1,312 Royalty-Free Audio Tracks for "Op. 20 (haydn)"

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

*3 steps in 20 equal temperament on C. Equal-tempered: 23/20:1 = 180.00 cents. MIDI pitch bend: 76,57

*7 steps in 20-et on C = ??. Equal-tempered: 27/20:1 = 420.00 cents. MIDI pitch bend: 51,70

*9 steps in 20-et on C = ??. Equal-tempered: 29/20:1 = 540.00 cents. MIDI pitch bend: 102,76

Aus dem ersten Satz von Joseph Haydn Klaviersonate Hob. XVI/8

Sonatina, Op 36, No 1, by Muzio Clementi. This performance was created using a music notation program.

Muzio Clementi, 6 Sonatinas For Piano, Op. 36, No 1 - Allegro

Muzio Clementi, 6 Sonatinas For Piano, Op. 36, No 1 - Vivace

Muzio Clementi, 6 Sonatinas For Piano, Op. 36, No 1 - Andante

Schubert, Erl King, piano introduction

08Haydn NelsonMass-Sanctus

Haydn from C minor Sonata finale

05Haydn NelsonMass-Credo Credo

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

10Haydn NelsonMass-AgnusDei A

07Haydn NelsonMass-Credo EtRe

01Haydn NelsonMass-Kyrie

Haydn, Symphony 94, second movement bars 150-156

02Haydn NelsonMass-Gloria Glor

04Haydn NelsonMass-Gloria Quon

11Haydn NelsonMass-AgnusDei D

06Haydn NelsonMass-Credo EtIn

09Haydn NelsonMass-Benedictus

03Haydn NelsonMass-Gloria Qui

Haydn Symphony 22 opening

Haydn Quartet Op.76 No. 6, finale bars 119-132

Haydn, Symphony 97, third movement, bars 109-116

Haydn, Sonata Hob. XVI:29, bars 1-4.

Phrase split into two phrase members from Haydn's Trio no. 1 in G Major.

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

20-tet scale on C. MIDI pitch bend matches intervals.

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

Joseph von Eichendorff / Robert Schumann: "In der Fremde", aus: "Liederkreis" opus 39,1

Tod und Schlaf ("Death is a Long Sleep"), four voice round by Haydn.

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

Fantasiestücke, Op. 12, Nr. 1, "Des Abends", by Robert Schumann (8 KB, 3:23 minutes)

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Erlkönig (Le roi des Aulnes), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861-1936)

Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)

Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)

Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm