475 Royalty-Free Audio Tracks for "Optics"

Wireless. Horizon-x.

Single horse trots slowly. Some squeaking and jingling. Increased speed at end as it comes closer to microphone. Reverberant space, hard ground.

A woman sobbing. Short and medium sobs. Up close, varying amounts of her voice squeaking and "oh" sounds. Not hysterical. Second set is higher in pitch.

Atmo-x h#6667440 server.

Atmo-x h#6667440 node. A.

Old truck drives up to dock or factory. Brakes squeak, horn beeps. Then men start yelling orders in disapproving way.

Pressurized air coming out. Could be used for a comical airplane sound, scuba diving, or dentist. Muffled air flow with a few changes in steadiness.

Atmo-x h#6667440 node. C.

Close up crowd, with car noise in background. Male and female voices talking jovially. General rumble of conversation with some voices standing out on occasion. Laughing and conversing loudly.

Giant electrical discharges. From flash gordon's spaceship. Loud echoey booms with a vibrating hum, similar to an jet, following. Reverberant. Hum would also be great for a sci-fi score.

Loud, fast steps on two different surfaces. Very loud clacks and then slightly deeper clicks. High heels. Could be someone walking up or down stairs with many landings.

H. Ayon_(hadata)1. 0.

H. Ayon_(hadata)2. 0.

Roller coaster clanking up track in distance. Metal clank as it is pulled up. Shuddering and roar of car as it runs. Some voices talking from the ground. Some wheel squeak and a "woo!" towards the end.

Low frequency predominant. Rumbling and whistling intense but slightly distant winds. Probably better as an interior p. O. V. Could be used as wind inside a cave, or observing outside winds from a sheltered space.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

Atmospheric engine control unit ecm pcm h#6667440.

Rain falling heavily with wind. Some indistinguishable noise in background, could be children, and some voices. Some creaks and rain intensifies. Rooster crows. Rainy farm from a porch. More wind and creaks.

Atmospheric engine control unit ecm pcm h#6667440 node a.

This file demonstrates the "before" qualities of the sunset editorial library. This file had a lot of noise and distortion. It was cleaned up using izotope's rx software, then uploaded as "s27-29 chimpanzee whimper and scream. Wav" (effect #675431. ).

Atmospheric engine control unit ecm pcm h#6667440 node c.

Silly speed and pitch manipulation of a standard car horn to create a siren effect. More like a drunken car horn than a siren. Multi-tonal electric siren increasing and decreasing in pitch. Steady, long whine. Sounds like a child's remote controlled radio.

70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.

Driver a-na dual hadata katawa paal oyaloy alkaal xatala waoy kaal na-kaal redcurve bluecurve aa-al percolator xawa xanaxa taraxail xarazana aa-el naha nama nahama nahamataaeshilta nahamain aaa pilote navigator pattern dongle p-x.

Quindar sounds were used by nasa for controlling the ground station transmitters that allowed communication with spaceships through the space shuttle era. Fiber optic cable has made quindar sounds obsolete. This sound, at 2525 hz, was generated when the capsule communicator pressed the ptt button on his microphone, and the pitch told the ground station transmitters to start broadcasting. You can read more about quindar sounds at https://www. Hq. Nasa. Gov/alsj/quindar. Html. This sound was generated in audacity.