2,870 Royalty-Free Audio Tracks for "Notes"

00:00
01:30
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Author: His Master's Voice
00:00
03:29
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Author: His Master's Voice
00:00
13:10
A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.
Author: Kvgarlic
00:00
03:28
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Author: William Billings
00:00
03:20
Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781
Author: This file is lacking author information.
00:00
00:30
[[this sound pack contains 8 sounds total, and this is # 4 of 8. ]]. Note: this sound (as all my sounds on freesound. Org are) is **public domain**. Use it, sell it, do anything and everything with it. No need to credit me. I only hope it's useful for someone! however, i'd love to hear about any projects you use my sounds with!!. Abstract, creepy sounds i recorded after watching this video on hans zimmer's creation of the score to the original dark knight soundtrack:. Https://www. Youtube. Com/watch?v=r-l1rctgtoe. (fascinating video, give it a watch! :d). - i found an old rusty razorblade (if it ain't rusty it ain't emo, amiright? amiright? oh god that's in poor taste)- and just started scraping it over the copper-wound strings of my seagull s6 acoustic guitar in which i've installed an electronic pickup. - recorded into reaper on my mid-2014 macbook pro, via direct in through a zoom h4n in audio-interface mode. Only processing: gentle eq highpass at 95 hz. And some slight gain reduction. These sounds remind me somehow of creepy film scores where the strings do that erratic pizzicato thing that sends tingles up your spine. Tell me what you come up with, i'd love to know!!.
Author: Afamiliarletter
00:00
00:50
In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.
Author: Kbclx
00:00
03:09
*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055
Author: This file is lacking author information.
00:00
62:35
This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).
Author: Bakonfreek
00:00
02:56
O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413
Author: Weir, Robert Stanley, 1856-1926
00:00
04:15
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
00:00
04:16
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
00:00
00:01
Start sound of mac ii iix iicx iici se/30. Create by dissessemble rom code and use wave table algorithm write c program write wav file. C program below:. /* mac_ii. C *//* boot beep mac ii *//* 2558/09/06 */. #include. #define knumber_samples 30000#define kdelay_note 300#define kwave_table_value 0x30013f10#define ksample_rate 22257 // hz. Void preparewavetable( unsigned short *wavetable, unsigned int value );void updatewavetable( unsigned short *wavetable, unsigned short chiso );void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate );. Int main () {. // ---- wave tableunsigned short wavetable[256];// ---- sound data, stereoshort sounddata[knumber_samples << 1];// ---- increment array (16/16 bit fix point integer)int arrayincrement[] = {3 << 16, 4 << 16, (3 << 16) + 0x2f2, 6 << 16};// ---- prepare wave tablepreparewavetable( wavetable, kwave_table_value );. // ---- array phase (16/16 bit fix point integer)unsigned int arrayphase[] = {0, 0, 0, 0}; // set all = 0. Unsigned int samplenumber = 0;while( samplenumber < knumber_samples ) {. // ---- calculate sampleunsigned int channelleft = 0;unsigned int channelright = 0;unsigned char notenumber = 0;while ( notenumber < 4 ) {// ---- see if should update phase for note, only do if play noteif( samplenumber >= notenumber*kdelay_note ) {// ---- up date phase beforearrayphase[notenumber] += arrayincrement[notenumber];// ---- not let out of range [0; 255]if( arrayphase[notenumber] > 0xff0000 ) // 0xff0000 == 255 << 16arrayphase[notenumber] -= 0xff0000; // return to begin of wave table}unsigned short mauvat = wavetable[arrayphase[notenumber] >> 16];. // ---- add sound componentsif( notenumber < 2 ) // ---- first 2 notes left channelchannelleft += mauvat;else // ---- last 2 notes right channelchannelright += mauvat;// ---- next notenotenumber++;}// ---- save left and right samplessounddata[samplenumber << 1] = (channelleft << 9) - 0x8000; // use << 1 for 16 bitsounddata[(samplenumber << 1) + 1] = (channelright << 9) - 0x8000; // use << 1 for 16 bitupdatewavetable( wavetable, samplenumber & 0xff );samplenumber++;}// ---- save wav filesavesound( "mac ii. Wav", sounddata, samplenumber << 1, ksample_rate ); // multiply 2 because stereo. Return 1;}. Void preparewavetable( unsigned short *wavetable, unsigned int value ) {. // ---- prepare wave tableunsigned short index = 0;unsigned short wavetablevalue = value & 0xff;while( index < 64 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 8) & 0xff;while( index < 128 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 16) & 0xff;while( index < 192 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}wavetablevalue = (value >> 24) & 0xff;while( index < 256 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}}. Void updatewavetable( unsigned short *wavetable, unsigned short index ) {// ---- get value from wave tableunsigned short value = wavetable[index];// ---- calculate new value for wave tableif( index == 255 ) { // careful at last element of wave tablevalue += wavetable[0];value = (value >> 1);wavetable[0] = value;}else {value += wavetable[index+1];value = (value >> 1);wavetable[index+1] = value;}. }. #pragma mark ---- save wavvoid saveheader( file *filename, unsigned int samplerate );void savesounddatainteger16bit( file *filename, short *sounddata, unsigned int numbersamples );. Void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate ) {// ---- open filefile *file = fopen( filename, "wb" );if( file ) {// ---- "riff"fprintf( file, "riff" );// ---- length sound file - 8unsigned int lengthsoundfile = 32;lengthsoundfile += numberframes << 1; // một không có một mẫu vạt cho kênh trái và phải// ---- save file lengthfputc( (lengthsoundfile) & 0xff, file );fputc( (lengthsoundfile >> 8) & 0xff, file );fputc( (lengthsoundfile >> 16) & 0xff, file );fputc( (lengthsoundfile >> 24) & 0xff, file );// ---- "wave"fprintf( file, "wave" );// ---- save headersaveheader( file, samplerate );// ---- save sound datasavesounddatainteger16bit( file, sounddata, numberframes );// ---- close filefclose( file );}else {printf( "problem save file %s\n", filename );}}. Void saveheader( file *file, unsigned int samplerate ) {// ---- name for header "fmt "fprintf( file, "fmt " );// ---- header lengthfputc( 0x10, file ); // length 16 bytefputc( 0x00, file );fputc( 0x00, file );fputc( 0x00, file );// ---- method for encode, 16 bit pcmfputc( 0x01 & 0xff, file );fputc( (0x00 >> 8) & 0xff, file );// ---- number channels (stereo)fputc( 0x02, file );fputc( 0x00, file );// ---- sample rate (hz)fputc( samplerate & 0xff, file );fputc( (samplerate >> 8) & 0xff, file );fputc( (samplerate >> 16) & 0xff, file );fputc( (samplerate >> 24) & 0xff, file );// ---- number bytes/secondunsigned int numberbytessecond = samplerate << 2; // multiply 4 because short (2 byte) * 2 channelfputc( numberbytessecond & 0xff, file );fputc( (numberbytessecond >> 8) & 0xff, file );fputc( (numberbytessecond >> 16) & 0xff, file );fputc( (numberbytessecond >> 24) & 0xff, file );// ---- byte cho một khung (nên = số lượng mẫu vật * số lượng kênh)// ---- number bytes for sampleunsigned short bytesoneframe = 4; // short (2 byte) * 2 channelunsigned char bitsonesample = 16; // shortfputc( bytesoneframe & 0xff, file );fputc( (bytesoneframe >> 8) & 0xff, file );. Fputc( bitsonesample, file );fputc( 0x00, file );}. Void savesounddatainteger16bit( file *file, short *sounddata, unsigned int numbersamples ) {fprintf( file, "data" );unsigned int datalength = numbersamples << 1; // each sample 2 bytefputc( datalength & 0xff, file );fputc( (datalength >> 8) & 0xff, file );fputc( (datalength >> 16) & 0xff, file );fputc( (datalength >> 24) & 0xff, file );unsigned int sampleindex = 0;while( sampleindex < numbersamples ) {short shortdata = sounddata[sampleindex];fputc( shortdata & 0xff, file );fputc( (shortdata >> 8) & 0xff, file );sampleindex++;}}.
