Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.
Cymbal cymbals drums one-shot bowed percussion metal drum sample sabian splash ride china crash meinl paiste bell zildjian special hit sound groove beat.
This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.
The gong sound comes from a 32" paiste brilliant gong played by jens zygar in the former red house studio in gelsenkirchen recorded by christian wagner.
Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.