4,145 Royalty-Free Audio Tracks for "One"

Doctor strange magic circle shield sound effect made from fl software copying the ones from the marvel movies.

Used for opening and closing of any curtains mainly old ones that still have a bit of a grind effect to it.

A bunch of keys, with some big iron ones included, being grabbed and thrown on a counter. First plain counter and then with a newspaper in between.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Knocking on a window. Four fast-paced knocks followed by two slower paced ones. Recorded with a zoom h6 and stereo microphone (rode ntg2). Post-processing done to increase volume.

Single coin being dropped. Sounds made with coins and marbles in an tin. The recording isn't very good, but i selected the best ones for upload.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

The sound is coming from the fans of a server. By pulling out one of the fans, all other fans turn up to 100%. The microphone is located above the air duct exactly in the middle of the case and thus between two fan fronts. The soundfile starts with the fans on standard speed. After a few seconds the fans turn up to 100%. I left them there for a few seconds and then quietly plugged the removed fan back in. This fan now also switches to 100% - this is the single, delayed "speed up" that can be heard from second 35. About 10 seconds later, all fans return to normal speed. Unfortunately, a colleague came in at that time and ended up talking into the recording. Due to lack of time, i was unfortunately unable to repeat the audio that day, but will certainly do another re-recording in the future. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:røde lavalier microphonesound devices mixpre-3 ii. File:wavmono96 khz32-bit float.

This is a mix of deep boom sounds i mixed together. Probably like 30 or more sounds to get just what i wanted, even my own voice mixed in there somewhere. Figured others might find this useful. This is the version which is pitched even lower then the normal one i made. Might as well say what i used this for. So in making a big huge video for my family, where i've filmed them doing certain things and not tell them why, to which i'll present the video when we all get together for christmas eve, 2019. Theres also a part where i hosted a picnic, filmed everyone, and then asked them to karate chop or kick towards the camera. The next day i went with a crew and filmed ninjas around the park. Edited together with the family attacking the ninjas then the ninjas falling back and exploding with a particle effect on after effects. This is an edited version from the main sound heard when that happens. I made a few others using the base sound. While i'm bad myself at leaving comments, comments are always welcome to hear what someone used the sound for. Thanks.

Indonesian maids singing in the park -. Every sunday in the streets and parks of hong kong - scores of maids meet up to enjoy their one day off a week -- they are temporary residents of hong kong and no matter how long they stay here for they must return home - there was a case last year of a lady who having worked here for 25 years wasnt allowed to stay. . These migrants mostly live with their chinese employers - who treat them very much like slaves, working long hard days, some of whome get to sleep on kitchen or bathroom floors. . . They arent wealthy so on their days off can't afford to go restaurants an cinemas and any way they are all here to earn money to send back to their families and children, since they cant afford much they tend to gather in groups in to dance and sing, or sit and eat play cards. I just so happened past a 'street' party in victoria park and took a recording as it sounded very exotic and all the people seemed happy in way i couldnt describe - altho i feel this recording is actually a little sad?. .

One of my favorite sounds of spring and summer is the beautiful night-hawk. Around dusk they patrol the skies over generally open areas searching for insects. They actually seem to prefer areas where there are man-made structures; that's why you will hear them often in town, especially near baseball/softball fields where the big banks of lights attract their food source. They really do seem fond of and are quite common around towns and cities. Plus, another amazing fact that i read on the cornell ornithology website is that these birds do not build a nest, rather the female simply lays her eggs directly on the ground, and lets camouflage do the rest!. This recording was captured by my h4n using my rode nt4 microphone mounted inside a parabolic dish. Other than simply boosting the level by about 10 db using adobe audition 3. 0, i did no other processing to this file. That is why you hear distant traffic, and the occasional wind through the trees, as this recording was made on a breezy evening. Date of record: thursday may 9th, 2013 between 7:30pm and 8:00pm.