Author: Sieuamthanh
00:00
02:60
Cct110: found in translation (show notes). Hosted by lily yu. This podcast gives a brief overview of youtube’s recent update on the on-site comment translating software and examine how it is beneficial in establishing contact with other youtube communities. We will also look at who this change affects the most, how the comment section influences youtube and how this change is part of a global movement for connection. Podcast contentsintroduction 0:00 – 0:11imagine you are reading the comments 0:12 – 0:50history of the translate button 1:01 – 1:09what it does 1:10 – 1:13errors in translating 1:14 – 1:24benefits 1:25-1:40who uses it 1:41- 1:53importance to youtube 1:54 – 2:26importance to the world. 2:27 - 2:43conclusion – 2:44 - 2:59. Song credits (listed in order of appearance). “winsquare. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/527650/. "piano, bach fantasia, a (h1). Wav" by inspectorj (www. Jshaw. Co. Uk) of freesound. Org. “upbeat theme loop. Wav” by mrthenoronhahttps://freesound. Org/people/mrthenoronha/sounds/506893/. “jingle_achievement_00. Wav” by littlerobotsoundfactoryhttps://freesound. Org/people/littlerobotsoundfactory/sounds/270404/“parallel universe” by andrewknhttps://freesound. Org/people/andrewkn/sounds/404458/. “winfretless. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/521644/. Podcasts discussed. 23 youtube stats that matter to marketers in 2022. Social media marketing & management dashboard. (2022, february 14). Retrieved march 3, 2022, from https://blog. Hootsuite. Com/youtube-stats-marketers/r/timeworkssubmissions - youtube's comment translations are very broken. Reddit. (n. D. ). Retrieved march 3, 2022, from https://www. Reddit. Com/r/timeworkssubmissions/comments/rnte1g/youtubes_comment_translations_are_very_broken/.
Author: Chocolatelilac
00:00
00:01
#!/bin/bash## create dtmf wav file with sox# create a file of the digit "7" dtmf tone# sox -n 7. Wav synth 0. 5 sine 852 sine 1209 channels 1# from http://notes. Writtenby. Tc/sox## synth 0. 2 = 0. 2 seconds# ialexs - for learning sox purpose# mon aug 27 20:52:19 wit 2012. Sox -n dtmf-1. Wav synth 0. 1 sine 697 sine 1209 channels 1sox -n dtmf-2. Wav synth 0. 1 sine 697 sine 1336 channels 1sox -n dtmf-3. Wav synth 0. 1 sine 697 sine 1477 channels 1. Sox -n dtmf-4. Wav synth 0. 1 sine 770 sine 1209 channels 1sox -n dtmf-5. Wav synth 0. 1 sine 770 sine 1336 channels 1sox -n dtmf-6. Wav synth 0. 1 sine 770 sine 1477 channels 1. Sox -n dtmf-7. Wav synth 0. 1 sine 852 sine 1209 channels 1sox -n dtmf-8. Wav synth 0. 1 sine 852 sine 1336 channels 1sox -n dtmf-9. Wav synth 0. 1 sine 852 sine 1477 channels 1. Sox -n dtmf-0. Wav synth 0. 1 sine 941 sine 1209 channels 1sox -n dtmf-star. Wav synth 0. 1 sine 941 sine 1336 channels 1sox -n dtmf-pound. Wav synth 0. 1 sine 941 sine 1477 channels 1. Sox -n dtmf-busy. Wav synth 0. 1 sine 480 sine 620 channels 1sox -n dtmf-dialtone. Wav synth 0. 1 sine 350 sine 440 channels 1sox -n dtmf-rbt-us. Wav synth 0. 1 sine 440 sine 480 channels 1.
