12 Royalty-Free Audio Tracks for "Nazi"

Winston Churchill speech audio speaking about Nazi Germany

Demo sound from #b3007. Nazi calling the reich. Https://twitter. Com/korallenherz/status/1553404450127085568.

Nazi voiceover sound cue designed specifically for the sound of music (performed on stage). This sound includes the dialogue of the script along with foley of footsteps and ambiance of the location (festival). 1 of 2 sounds designed for the sound of music.

I have synthesized the nazi wehrmacht march stomp with waldorf pulse 2 and give it to the world, to the people - for free. Listen to your personal wehrmacht corps marching below your balcony or just remember those dark years while fiddling around with your sampler. What ever. Eyes straight, headphones on!.

Erika was a German marching song which is used by the German military. The author of the song was Herms Niel in 1930s. This song was published during Nazi Germany and ww2this recording include MIDI Erika, auch bekannt unter seinem Liedanfang Auf der Heide blüht ein kleines Blümelein, ist der Titel eines bekannten deutschen Marschliedes von Herms Niel, das in den 1930er-Jahren entstand. In dem Lied wird „die naturverbundene Liebe zur Heimat besungen“.

Nazi skinheads in action 02, protest against islamisation of europe, bratislava-slovakia, main trainstation 20150620.

Just a small music sample i created with lmms.

The Horst Wessel Song, performed by the choir of the Leipzig Church of St. Thomas in 1936. From 1930 to 1945, this was the official anthem of the Nazi Party.

A recording of the riots in leipzig, germany at the 12th of december, 2015. After a more or less peaceful protest against right-wing parties, neo-nazis and other right-wing extremist, the mood shifted. The policemen and the black bloc acted aggresive against each other. Armored water canon trucks,teargas grenates, stones. . . I also had to run often, stood in the middle with my microphone. I just cuttet out some hard knocks on the mic. . . Nothing more. .

Wir sind das Heer vom Hakenkreuz, Hebt hoch die roten Fahnen! Der deutschen Arbeit wollen wir Den Weg zur Freiheit bahnen! Wir schließen keinen Bruderpakt Mit Roten und mit Welschen, Und allen, die den Freiheitsbrief Des deutsche Volkes fälschen. Wir schließen keinen Bruderpakt Mit unseren Tyrannen Und mögen sie uns hundertmal Ins tiefste Elend bannen. Wir schließen keinen Bruderpakt Mit bangen, feigen Wichten, Es gilt die große Niedertracht Europas zu vernichten. Wir sind das Heer vom Hakenkreuz, Hebt hoch die roten Fahnen! Der deutschen Arbeit wollen wir Den Weg zur Freiheit bahnen!

Jaroslav Jezek was born in Prague 1906 and studied at the Prague Conservatory, graduating in 1927. He studied music during the period of the new freedom with its' influence of American jazz and dance on Czech composers which can certainly be seen in Jezek's works. From '28-38, Jezek composed music for 20 plays and revues performed at the Liberated Theater where absurdities of the times-moral hypocrisy, the mistakes of democracies and the inanities of totalitarianism-especially of the Nazis, were humorously skewered. He composed waltzes, tangos, charlestons, rhumbas, and jazz for his admiring Czech audiences. During WWII he moved to New York, possibly because his past criticisms of the Nazi Party would have landed him in prison. He continued to compose there in 1939-41. He died in New York in 1942. The Bugatti Step was written to commemorate Czech racing car driver Eliska Junkova's 2nd place finish in a Swiss mountain race in '27 in her huge Bugatti touring car, seen at 2:08 in this vid. Thanks to former yt contributor KSPM who originally uploaded this music and introduced me to Jezek.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.