August, 2nd 2013. About eight and a half minutes worth of summer evening ambience, with crickets and cicadas leading the evening songs. Nothing too eventful, but a nice finish to a great day. Recorded at 48khz, 24 bit. Stereo pair of behringer c-2s (cardioid). The mics have an on-board 3-position switch, with labels "flat," "low-cut," and "-10db. " the switch was set in the -10db position (whoops!). It is unclear if this position also activates the low-cut. Additionally, a 24db/oct low-cut applied in pro-tools at 80hz to clean up a slight wind ruffle. Since it was late at night, and the rest of the family was in bed, i opened my window and placed the microphones (almost) right up against the screen. The a/c unit you can hear is directly below the window. Around the 4:45 mark, the digital thermostat hit a programming mark and kicked the air conditioner back on. Roughly one minute later, i adjusted the thermostat to turn the unit back off. Location: suburbs of atlanta. Free to use whenever and wherever! i'd be interested to hear/see where you use it!.

Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

This is a sound i created for the first season of get up, pierrot. It was used in one of the first episodes for an atm sound and it has been our most used sound in the series so far! i made it by using a combination of different party blowers and layering them. This is free for anyone to use but i would really love it if you could email me the uses so i can admire it and keep an active list in the soundcloud information. Getuppierrot@gmail. Com i'd love for this sound to become the wilhelm of party blowers!!! and we'd really love it if you could join us in the game on instagram @getuppierrot. Welcome to "get up, pierrot"this is a "choose your own adventure" style animated series. Viewer participation is through ig polls. Simply watch the ig story, vote on the poll, and wait for the next animation to see the outcome. You'll want to turn on post notifications because you'll only have 24 hours from the release of each animation in which to vote. Once voting is closed check ig highlights for poll results. Https://www. Instagram. Com/getuppierrot.

This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.

bassoon concerto in b flat major, k. 191 - i. allegro Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 1st movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

ATTENTION !!! file INCOMPLETE, file complete you could find here File:Clementi_Sonata_in_G_Minor_No_3,_Op_50,_Didone_Abbandonata_-_I_Introduzione.ogg Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

From 1:00-2:00in the sky a long way behind me and to the left, but somewhat far in the air, a group of birds are fighting above a large group of trees that are shaped like a ball of veins. Most of the birds are crows, or just black birds; each noise they make is a series of “caws” no different from each other in pitch, tone, or frequency. There's also the sound of 3 small birds directly to my right around 5 meters away from me, making loud but shrill chirping sounds. The birds are each the same size but and are hopping around the perimeter of a cactus right behind them. The wind blows onto the right side of my body and the front of my body. Waves from the ocean are crashing directly behind me, each in long sessions. The way they sound is consistent, like the sound of rain. Occasionally one of the waves will crash, increasing in volume but not in pitch or tone.

Hi i hope you enjoy this song! i put together many tracks, i forget which ones. Here is the track on ditto music https://ditto. Fm/the-winter-castle.

I little loop series with a piano. These ones are really fun. I made it with digital thunder d-lusion. Dt is an analogue drum machine.

I little loop series with a piano. These ones are really fun. I made it with digital thunder d-lusion. Dt is an analogue drum machine.

I little loop series with a piano. These ones are really fun. I made it with digital thunder d-lusion. Dt is an analogue drum machine.

I little loop series with a piano. These ones are really fun. I made it with digital thunder d-lusion. Dt is an analogue drum machine.

I little loop series with a piano. These ones are really fun. I made it with digital thunder d-lusion. Dt is an analogue drum machine.

Ones de la platja del somorrostro a la barceloneta, amb les veus de fons dels jugadors de dòmino i cartes.

Crickets (at least three different ones) chirping in the otherwise quiet night. Recorded just after dark in july 2009 in the french countryside. Used the front mics of a zoom h2.

Push broom like the ones used in a garage being pushed across a concrete surface. Recorded with tascam dr-07 mkii handheld device at 16-bit 44. 1khz.

Estonia soon switches over to new electric trains. But the old ones still have that heritage. These are mended ones which aren't that characteristic anymore but still close enough sound describing the older electric trains. Here's a picture of the train:. Http://foto. Urmo. Ee/wp-content/fotod/2010/09/elektrirong-tallinn_aegviidu. Jpg. It's recorded with a tascam dr100 and the whole audio is sometimes a bit messy because i'm desperately trying to hold the recorder still. Happy editing!.