Author: Ialexs
00:00
22:46
Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte
Author: scrymgeour34
00:00
01:32
Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi Đoàn Ca múa quân đội, Quân đội Nhân dân Việt Nam. Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023. Tiến Quân ca is the national anthem of Vietnam. This version was recorded by the Military Band of Vietnam People's Army. Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam.
Author: Văn Cao
00:00
00:29
upspeeded version of the previous theme 1. Wav*made with lmmsused sound: bit invader, arpeggio sus4 with some range. Time peaked at 75ms and vokalformant-filter at 50bpm 4/4. Feel free to use. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Electronic, Synth, Note, Oscillator, Csound https://freesound.org/people/cybilopsin/sounds/622830/ Quickly Synth Cybilopsin Freesound.org https://freesound.org/ freesound_org_c2f38a4f2a4f6a087d49c06ae51541bf40091919 ./freesound/622830__cybilopsin__quickly-synth.flac flac c2f38a4f2a4f6a087d49c06ae51541bf40091919 Electronic synthesis with csound. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Belt, Battery, Ford, Cold, Van, Vehicle, Motor, Vroom, Start, Screeching, Dead, Automobile, Diesel, Drive, Car, Rattle, Driving, Old, Engine https://freesound.org/people/Mullumbimby/sounds/622829/ Cold Start Of Old Diesel Car Mullumbimby Freesound.org https://freesound.org/ freesound_org_242221dd02ed50bfa79d5d4377299d58fbf01dd0 ./freesound/622829__mullumbimby__cold-start-of-old-diesel-car.flac flac 242221dd02ed50bfa79d5d4377299d58fbf01dd0 Cold startup of an old ford transit diesel van. The engine turns over very reluctantly and gives out it's telltale belt-screeching sound after startup before it drives off. Recorded in pcm stereo with a zoom h1n field recorder. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Scream, Pain, Yell, Shriek https://freesound.org/people/RJr2009/sounds/622833/ First Scream Rjr Freesound.org https://freesound.org/ freesound_org_210a1798560d372d4381c2ce1d0e8342163f1656 ./freesound/622833__rjr2009__scream1.flac flac 210a1798560d372d4381c2ce1d0e8342163f1656 Me screaming into the microphone, recorded on videopad. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Space, Electronic, Drone, Riser https://freesound.org/people/Da-JS/sounds/622840/ Riser Bars Bpm Da Js Freesound.org https://freesound.org/ freesound_org_f1dd3a64137ce6ab46251a9aa695fe8923833b21 ./freesound/622840__da-js__riser-4-bars-120-bpm.flac flac f1dd3a64137ce6ab46251a9aa695fe8923833b21 A riser created in ableton with hybrid reverb. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chill, Soft, Melody, Synth, Chords, Progression https://freesound.org/people/ar_jams111/sounds/622845/ Daily Sound # Sweet Chords Ar Jams Freesound.org https://freesound.org/ freesound_org_a85fcdace0ddf299bf2c45ea4f14a5363a322d37 ./freesound/622845__ar_jams111__daily-sound-001-sweet-chords.flac flac a85fcdace0ddf299bf2c45ea4f14a5363a322d37 One day i decided i would upload a sound to soundcloud every day. These days the sounds" are more like mini productions, but this is where it all started. A sweet and simple chord progression and melody. Love, ar_jams111.
Author: Melokacool
00:00
01:56
Tiến Quân ca is the national anthem of Vietnam. This version was recorded by (likely to be) the French Far East Expeditionary Corps (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam. Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi (có thể là) Quân đội viễn chinh Pháp vùng Viễn Đông (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023.
Author: Văn Cao
00:00
00:29
Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.
Author: Bruce Burbank
2851 - 2870 of 2,870
/ 58