33 Royalty-Free Audio Tracks for "Object Recording"

Foley recording of someone throwing/dropping an object on the floor.

Dragging an object in carpet. Location recording of a dummy being dragged around a flat. Close range recording, stuck a radio mic on it. Mono recording, 48khz/24. Mic: sanken cos11 omnidirectional, zoom f8 recorder.

Ecualized and compressed sound, foreground,.

A very small object that falls on the table.

The sound of a heavy object slamming into the ground.

Me recording my self fall on to carpet.

Two bodies or object splash into the water, as heard from underwater. Uses noisecollector's hydrophone recording and ngarvey's ocean surf recording.

Fans of a server room. Gears: rode ntg4+ // zoom h5file: 48khz, 24bits, stereo, wav.

Recorded with a zoom h6 with an xy stereo mike. Metallical thermos falling on a hard floor outside repeatdly.

Descending whistle sound akin to a cartoon object falling, it's just a recording of me whistling into my mic. It could be better, but someone may have use for it.

Field-recording of wind in mainly coniferous trees on a cold winter's day in the mountains. This is a residential recording, taken near a playground and a parking lot. Recorded in stereo with the zoom h2n recorder.

Sound of a body falling on the carpet. Foley recording. Mono recording, 48khz/24. Mic: neumann km 185 supercardioid, zoom f8 recorder. Edited slightly in pro tools, nothing major, just a bit of compression and eq.

This sound is a recording of the bell of a bicing bike. It is a sound object used in the sonic ensemble soundscape. Called percussive due to its impact characteristics. It was recorded using a zoom h4 recording device at roc boronat street in front upf campus, barcelona. Recorded for the sound creation lab project. The recording was edited with a fade in and out effect.

Field-recording of wind in mainly coniferous trees on a cold winter's day in the mountains. This is a residential recording, taken near a playground and a parking lot. Recorded in stereo with the zoom h2n recorder. Similar to "windy winter day, wind in trees, leaves, metallic object rattling" except that this was recorded at a greater distance from the trees, on a nearby porch.

In this record you can hear the noise of the chain of one bicycle being pedaled. Is like a hum. It is a sound object used in the sonic ensemble soundscape for the sound creation lab project. It was recorded using a zoom h4 recording device at roc boronat street, barcelona. The recording was edited with a fade in and out effect.

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

Varied hits on materials in my basement - cardboard boxes, a treadmill, wooden table, etc. . . Most of the sounds from this pack were extracted from a recording of me striking said objects with my palm. Because of proximity effect, i found some of these to be useful for the sound of an object hitting the ground.

Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

Noise installation @ “shakhta”the project takes the form of an amplified live stream of the sound of a motorway. The purpose is to hear unnatural sound within an existing natural environment,creating interesting and unusual details of frequencies while watching object (motorway). Tbilisi, georgia tascam dr-40xsee more details here: https://tetenoise. Wordpress. Com/2021/01/20/noise-installation-at-shakhta/.

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

This file was recorded on november 19 2013 at london's euston railway station quite close to the arrivals board. It was achieved using an olympus ls-100 digital recorder with cad m179 microphones attached to a jecklin disk (see wikipedia) to obtain the best sound possible. As opposed to quasi-binaural recordings where the user attaches small diaphragm microphones to his/her shirt collar (my usual recording method), the jecklin disk can be mounted on a semi-fixed object such as a floor-standing microphone stand which it was in this case, and left for a few moments for the best possible outcome. Using a jecklin disk means that there are no minute movements from a person trying to stand as still as possible, and for some unknown reason, this setup is able to differentiate in front and behind sound image although i personally do not know why this is the case.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

A compilation of recordings of a metal object hitting the ground.

A compilation of recordings of a metal object hitting the ground.

A compilation of recordings of a metal object hitting the ground.

Short, heavy sound of a glass object being shattered. Created by mixing and editing, in audacity, some recordings of a glass object being thrown on the ground.

For a sound design project. I got the clock tower bell and bird field recordings from freesound and combined a sound of a metallic object and stick breaking to create the ticking.

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806