13 Royalty-Free Audio Tracks for "No Matter"

Black lives matter rally in kennebunk, me on june 3, 2020 with about 150 participants lying face-down in a die-in with face coverings on, mid day. You can hear both close up and distant chanting in the crowd.

Sometimes you can't fight a sneeze no matter how hard you try. These two interrupted a vo recording session.

I could never do anything with this no matter how much i tried, i hope someone can find a use for this one.

I made it with audacity, with my own sound and a cup and some effecs! :d.

Actually made with distorting, bitcrushing, and downsampling a recording of an electric drill (with this type of heavy processing the source material doesn't really matter much though). No chips or tunes were harmed in the making of this sound.

Actually made with distorting, bitcrushing, and downsampling a recording of an electric drill (with this type of heavy processing the source material doesn't really matter much though). No chips or tunes were harmed in the making of this sound.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Indonesian maids singing in the park -. Every sunday in the streets and parks of hong kong - scores of maids meet up to enjoy their one day off a week -- they are temporary residents of hong kong and no matter how long they stay here for they must return home - there was a case last year of a lady who having worked here for 25 years wasnt allowed to stay. . These migrants mostly live with their chinese employers - who treat them very much like slaves, working long hard days, some of whome get to sleep on kitchen or bathroom floors. . . They arent wealthy so on their days off can't afford to go restaurants an cinemas and any way they are all here to earn money to send back to their families and children, since they cant afford much they tend to gather in groups in to dance and sing, or sit and eat play cards. I just so happened past a 'street' party in victoria park and took a recording as it sounded very exotic and all the people seemed happy in way i couldnt describe - altho i feel this recording is actually a little sad?. .

A recording of the peaceful mid-autumn woods here in the midwest usa. I recorded this on november 15 2022 using a sony pcm d-100. In the northern hemisphere now, days now are much shorter, and much colder. Which means all of our energetic summer warblers and other migrants have long gone south, and are no doubt lounging around in a palm tree or something just gorging on insects. Here is the midwest woods? sure the summer birds are gone, but, the beauty of this season is that now you can hear the birds that never leave us. No matter how brutal the winter is, the blue jays, the black-capped chickadees, the many species of woodpeckers and the belted kingfishers never leave. This creates a different, but beautiful soundscape in the woods. For this particular recording, since i've found through years of roaming the woods, birds have a tendancy to be near water, i placed the recorder on a creekbank about 15 feet from a shallow creek. Now of course i could have gotten closer to the creek but by now the entire woods is a carpet of leaves -- this very slow-moving creek included. Which means the leaves had accumulated on thevery still creek water itself and i was concerned if i stepped on the leaves--thinking it was solid ground underneath, i would instead be "treated" to an ice cold pair of shoes and socks!. Among the highlights of this recording are:00:00:00 starting off with the loud blue jays1:56 black-capped chickadees with their active musical trills3:55 the very large and very loud pileated woodpeckers8:41--8:56 then again starting at 10:05 and running through10:40 the beautiful belted kingfisher with it's staccato-likerasp. Enjoy this beautiful mid autumn woods soundscape in the midwest usa.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

You've been the target of an attack, and you're at the local city precinct. I'd always thought the police had a blanket in the car. Not sure why. One reaches a point where it no longer matters. Getting there can be accelerated if your rescuer arrives without thinking to bring along something, anything for you to wear home.