Please, contribute voluntarily to freesound if you download this and other files of me. I will be happy and grateful if you share some response!.

Wav - 24 bits - stereo h6 recording.

Field-recording with zoom h4n, aiff 48kh, ambiance city truck unloading reversing air-brakes workers-voices construction-site.

Zoom h6 stereo microphone recording.

An unintentionally humorous warning from the noaa (the national oceanic and atmospheric administration) robot voice. November 2007.

Backwaters touristic port on a sunday morning. People cleaning the sidewalk with water and brooms.

I won't claim that this is a ghost as i am sure many would debunk, only that i believe it to be. This is an evp i found during playback for something else i recorded in audacity with a usb condenser mic. This happens a lot and i have quite a few. It sounds to me like a voice that is not mine is saying "watch" i cleaned it up as much as i could but this was barely audible originally so i had to bring up the volume a lot which made the noise floor pretty loud. I did some noise reduction to make it sound cleaner. I have personally had experiences that i believe to be supernatural but decide for yourself as you listen or use it as make believe. I have more i will upload when i can including ones from places that have been researched and said to be haunted (taken on my phone). I have to find them but as i come across them or new ones i will share. No need to credit me, i am just sharing this for fun. It creeps me out, and gives me chills so hopefully it does the same for you mwuah hahahahaha! enjoy ;). Evp ghost spirit ghosthunters ghostly spectral haunted ominous whisper voice ghosts spirits hauntings evps creepy spooky weird strange mysterious supernatural paranormal electronic-voice-phenomenon spirit-voices halloween.

Haha, I was just recording myself using vibrato while in chest voice. This for educational and useful purposes, feel free to use it.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

The distant and peaceful sound of village life in dewe, uganda, near kampala, with crickets, wildlife, a distant drum, and occasional voices and laughter.

Traveling on tram 11 towards central station, taped voice announces in dutch that next stop is mosteresestrat, children tell their mum it's monster-straat next. Doors open and mum check out of tram with electronic card. Recording: olympus ls3 + okm binaural mics.

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р.Дриго. Балет "Эсмеральда", вальс. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record"

Антонио Бадзини "Танец шалунов". Исп.: Я.Кубелик (скрипка) The Dance of the Goblins (La Ronde des Lutins), Scherzo fantastique, Op. 25

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р. Дриго. Балет "Эсмеральда". Пиццикато. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record".

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).