39 Royalty-Free Audio Tracks for "No Mix"

Drum break from demon boyz - dett (speaker feeder mix). This version has no beeps.

Was in a pile of older stuff about to be deleted! can be applied to various styles. No mixing applied.

Was in a pile of older stuff about to be deleted! can be applied to various styles. Nothing done in the mixer.

Mix-tape.

Single (raucous) herring gull call - no other background noise and suitable for insertion into any appropriate sound mix.

Sons do meu chocalho guardado no armário, em dia de musicalidade, gravado em pontal do paraná, em fevereiro de 2023, por valéria mendes.

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Pressing spacebar on my logitech k120recorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Simple knock on the wooden doorrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Http://i. Imgur. Com/9uvisga. Jpglighting a matchrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Simple double click using my logitech mx 620recorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Http://i. Imgur. Com/nxrnape. Jpggas loop recorded from kitchen stoverecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Http://i. Imgur. Com/n4ebvp6. Jpgturning lights onrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Creepy vocal ambience made of my friend's laughter recorded on skypeprocessed using audacity. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Heavy rain with thunder, interior perspective near windowsome movement heard on the backgroundrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Here a little suspence music with one theme in three different form. The rythme of the last part is a little off, but you can use the other loops. Btw, there was no mix or eq in these loopshope you will enjoy. Vst uses on fl sutdio 20:labs.

Some heavy analog glitching achieved by plugging and unplugging my old microphone into a broken audio card. Processed using audacity. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Made this for a friend to go with a short film he made. Quite a rough mix. Completely free to use. Crediting me would be appreciated, but not required:)!. (there's some curse words on a few of the vocal tracks. . But i dont think it's audible. . No big deal, but just in case: 'explicit').

This is a simple dry (no effects) 4 track recording with just drums bass and 2 guitars. The reason i use 2 guitar tracks is to fatten the sound. It could have been done with just 3 tracks but this is the sound i shoot for in my rhythm tracks.

These are taken from my modded behringer bg412s from 2004. I know this is one of the most hated cabs in the world but i gave it 2 celestion vintage 30s. The top speakers are in an angle to the outside. . . So you get something different. It really is a awesome heavy plywood cab. . . No chipwood crap. The irs are mix ready and should deliver a brutal sound. Even: mix ready universal full sound sm57balls: a bit more whoosh sm57brutal: a bit more scooped sm57bruzl: evil black metal shred pyle pdmic75. Have fun!.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

A recreation of a lavalier microphone pop. Useful for reality or documentary where an interviewee may rip off their mic or you simply want to create the illusion of that drama. Also useful to incorporate into a "signal lost" effect, etc. Processed with some limiting so it's tamed and ready to throw in a mix. Recorded with an mxl lsm-3 dynamic mic, no reason to abuse my real lav mics.

Three mornings. Well. . . About 7 to 8 a'clock. Somewhere on the island tjörn, sweden. It's quiet mornings, or just bad timing. One of them a little windy. There are more birds earlier and later. Guess they are taking a nap around 8 in the morning. Recorded with a zomm h1. No editing. I just joined the files, well shorted them also. . . April 29april 30maj 1. First real test of my h1.

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Made a patch in vcv-rack. Kind of industrial drone thing. Searched for some suitable sounds to mix it with. I found these. Https://freesound. Org/people/puniho/sounds/145222/strange talk slow down. Wav by user puniho(remix of: slow_down. Wav by corsica_s). Https://freesound. Org/people/schafferdavid/sounds/269042/industrial laundry. Wav by user schafferdavid.

Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

Slightly edited, very clean recording of city background noise. Recorded myself as i couldn't find anything 100% suitable on here, for use in a film sound mix. Recorded at the top of humboldthain bunker in berlin, germany on the 1st of december 2019. Recorded at night, no bird sounds, with the onboard mics on a zoom h4n. You do not need to credit me if you use this. Take it for whatever you want. If you like it, please give a good rating and consider uploading some of your own sounds on here to help out other users!.

After searching the vastness of the interweb for some 6 inch zilbel samples with no luck, i finally decided to record my own bell. Theres 3 versions of 4 single samples each, 4 chokes, 4 medium and 4 hard hits. I know a lot of you out there have been searching for some samples of one of these bells for a long time so here ya go guys, totally free, full to use for whatever you want, no credit needed to be given to me. These sound amazing in a mix and really add a lot of life to your drum tracks, they dont sound over compressed (theyre dry recordings) and they dont over power everything else, nice crisp and clear. Ding away my friends!.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

A nice little sample i had at the end of a vinyl only mix i did, no sounds wasted obviously=) i like to use everything i can and use a lot of these sounds in my deep house productions. Add some reverb in build ups for great effect, i have sliced it to loop 128bpm but is formatted aiff so will change tempo in logic pro=)enjoy!danwraysounddesignhttp://www. Dancemidisamples. Com/choose-label/dan-wray-sound-design. Htmlfor more soundsets, samples and sounds;-)dont forget to pleaase comment!i put a lot of effort into providing every sample, and your free to use my sounds in any way! ur feedback is all i ask in return. Cheers.

These are a series of gunshots that are supposed to resemble a laser sort of weapon, like an alien weapon. To make this, i used a filter that has a vocoder, polyvox, and talkbox, with distortion added. The initial sound i'm making is a chirping with my mouth and the filter does the rest. I think this works well on its own but it should work well mixed in with another sound effect if you choose to mix it. There is no reverb added or environment effects so its very flexible. Feel free to use it however you like. Credit is appreciated but not necessary. If you do want to give credit, please give credit to cooljunk productions. Thank you.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

As a professional dj, you know that having high-quality sound effects and drops can make all the difference in your sets. But where can you find these essential audio files?. Here at https://topdjdrops. Com , we have a huge selection of dj sound effects and drops to choose from. Whether you’re looking for a simple “hit” sound to punctuate a mix, or a more complex and layered soundscape to create an immersive experience for your listeners, we’ve got you covered. Https://topradiojingles. Com. Https://topdjdrops. Com. Https://sungfx. Com. And because we know that time is often tight for busy djs, all of our dj sound effects and drops are available for instant download. That means you can be up and running with the perfect sound for your set in no time at all. So if you’re looking for high-quality, professional dj sound effects and drops, look no further than http://topdjdrops. Com. We’ve got everything you need to take your sets to the next level. Top dj drops - #1 hot spot for dj drops and dj intro jingles in ghana and worldwide. | best dj jingles and radio imaging voice-overs, we have a wide range of voices that cut across chr,urban, hot ac, country and sports jingles. We reaching the world with world-class radio imaging as well as dj drops. #1 top dj drops: best custom jingles radio voice overs 2022custom dj drops, radio drops, dj intros with free dj sound effects around the world. Podcast intros, commercials, and concert & event promos 24 hour turnaround.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).