Stereo recording by pond with loud frogs and audible birds. Some wind noise. Note i've now uploaded a "noise reduced" version. Search my sounds (the ones by "maphill").

Some weird horns i recorded at the hamburg port anniversary 2013. This horns are the weird, powerless ones, i believe. Unfortunately a little bit muddled with people nearby me.

Burghrecords presentsthe dystopian future - sound effects pack. Download link : https://www. Edinburghrecords. Com/products/new-arrivals/dystopian-future/. The dystopian future effects pack is sampled from various synthesisers inspired by the cartoon animation series samurai jack. These samples & loops are designed to work in a range of movie editing software and daw programs contain a selection sounds that are guaranteed to bring life and character to any media production. All the samples are supplied as wav files and are recorded 24bit 96khz. They can be imported directly into your daw or program of choice or can be loaded into any software. You’re welcome to use the sounds in your project in any way you like. The sound effects are supplied in a zip file, so you’ll need to extract them before you can see them. You can use them in your music, as well as audio and video projects. The library contains three folder with one with single bass sounds and the other two are different sound effects all together pack contains more than 100 royalty free sound effects. Official site :https://www. Edinburghrecords. Com.

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

As of this recording, i am the official town troubadour of manchester, ct, usa. I am just putting the finishing touches on an album collecting the various songs i have written for the town in this role. One of the songs mentions the church bells that ring out every day in at the top of the hill in town, so i thought it would be nice to open that song with a field recording of the bells. Every day at noon, center congregational church in manchester, ct, usa plays a full 10 minutes of music. This is a recording of the full 10 minutes as played on december 4th, 2022 - recorded with a zoom h1n, fades added in audacity. It was quite windy and despite my wind sock, there is the occasional audible gust. I was set away from direct traffic sound, but there is ambient traffic sound. There was also a church maintenance truck that slowly drove past me midway through the recording (probably curious at the strange person with the tripod recorder and headphones). I have not attempted to identify the songs in this recording. But if you recognize any, please let me know!.

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Burghrecords presentsthe dystopian future - sound effects pack. Download link : https://www. Edinburghrecords. Com/products/new-arrivals/dystopian-future/. The dystopian future effects pack is sampled from various synthesisers inspired by the cartoon animation series samurai jack. These samples & loops are designed to work in a range of movie editing software and daw programs contain a selection sounds that are guaranteed to bring life and character to any media production. All the samples are supplied as wav files and are recorded 24bit 96khz. They can be imported directly into your daw or program of choice or can be loaded into any software. You’re welcome to use the sounds in your project in any way you like. The sound effects are supplied in a zip file, so you’ll need to extract them before you can see them. You can use them in your music, as well as audio and video projects. The library contains three folder with one with single bass sounds and the other two are different sound effects all together pack contains more than 100 royalty free sound effects. Official site :https://www. Edinburghrecords. Com.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

Anime laser sounds of different lengths. You could use them as a transformation/laser sound effect or use the shorter ones as gui sounds. Made in vstron.

Mainly a field recording of many little chicken. Background sounds of grown up ones, in the beginning very close crow of a rooster. Recorded with tascam dr 40.

An an another loop i made a while ago. . . I hope it sounds good enough!it's 95% custom sounds! hi hats, crashes and snare were the only ones that i didn't make by my own.

Rain against my closed window. A blend of tiny drops against the window, deeper ones against the road further away, and a flowing drain to the side. Loops perfectly.

Low rumble of an office chair rolling and dragging against the floor. Multiple takes, slow/long and fast/short ones. Recorded with a røde videomic from close range. Processed slightly, a little hiss remains.

*better quality*. I needed some sound effects of a toaster but the ones i found here weren't too great. So when in doubt, make your own sound effects. Tell me if you like it!.

I needed some sound effects of a toaster but the ones i found here weren't too great. So when in doubt, make your own sound effects. Tell me if you like it!.

I generated a "chirp" with audacity going from something like 400 to 0, logarithmically. Then i faded it in and out. Useful for video games, especially old ones, for running into a wall or something like that.